Jane Elliot Movies

In a gender-reversed version of his previous hit Pretty in Pink, John Hughes retreads all-too- familiar ground in Some Kind of Wonderful, the story of a sensitive, young would-be artist, Keith (Eric Stoltz), who vies for the affection of his high school's popularity queen, Amanda (Lea Thompson), seemingly out of some deep-rooted insecurity regarding his social ineptitude. He enlists the help of his butch best friend and fellow misfit, Watts (Mary Stuart Masterson), unaware that she secretly pines for him. While she goads him to give up his pointless pursuit of Amanda, he encounters one other small obstacle -- Amanda's rich bully of a boyfriend, Hardy (Craig Sheffer), who threatens Keith with a face rearrangement. Undeterred, Keith decides he will, by any means necessary, escort his dream girl to the prom -- but not before he buys her expensive jewelry with the money from his college fund in order to impress her. (Hughes expects the audience to side with Keith when his father protests.) Some Kind of Wonderful is pure fantasy, but the plot is too tired and flawed for it to be completely satisfactory escapism. Still, the performances are all-around good and the ending is slightly more likeable than its predecessor's. Hughes decided to use the original Pretty in Pink ending, which had been dropped from the original after poor audience response at the advance screenings. ~ Jeremy Beday, Rovi

When his mother is wrongly accused of jewel theft, a young blind boy must discover the identity of the true thief and clear his mother's name. ~ Iotis Erlewine, Rovi

In this made-for-television drama, a doctor feverishly works to save a city from a potentially devastating epidemic. ~ Sandra Brennan, Rovi

A woman struggles to rebuild her life after her husband leaves her in this drama. Amy Brower (Trish VanDevere) is a 27-year-old woman who thinks that her marriage to James (Paul Jenkins), a college professor, is a happy one until he unexpectedly files for divorce after falling for one of his students. On her own for the first time in her life, Amy is introduced by her best friend Madge (Jane Elliot) to a support group for divorced women, but the bitterness of Gert (Janet Leigh), the group's leader, doesn't make her feel much better; her search for a career proves just as unsatisfying. Amy finds friendship and solace with Joseph Provo (Melvyn Douglas), an elderly man whose wife of 40 years recently passed on and is also dealing with loneliness, and she dips her toes back into dating when she meets Howard Carpenter (Monte Markham) at an art gallery, and he shows a keen interest in her, though he seems more interested in her body than her mind. Trish VanDevere's performance earned her a Best Actress nomination at the 1973 Golden Globe Awards. ~ Mark Deming, Rovi

Dr. John Carpenter (Elvis Presley) helps the economically disadvantaged in an inner-city medical clinic. Three nuns are assigned to help out at the facility and are allowed to wear regular clothes instead of the traditional habits. Sister Michelle (Mary Tyler Moore) is the speech therapist who Dr. Carpenter would like to examine personally after hours. Along with the other sisters (Barbara McNair and Jane Elliot), Michelle is subjected to the criticism of the local parish priest (Regis Toomey) in the social experiment of non-traditional dress. Two spinsters even mistake the nuns for prostitutes without their habits. The priest wins out in the end, and the nuns must again don their habits. As the good doctor sings to the ailing children, Sister Michelle is transfixed both by a crucifix hanging on the wall and by Elvis Presley in an ironic and symbolic scene that flashes between the two icons. This was Presley's last studio feature and he welcomed the move from stifling screen images as he returned his focus to live performances and recording for the remainder of his illustrious career. ~ Dan Pavlides, Rovi