Peter Krause

The Darling family is an absurdly wealthy and powerful clan who get whatever they want, including the services of reluctant lawyer Nick George. The first season sees Nick run damage control during several scandals involving sex tapes, illegitimate babies, and even a Darling heir's transgendered lover.

A dying man entrusts a straight-shooting police detective with the key to a timeless mystery, thrusting the unsuspecting lawman into a deadly world where everyday objects have an unusual influence over reality as the result of an inexplicable rift in time and space. By all accounts the Sunshine Motel was one indistinguishable from any one of the countless other roadside lodges which dot Route 66. On the typical morning of an otherwise ordinary day, however, the contents in room ten of the Sunshine Motel are suddenly transformed into indestructible objects of immeasurable value. There's a comb with the power to stop time when the user runs it through their hair, and a pair of glasses that can inhibit combustion anywhere in a twenty-yard radius. When Police Detective Joe Miller (Peter Krause) is given the most powerful of all the objects - the key to room ten - he is quickly targeted for death by the various cabals that seek to collect the objects; some of the cabals want to collect to objects to achieve their own nefarious means, others simply to prevent them from falling into the wring hands. Things go from bad to worse for Detective Miller when his young daughter disappears in the room and he must race to solve the mystery of this strange phenomenon before he is caught in the crosshairs and his little girl disappears forever. ~ Jason Buchanan, All Movie Guide

The mysterious death of Lisa Fisher (Lili Taylor) -- revealed in the third-season finale, "I'm Sorry, I'm Lost" -- casts a dark shadow across the entire fourth season of this critically acclaimed HBO drama. As funeral director Nate (Peter Krause) grapples with single parenthood and the aftermath of his wife's apparent drowning, he makes his way back into the arms of ex-girlfriend Brenda (Rachel Griffiths). Their reunion does little to help Brenda's budding romance with a hunky neighbor (Justin Theroux), but it does plenty to upset Lisa's grieving family. Meanwhile, David (Michael C. Hall) finds his newfound domesticity with boyfriend Keith (Mathew St. Patrick) interrupted by a surreal carjacking incident. As David slowly cracks up, Keith goes out on the road to provide security for trashy pop star Celeste (guest star Michelle Trachtenberg), who at one point unexpectedly seduces him. Art-school student Claire (Lauren Ambrose), too, find herself batting for the other team when she takes up with audacious performance artist Edie (guest star Mena Suvari). The relationship doesn't last, but ex-boyfriend Russell (Ben Foster) does help Claire stumble upon the new artistic direction that will lead to her first gallery show. Fisher matriarch Ruth (Frances Conroy) slowly gets to know the real George Sibley (new series regular James Cromwell), whom she impulsively married before learning about his history of mental illness. Meanwhile, family man Federico (Freddy Rodriguez) finds his own marriage disintegrating after he gets caught up in an affair with a needy lap dancer (guest star Idalis DeLeon). With its even darker-than-usual storylines, apocalyptic imagery, and shocking revelations, the fourth season of Six Feet Under alienated some fans and critics. Nevertheless, the show remained a strong ratings performer during this slightly shorter, 12-episode run. ~ Brian J. Dillard, All Movie Guide

Love and death (and the problems they bring) remain the constants in the third season of the HBO drama series Six Feet Under. In season three, now that Federico (Freddy Rodriguez) has bought a 25 percent interest in the funeral home, the name changes from Fisher and Sons to Fisher and Diaz, and he sees to it that his presence is felt in the business. Nate (Peter Krause) has a series of bizarre and troubling dreams, and his relationship with Lisa (Lili Taylor) becomes strained; he becomes all the more conflicted in his feelings about her when she disappears en route to a visit with her sister. Keith (Mathew St. Patrick) and David (Michael C. Hall) hit a rocky patch in their romance, with the two trying counseling, vacations, and even threesomes in hopes of smoothing things out. Ruth's (Frances Conroy) loneliness manifests itself in not one but two romances. And Claire (Lauren Ambrose) finds her love life becoming quite complicated as she becomes involved with a crematorium employee as well as a troubled fellow student, and must also fend off the advances of a lecherous art teacher. The 13 episodes in the show's third season originally aired between March and June of 2003. ~ Mark Deming, All Movie Guide

The first season of HBO's critically acclaimed series Six Feet Under starts out with a bang; or, perhaps more appropriately, a crash, as the patriarch of the Fisher family (Richard Jenkins) is hit by an oncoming bus while driving the family hearse. Suddenly, his business -- Fisher & Sons, a family-owned California funeral home -- is left without an owner, and his survivors, of course, are left without a husband and father. The 'sons' portion of Fisher & Sons includes David (Michael C. Hall), who is still closeted after recently having come to grips with his homosexuality, and Nate (Peter Krause), who had left the morbid funeral trade and his anxiety-ridden mother, Ruth (Frances Conroy), for a career as a health-food store manager. Ultimately, his decision to come back and help the family cope with the elder Nate's (Jenkins) death sets the premise for the entire show; it isn't long before he's fully absorbed in the family business, consumed in a relationship with the quirky Brenda (Rachel Griffiths), and serving as a well-meaning, if distant, influence on Claire (Lauren Ambrose), his angst-ridden teenaged sister. In the meantime, the Fishers are individually affected, both directly and indirectly, by the continuous stream of cadavers into their household, which, along with the loss of their father, forces them to grapple with their own mortality and place in the world far more than most people would be prone to do. ~ Tracie Cooper, All Movie Guide

Peter Weir directed this comedy-drama, a commentary on all-pervasive media manipulation. Scripted by Andrew M. Niccol (Gattaca), the film plays like a combination of the British TV series The Prisoner and Paul Bartel's The Secret Cinema. Truman Burbank (Jim Carrey) is unaware that his entire life is a hugely popular 24-hour-a-day TV series. In this real-time documentary, every moment of Truman's existence is captured by concealed cameras and telecast to a giant global audience. His friends and family are actors who smile pleasantly at Truman's familiar catchphrase greeting, "In case I don't see you later, good afternoon, good evening, and good night!" Employed at an insurance company, Truman is married to merry Meryl (Laura Linney), and they live in the cheerful community of Seahaven, an island "paradise" where the weather is always mild and no unpleasantness intrudes. This is the basic situation of the series, which has grown over the years into a billion-dollar franchise for the TV network. As an unwanted pregnancy, Truman was adopted by the network and raised in the zoolike environment of a TV soundstage. Thus, the TV audience became hooked when Truman was very young. Now, at age 30, he still doesn't know he's a prisoner on an immense domed city-size soundstage, simulating Seahaven. Both the illusion and the ratings will collapse if Truman ever leaves Seahaven. In addition to elaborate events staged to make sure he stays put, Truman is given constant reminders of how wonderful Seahaven is compared to dangers in other parts of the world. However, his growing suspicions make him curious enough to try to leave, and the show's director and master manipulator Christof (Ed Harris) must constantly devise ways to thwart Truman's escape attempts. To enter the harbor, Truman must overcome his fear of water, intentionally instilled in him when his father "died" in a boating accident and was written out of the script. Exteriors were filmed in the Victorian-styled upscale community of Seaside, Florida. In addition to the Burkhard Dallwitz score, original music by Philip Glass and classical excerpts are also featured. ~ Bhob Stewart, All Movie Guide

Inspired by a motivational speaker, Drew (Drew Carey) decides to make himself indispensible to Winfred-Louder by coming up with a brilliant promotional idea: renting animal mascots to change the store's stuffy image. The subsequent "Bull and Camel" TV ads are a spectacular success, prompting Mrs. Louder (Nan Martin) to appoint Drew as head of promotion. Unfortunately, the pressure of coming up with great new ideas on a daily basis proves to be a bit beyond Drew's capacities--as witness his disastrous decision to have the far-from-housebroken mascots make a personal appearance at the store. ~ Hal Erickson, All Movie Guide