Shawn Elliott Movies

With his English-language political thriller The Feast of the Goat, action helmer Luis Llosa cinematizes Mario Vargas Llosa's sweeping, epic novel about the myriad of events leading up to the assassination of a real-life tyrannical despot. The story opens in 1992, when a Dominican émigré attorney, Urania Cabral (Isabella Rossellini) leaves her new home in the U.S. and heads back to her native country, for the first occasion in decades. She intends to confront her father, 80-year-old Augustin (Tomas Milian), about his former employment in the government of the supremely corrupt dictator Rafael Leonidas Trujillo (Tomas Milian). The film then flashes back to the events surrounding the assassination of Trujillo on a highway in late May of 1961, by delving into the lives and motives of each of the participants - from Amadito (Juan Diego Botto), whom Trujillo forced to execute his future brother-in-law, to that victim's father (Murphy Guyer), to Antonio (David Zayas), the brother of an incriminating witness whom Trujillo's men executed. One by one, as their stories are disinterred, the assassins gather on a nighttime road, brandishing guns, and prepare to shoot Trujillo and throw his body into the trunk of a car. Paul Freeman, Stephanie Leonidas and Richard Bekins co-star; Llosa co-authored the script with Augusto Cabada and Zachary Sklar. ~ Nathan Southern, All Movie Guide

A man trying to run away from trouble finds it follows him in unexpected ways in this action-packed vehicle for comic actors Eddie Griffin and Orlando Jones. Daryl Chase (Jones) is a successful investment banker who handles international accounts for a major New York firm. Chase discovers to his surprise that one of his biggest clients, a company from Mexico, is actually a front for a cartel of drug smugglers; Chase realizes too late that he's been framed for money laundering, and is now wanted by the FBI. Chase is soon approached by a CIA agent, who thinks Chase's relationship with the Mexican drug kingpins might prove useful, but when his local contact disappears, Chase has to make his way to Mexico in order to save his skin and hopefully clear his name. Needing a new identity to get out of town and across the border, Chase obtains a stolen passport -- and soon learns the man whose name he's using is in even deeper trouble with the law than himself. With nowhere else to turn, Chase asks streetwise hustler Freddie Tiffany (Griffin) to help him get out of town; Chase will pretend to be Freddie, while Tiffany will pose as a businessman like Chase. However, Chase finds out Tiffany isn't the man he thought he was, and that his sticky situation is even more perilous and fraught with secrets than he imagined. Double Take was inspired by the 1957 drama Across The Bridge, which was in turn based on a novel by Graham Greene; the supporting cast includes Edward Herrmann, Gary Grubbs, Garcelle Beauvais, and Daniel Roebuck. ~ Mark Deming, All Movie Guide

A certain high-profile murder which peripherally involved a well-connected political family was the obvious inspiration for this episode. Under orders from their higher-ups, Briscoe (Jerry Orbach) and Green (Jesse L. Martin) reopen a 20-year-old murder investigation. The principal suspect at the time was the spoiled teenaged son of a powerful U.S. ambassador (Remak Ramsay). The question: Considering the age of the suspect when the killing occurred, should he be tried in juvenile court even though he is now well into adulthood? ~ Hal Erickson, All Movie Guide

A police officer is killed and a hired driver kidnapped during a carjacking. Detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) manage to capture one of the perpetrators, who offers to reveal the whereabouts of the missing driver to Assistant D.A. Ross (Carey Lowell) in exchange for immunity on the cop-killing charge. This potential deal results in much professional grief for Ross' partner Jack McCoy (Sam Waterston). Edie Falco returns in the role of defense attorney (and McCoy's ex-lover) Sally Bell. ~ Hal Erickson, All Movie Guide

Love, lust, loyalty, and betrayal are the themes of this tense adult drama. Joe (Edward James Olmos) and Betty (Maria Conchita Alonso) are a married couple living in Jersey City; Joe runs a fish market, and Betty wishes that Joe showed as much interest in her as he does in his business, since she feels the spark has died in their relationship. They have a grown son, Danny (Steven Schub), who has moved to Los Angeles in hopes of making it big as a standup comic. One day, a guy named Nick (Arie Verveen), who is trying to avoid the police, happens into Joe's store. Joe senses that he's not a hardened criminal, just a kid with a long history of bad luck, so he takes pity on him and gives him a square meal. He genuinely likes Nick and offers him a job in his store; the pay isn't much, but, since Danny's room is empty, he can throw in free room and board. Nick gratefully accepts, and Joe soon discovers that he's found someone special, as Nick shows a natural talent for the fish business. Betty also thinks that Nick is someone special; while Betty loves Joe, and Nick is grateful to him, an attraction between the two leads to a passionate affair. As Nick and Betty both find themselves betraying Joe despite their affection for him, Danny returns from California, hoping to take his room back, and immediately sensing that something is wrong. ~ Mark Deming, All Movie Guide

An autistic youth dies while in custody, leading Briscoe (Jerry Orbach) and Logan (Chris Noth) to investigate the clinic where the victim was being treated. The clinic's head, Dr. Alan Colter (Lawrence Pressman), has been known to use radical and possibly illegal therapies on his patients, most of these "treatments" involving electric shock. The D.A. office's efforts to tie Colter together with the victim's death are complicated by the lack of cooperation from the parents of Colter's patients. ~ Hal Erickson, All Movie Guide

While visiting New York, a Japanese nightclub owner is murdered. The detectives follow the trail of clues to a singer who once worked for the victim. The Defense tries to free the woman using the "battered woman syndrome" argument -- a strategy disdainfully dismissed by Assistant D.A. McCoy (Sam Waterston) as "revenge dressed up in smoke and mirrors." ~ Hal Erickson, All Movie Guide

In what is arguably the most shocking third-season episode of Law & Order, NYPD detective Phil Cerreta (Paul Sorvino) goes undercover, posing as an illegal weapons buyer to nab an elusive Colombian hitman (Carlos Sanz). Things go horribly awry, and Cerreta is shot -- twice. Without giving any more of the plot away, it can be noted that this episode represented the final regular series appearance of co-star Paul Sorvino. ~ Hal Erickson, All Movie Guide

Actress Sondra Locke directed this visceral film noir about undercover cop Lottie Mason (Theresa Russell). A narcotics cop with the LAPD, she works a second shift at night as an undercover vice cop. Lottie works the bars and lures johns into the arms of the law. But her life is in a rut, and she would love to act on impulse like the narcotics and vice personas she adopts daily on the job. During the course of her duties, she begins a romantic relationship with district attorney Stan Harris (Jeff Fahey), who gets her involved with a case he is working on against a drug lord. But Stan is too nice to her, and she bolts from his apartment and into the nearest bar. After a few slugs of whiskey, she decides that for this one time, she will play out the role as a hooker, take a john to her apartment, and take the money. A guy saddles up to her and she goes back to his house. But the man happens to be the same drug kingpin Stan is building his case against. He is soon murdered, and she is left with a dead body and a case with $900,000 in drug money. ~ Paul Brenner, All Movie Guide

The Dead Pool is the fifth and (thus far) the last of Clint Eastwood's Dirty Harry movies. A sports pool is placing bets on which famous person will die next. Suddenly a serial killer who preys upon celebrities enters the scene, radically (and perhaps deliberately) changing the odds in the pool. As a celebrity of sorts, maverick cop Dirty Harry Callahan becomes a target of the killer, as does high-profile TV journalist Patricia Clarkson. Surprises are at a minimum in The Dead Pool; the film gets down to business quickly, moves logically if violently towards its climax (with a spectacular car-chase sequence thrown in for good measure), and delivers exactly what its fans expect. One major difference between this film and the earlier Dirty Harry epics is that the murders are committed in so outrageous a fashion that the picture seems at times to be a Freddie Krueger vehicle. ~ Hal Erickson, All Movie Guide

Arrested on a robbery-murder charge, Wally Grimes (J.E. Freeman) beats the rap due to lack of evidence. In the midst of his efforts to nail Grimes and send him to death row, Hunter (Fred Dryer) finds time to rekindle his romance with former girlfriend Terri (Leigh Christian), who, unbeknownst to the detective, has been targetted for assassination by a Colombian drug dealer. Ultimately, Terri is gunned down--and the vengeful Hunter is convinced that Grimes is responsible! ~ Hal Erickson, All Movie Guide

Ruben Blades stars in this low-budget independent salsa musical (filmed in Spanish Harlem at a cost of $600,000), chronicling the rise and fall of a salsa artist who wants to hit the big time. Blades plays Rudy Veloz, a salsa musician who grabs one-night gigs in Latino nightclubs. He idolizes Julio Iglesias and dreams of putting together a band that will incorporate a blend of musical styles so that Rudy can crossover to mainstream commercial success. However, he is warned by his mentor, Cheo Babalu (Virgilio Marti), that his music is garbage and that he should write from the soul. Rudy ignores him, pursuing his passion for middle-of-the-road success. Rudy is noticed at a concert by a record producer, who puts out a successful single of one of Rudy's tunes. The success of the single goes to Rudy's head, and he walks out on his loyal girlfriend Liz (Elizabeth Pena) and drops his long-time manager, Ray (Frank Robles). But Rudy can't match his hit single with another crossover tune and his producer drops him. Without support of the producer or his friends, Rudy falls back into obscurity. ~ Paul Brenner, All Movie Guide

This documentary on human rights abuses in Guatemala is narrated by Rigoberta Menchú, winner of the 1992 Nobel Peace prize for her courageous struggle against the military regime in her country. Menchú is a Native American and in this documentary, it is explained that three of her family members were killed during the long fight against the repressive government. One segment of the film shows the bodies left in the wake of a government massacre of civilians. Menchú maintains that as long as the U.S. continues to support the Guatemalan government with military or economic aid, the lives of civilians will continue to be the cost of that support. Two fictional segments in the film illustrate U.S. concerns about business and corporate interests, rather than with human rights. ~ Eleanor Mannikka, All Movie Guide