William "Wild Bill" Elliott Movies
Western star "Wild Bill" Elliott was plain Gordon Elliott when he launched his stage career at the Pasadena Playhouse in 1928. Under his given name, he began appearing in dress-extra film roles around the same time. While he had learned to ride horses as a youth and had won several rodeo trophies, movie producers were more interested in utilizing Elliot's athletic skills in dancing sequences, in which the still-unbilled actor showed up in tux and tails. Beginning in 1934, Elliot's film roles increased in size; he also started getting work in westerns, albeit in secondary villain roles.In 1938, Elliot was selected to play the lead in the Columbia serial The Great Adventures of Wild Bill Hickok, in which he made so positive an impression that he would be billed as "Wild Bill" Elliott for the remainder of his cowboy career, even when his character name wasn't Bill. Elliott's western series for Columbia, which ran from 1938 through 1942, was among the studio's most profitable enterprises. Fans were primed to expect an all-out orgy of fisticuffs and gunplay whenever Elliott would face down the bad guy by muttering, "I'm a peaceable man, but..." Elliott moved to Republic in 1943, where he continued turning out first-rate westerns, including several in which he portrayed famed fictional do-gooder Red Ryder.
In 1945, Elliott began producing his own films, developing a tougher, more jaded characterization than before. A longtime admirer of silent star William S. Hart, Elliott successfully emulated his idol in a string of "good badman" roles. The actor's final western series was a group of 11 above-average actioners for Monogram in the early 1950s, in which Elliott did his best to destroy the standard cowboy cliches and unrealistic Boy Scout behavior symptomatic of the Roy Rogers/Gene Autry school. During his last days at Monogram (which by the mid-1950s had metamorphosed into United Artists), Elliott appeared in modern dress, often cast as hard-bitten private eyes. In 1957, Bill Elliott retired to his huge ranch near Las Vegas, Nevada, where he spent his time collecting western souvenirs and indulging his ongoing hobby of geology. ~ Hal Erickson, All Movie Guide
A master blend of high comedy and tense emotional drama, A Letter of Introduction reteams Adolphe Menjou, Andrea Leeds, and Edgar Bergen & Charlie McCarthy, who'd previously costarred in the negligible Goldwyn Follies. Menjou plays John Mannering, a Barrymoresque actor who years earlier had divorced his wife and severed his relationship with his daughter Kay (Andrea Leeds). Now a grown woman, Kay aspires to an acting career, fully determined to make it on her own without her father's help. She goes so far as to change her last name to Martin, and to keep her actual relationship to Mannering a secret from the public. This set-up leads to a dizzying series of complications, including the breakup of Mannering's romance with a tootsie named Lydia Hoyt (Anne Sheridan), who falsely assumes that Kay is Mannering's mistress, and Kay's own romantic travails with vaudeville hoofer Barry Paige (George Murphy). Meanwhile, Kay's ventriloquist friend Bergen and his dummy McCarthy rise to superstardom on radio. It is, in fact, Bergen and Charlie who are instrumental in reuniting the estranged Mannering and Kay, paving the way for the film's tear-stained conclusion. Unavailable for many years, A Letter of Introduction re-emerged on the Public Domain circuit in 1975. ~ Hal Erickson, All Movie Guide
- Starring:
- Adolphe Menjou, Andrea Leeds, (more)
- 1941
The taciturn William Elliott stars in this above-average entry in Columbia's "Wild Bill Hickock" B-Western series. Returning to town with Larry Armstrong (Richard Fiske), an old friend he has just saved from a lynch mob, Hickock learns that Mitch Carew (Dick Curtis), a prison parolee, has killed Dan Woodworth (John Dilson), and is now attempting to buy Woodworth's store as a front for his nefarious schemes. Larry, who is embittered about the low wages being paid by the area's ranchers, opts to join Carew's gang of thugs. Wild Bill, meanwhile, is courting Woodworth's Eastern-bred niece Ann (Luana Walters), but the girl scoffs at his old-fashioned western ways. Alarmed that Larry has been involved in a stage robbery, Bill arranges to meet his old friend. Their rendezvous turns hostile and as Wild Bill is about to leave, Stringer (Leroy Mason), one of Mitch's stooges, takes a shot at him. Returning fire, Bill accidentally shoots and kills Larry. Blaming himself for the death of his friend, Bill vows to bring Mitch to justice. But when Ann once again denounces her suitor's western code of ethics, Bill offers to give up his guns and become "a peaceful man." When he learns that Mitch is waiting for him, our hero straps on his guns once again and goes to meet his destiny. A shootout in the street finally ends Mitch's reign of terror. Realizing that he will never be able to forsake the code of the west, Bill bids Ann a fond farewell and leaves town. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Luana Walters
- 1935
In this rollicking adaptation of Ring Lardner's short story, Joe E. Brown plays an ace baseball player whose insistence upon making up excuses earns him the nickname "Alibi Ike." In the course of his first season with the Chicago Cubs, Brown also falls in love with Olivia De Havilland, sister-in-law of the team's manager. Brown's "alibi" habit prompts De Havilland to walk out on him, whereupon he goes into a slump-- which coincides with attempts by gamblers to get Brown to throw the World Series. The plot weaves its way towards a climax in which Brown escapes the gamblers by commandeering an ambulance and driving onto the ball field during the final Series game. Alibi Ike was the most successful of Joe E. Brown's "baseball trilogy" (which included Elmer the Great and Fireman Save My Child), and one the best baseball comedies of all time. ~ Hal Erickson, All Movie Guide
- Starring:
- William Frawley
- 1927
This western is one of Tom Mix's most inventive and certainly among his most off-beat. This time he plays a California breeder of polo ponies in love with a society gal. The cowboy saves the day when a member of her brother's polo team is injured during an important match. Mix immediately replaces him and amazes the audience with his spectacular riding stunts. In the story's highlight, he and his talented horse Tony chase the bad-guy through the many rooms and even up the great staircase of a big California mission. ~ Sandra Brennan, All Movie Guide
- Starring:
- Tom Mix, Dorothy Sebastian, (more)
- 1945
The standard Roy Rogers musical western Bells of Rosarita is enlivened by a cute last-reel gimmick. Rogers is appropriately cast as a cowboy star who invariably rescues the heroine from the villain in his movie vehicles. But when Sue Farnum (Dale Evans) is cheated out of her inheritance by the duplicitous business partner (Grant Withers) of her deceased father, Roy finds out with startling suddeness that Real Life isn't like the movies. In order to rescue this genuine damsel in distress, Rogers enlists the aid of his fellow Republic sagebrush stars Wild Bill Elliot, Allan Lane, Don "Red" Barry, Robert Livingston, and Sunset Carson-each astride his own "celebrity" horse. So well-received was the climactic "hero rally" in Bells of Rosarita that the device was repeated again and again by Republic, most memorably in the 1950 Rogers starrer Trail of Robin Hood. ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Rogers, George "Gabby" Hayes, (more)
- 1941
That "Peaceable Man," William "Wild Bill" Elliott, once again plays Wild Bill Hickock in this fine B-Western from Columbia Pictures. This time, sidekick Cannonball (Dub Taylor) discovers that two old enemies, swindlers Cord Crowley (Bradley Page) and Jeff Adams (Frank LaRue), are fooling the good folks of Lodestone into believing that they are solid citizens. When the banker, Jason Perry (John Dilson), refuses to heed Wild Bill's warning, the peaceable man is forced to show his hand. Adams is the first to blink and when confronted with his criminal record, the veteran crook commits suicide. Crowley proves a tougher nut to crack, but, as always, Wild Bill gets his man in the end. Taking a breather from the action, Dub Taylor performs his own "The West Gets Under My Skin," while suffering the consequences of a flee-ridden cowhide west. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Art Mix, Bud Osborne, (more)
- 1954
Neither a B nor an A picture, Bitter Creek is a solid western programmer, offering an excellent, unglamorized performance by Wild Bill Elliot. Though officially prohibited to do so by the Production Code, the film is motivated by revenge. Elliot arrives in Bitter Creek seeking retribution for the murders of his brothers. He suspects that powerful rancher Carleton Young is responsible, but has no proof. In the course of events, Elliot behaves with the same cold-blooded ruthlessness as the villains, with no concessions made to the kids in the audience: this, of course, results in a far more powerful film than usual. Beverly Garland is well cast as the vacillating heroine who believes in Young's innocence until it's almost too late. ~ Hal Erickson, All Movie Guide
- Starring:
- William "Wild Bill" Elliott, Carleton Young, (more)
- 1937
A superior Gene Autry Western in every way, Boots and Saddles features child prodigy Ra Hould (aka Ronald Sinclair) as Edward, Earl of Granville, a young Briton arriving in the West to claim his inheritance: a sprawling ranch. Foreman Gene Autry and sidekick, Frog Millhouse (Smiley Burnette), who had promised Master Edward's late father that they would turn the boy into a true Westerner, are shocked by the young nobleman's haughty demeanor and his plan to sell the indebted property to the highest bidder. Gene, however, manages to change the boy's mind in the last minute, much to the dismay of the potential buyer, Jim Neale (William Elliott), a wealthy neighbor to whom Edward's father was indebted. Planning to sell ponies to the army, Gene, Frog, and young Edward quickly alienate the local commander, Colonel Allen (Guy Usher) , whose daughter, Bernice (Judith Allen), Gene mistakes for a servant wench. Allen, however, changes his mind about purchasing Gene's horses after observing the wonder horse Champion in action, proposing instead a race between Gene, Neale, and their crews for the profitable contract. Not about to lose out to Gene, his rival for Bernice's attentions, Neale decides to play dirty but Gene still manages to win the race. At the finishing line, Frog reveals Neale's treachery, and Bernice and Gene make up. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Merrill McCormack, Gene Autry, (more)
- 1943
The 1943 Republic westerns of "Wild Bill" Elliot maintained a high batting average, and Bordertown Gunfighters was no exception. Elliot is cast as an undercover government agent, assigned to stop a gang of swindlers who've been preying on Mexican immigrants. The villains aren't averse to committing murder, and on several occasions resort to drastic measures to put Wild Bill out of the way. But our hero isn't so easily killed, nor is his grizzled ol' sidekick Gabby Hayes. The leading lady this time out is Anne Jeffreys, on the verge of bigger things, while the villainy is in the capable if grubby hands of Ian Keith and Harry Woods. ~ Hal Erickson, All Movie Guide
- Starring:
- George "Gabby" Hayes, Anne Jeffreys, (more)
- 1931
A WWI American nurse stationed in London (Constance Bennett) meets a handsome flier and finds only sorrow in this three-hanky melodrama. She gets pregnant; then the flier disappears during a mission and she must bear her child alone. Time passes and eventually, she reluctantly agrees to marry a disabled British officer. Not long afterward, her true love reappears (not dead, after all) and many complications ensue. ~ Sandra Brennan, All Movie Guide
- Starring:
- Constance Bennett, Joel McCrea, (more)
In this urban drama, a teenage street punk learns a valuable lesson about the dangers of crime. Jackie Cooper is the tough gangleader with political aspirations. He tries to get himself involved in the graft and corruption of local city government. He almost dies after he is plugged by a gangster. That is the turning point in his life. He decides to forego the crooked path for the straight and narrow. He takes his sweetheart along for the ride. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jackie Cooper, Maureen O'Connor, (more)
- 1935
Joe E. Brown's extensive circus and burlesque training serve him well in this familiar but likeable yarn. Brown and Ann Dvorak stars as small-time vaudevillians Joe and Fay Wilson, presently employed by a seedy burlesque troupe. Also on tour with the Wilsons is society girl Peggy (Patricia Ellis), who's merely joined the troupe for a few laughs. Publicity agent Daniel Wheeler (William Gargan) offers Joe a big-time contract, but only if he will team up with Peggy. Surprisingly, Fay goes along with this, though she soon has reason to regret her generosity. The film's many intrigues give way to slapstick when Joe commandeers an airplane to expedite a reconciliation with his ever-loving spouse. The film's comic highlight is Joe E. Brown's "drunken mouse" routine, which later caused him courtroom trouble when comedian Bert Wheeler insisted that the bit was his personal property. ~ Hal Erickson, All Movie Guide
- Starring:
- Joe E. Brown, Ann Dvorak, (more)
- 1935
A tuneful taxi driver secretly works to achieve his dream of becoming a radio singer in this musical comedy. One day he gives a radio station secretary a lift. She prattles on about a sponsor's new contest. The sponsor, a prominent cheese company, is looking for a singing gondolier to participate in their newest campaign. Later the secretary and the head cheese go to Venice to look for the real McCoy, unaware that the determined cabbie is already there waiting for them. Sure enough, they are fooled and he is hired. Things go really well until he feels compelled to tell the truth during a major broadcast. Songs include: "Lulu's Back in Town", "The Rose in Her Hair", "Lonely Gondolier", and ""You Can Be Kissed"". ~ Sandra Brennan, All Movie Guide
- Starring:
- Dick Powell, Joan Blondell, (more)
- 1929
Filmed back-to-back with the similar The Broadway Hoofer, Broadway Scandals marked the first musical production from then-Poverty Row company Columbia Pictures and the feature film debut of popular Broadway emcee Jack Egan. Egan plays Ted Howard, a vaudevillian left stranded in a tank town. A local girl, Mary (Sally O'Neil), proposes to finance a new act with her savings and the team succeeds in a minor way until Ted is discovered by Broadway femme fatale Valeska (Carmel Myers). Not wishing to stand in her partner's way, Mary nobly resigns from the act and instead accepts a minor role in the show. She proves a sensation on opening night, however, and a jealous Valeska demands her ousted. But Ted, who is in love with Mary, reorganizes their old act and they begin a new life together as man and wife. Despite such songs as "Can You Read in My Eyes", by Sam Coslow, "Kickin' the Blues Away", by David Franklin, and the inimitable "Does Elephants Love Peanuts?", Broadway Scandals failed to make much of an impact and played mainly in the hinterlands. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Sally O'Neil, Jack Egan, (more)
Two-fisted New York police detective Edward G. Robinson is so volatile that he manages to get himself thrown off the force in disgrace. The local gangsters are delighted, in that Robinson had been breathing down their necks. When Robinson goes to crime boss Barton MacLaine insisting that he's through with law enforcement and wants to switch to the other side, MacLaine's chief henchmen Humphrey Bogart doesn't buy the story, but has to go along since he doesn't want to incur the wrath of MacLaine. Robinson offers to show his former enemies how to circumvent the law, making him an invaluable participant in gang activities. Actually, Robinson hasn't gone crooked at all; he's operating undercover, with the full knowledge of the city police inspector, in hopes of locating the "big boys" who've been financing the mob. His diligence costs him his life, but Robinson, with the help of bad-girl-gone-good Joan Blondell, busts the rackets wide open. Former crime reporter Martin Mooney was responsible for the story upon which Bullets or Ballots was based. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Barton MacLane, (more)
- 1946
All 7 "Red Ryder" B-westerns of the 1946-47 season were directed by R. G. Springsteen. All were written by veteran Earl Snell. And, all starred Allan "Rocky" Lane, returning to the series after briefly being replaced by Bill Elliot. Bobby Blake co-starred in these seven films as Ryder's young Indian chum Little Beaver, while Martha Wentworth filled the role of the Duchess. Each film had a historical slant, covering different eras in frontier history--even though costumes of the principal characters never changed. The self-explanatory California Gold Rush is set in 1849. Ryder heads to Sutter's Mill, where he must contend with claim-jumping and treachery. ~ Hal Erickson, All Movie Guide
- 1956
Calling Homicide was another of Bill Elliot's "working-man detective" efforts of the 1950s. This time, Elliot plays LA sheriff's department operative Lieutant Doyle. While searching for a cop killer, Doyle discerns a connection between the first murder and the strangling of a pretty model. The villain's modus operandi involves dynamite and nitroglycerine, leading to quite a few hairy suspense sequences. One of the victims is played by Jeanne Cooper, future TV soap opera doyenne and the mother of actor Corbin Bernsen. Calling Homicide benefits from the brisk direction of Edward Bernds. ~ Hal Erickson, All Movie Guide
- Starring:
- Don Haggerty, Kathleen Case, (more)
- 1943
Wild Bill comes to the rescue when his friend needs him to take care of a crook in this western. ~ Kristie Hassen, All Movie Guide
- 1935
Ceiling Zero is an adaptation of the Broadway play by Frank "Spig" Wead. James Cagney and Pat O'Brien are supremely typecast as, respectively, Dizzy Davis, a cocky civil aviator and Jake Lee, a sober-sided ground commander. Dizzy ducks out of a dangerous mission in order to dally with pretty Tommy Thomas (June Travis). Texas Clark (Stuart Erwin) takes Dizzy's place, and the unpolished young pilot dies in a fiery wreck. Disgraced in the eyes of his co-workers after Clark's death, Dizzy redeems himself by taking a crucial test flight in fog-laden "ceiling zero." Dizzy dies a hero, leaving behind his pal Jake to deliver the eulogy. Isabel Jewell co-stars as Clark's wife, given yet another opportunity to shake the rafters with her emotionally supercharged acting. Ceiling Zero was remade in a wartime setting as International Squadron (1940). ~ Hal Erickson, All Movie Guide
- Starring:
- James Cagney, Pat O'Brien, (more)
- 1957
Former "Henry Aldrich" James Lydon is cast against type as a mean-spirited reform school alumnus in Chain of Evidence. Despite the boy's volatile temper, police lieutenant Bill Elliot is convinced that Lydon is a good kid underneath. Elliot's faith in his fellow man is sorely tested when Lydon is accused of murdering businessman Hugh Sanders at the urging of Sanders' craven wife Tina Carver. With the help of Lydon's girlfriend Claudia Barrett, Elliot follows the chain of evidence in hopes of proving the boy's innocence. This Allied Artists programmer was originally released on a double bill with Dragoon Wells Massacre. ~ Hal Erickson, All Movie Guide
- Starring:
- Don Haggerty
- 1944
Bill Elliot is back as Red Ryder in Cheyenne Wildcat. Also back are Ryder's perennial cohorts Little Beaver (Bobby Blake, later Robert Blake of Baretta fame) and the Duchess (Alice Fleming). When not pummeling the bad guys, Ryder is the reluctant apex of a love triangle. It's formula stuff all the way, socked across with ingenuity by director Leslie Selander. Cheyenne Wildcat is especially fun to watch during the finale, when Republic's battery of stunt experts take over. ~ Hal Erickson, All Movie Guide
- 1931
Never one to hide his talent under a bushel basket, director Rouben Mamoulien proudly proclaimed that, while there were ten killings in his 1931 gangster drama City Streets, the audience never sees any of them. This was not the only innovation in this fascinating early talkie, in which straight-arrow movie hero Gary Cooper is cast as a racketeer known only as The Kid. He has chosen a life of crime out of love for Nan (Sylvia Sidney), the daughter of mob henchman Pop Cooley (Guy Kibbee). Eventually railroaded into prison by her crooked cohorts, Nan implores The Kid to give up the rackets, but he refuses. Things go downhill very rapidly after that, culminating with The Kid and Nan being taken "for a ride" by rival thugs. Cast in a role originally intended for Clara Bow, Sylvia Sidney does a magnificent job and was soon typecast as a downtrodden Depression victim, born with two strikes against her. Conversely, Gary Cooper never again played anything quite like "The Kid." ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Sylvia Sidney, (more)
- 1945
An interesting entry in Republic Pictures' long-running "Red Ryder" B-Western series, this film is not about hardy settlers braving the Colorado winters, as the title would suggest. Instead it's a sort of Reform School Western about a couple of wayward Chicago boys (Billy Cummings and Freddie Chapman) taken in by Ryder's indomitable aunt, "The Duchess" (Alice Fleming. The boys escaped their very own "Fagin," Bull Reagan (Roy Barcroft), and were given a second chance on the lady's Western ranch. Unfortunately, Reagan returns to do a bit of cattle rustling, once again luring the boys into becoming his accomplices. The stalwart Ryder (William Elliot and his young Indian sidekick, Little Beaver (Robert Blake), come to their rescue, and the real villain is soon put away. Interestingly, at one point in the film, Ryder and his aunt are (unjustly) accused by the townspeople of exploiting their youthful ranch hands. Buckwheat Thomas of Our Gang fame, plays a character named Smoky. ~ Hans J. Wollstein, All Movie Guide
- 1946
Red Ryder and his comical sidekick take on a new batch of bad-guys in this western, the 16th in the Red Ryder series. This time the heroic duo try to save a female rancher from a greedy financier who wants her land so he can exploit the enormous oil fields lying under it. ~ Sandra Brennan, All Movie Guide
