Frank Elliott Movies

Marlene Dietrich and Vittorio De Sica grace this comical yet dramatic Italian tale of a tumultuous love affair between two compulsive gamblers who meet in Monte Carlo. Though both are down on their luck, they dress affluently and that is what attracts them to each other. Romantic sparks fly until they learn the truth about each other. This leads Dietrich to begin an affair with a rich American widower. His teenage daughter falls for De Sica but he feels himself too old for her and rejects her. Eventually Dietrich and the American decide to marry, but before the wedding takes place, De Sica has a major winning streak. But being an addict, he does not know when to stop and begins losing again. Fortunately, his valet intervenes by knocking him unconscious. Later, when he awakens, De Sica vows that he will never gamble again and prepares to go home to his native Naples. When Dietrich learns this she is distraught and realizing she cannot marry the Yankee, tells him the truth about her feelings for De Sica thereby freeing herself to follow him. ~ Sandra Brennan, All Movie Guide

Darling, How Could You is an amiable adaptation of James M. Barrie's stage perennial Alice-Sit- By-the-Fire. Joan Fontaine and John Lund head the cast as Alice and Robert Grey, who return to London from a five-year sojourn at the Panama canal, where Robert, a doctor, has tended to the sick. Upon arriving home, Mr. and Mrs. Grey must become reacquainted with their ever-growing children, especially precocious teenager Amy (Mona Freeman). Having just seen a play about an errant wife, Amy misinterprets the attentions paid to her mother by young physician Steve Clark (Peter Hanson), leading to a bottomless reserve of whimsically comic complications. Long unavailable to TV due to legal hassles with the Barrie estate, Darling, How Could You has since lapsed into public domain, and is now more available than ever. ~ Hal Erickson, All Movie Guide

Based loosely on the Dostoyevsky novel, The Gambler stars Gregory Peck as a sensitive 19th-century Russian author. His "great sin" is gambling, which starts when he attempts to rescue aristocratic Ava Gardner from the gaming tables. He succeeds, only to lose himself to gambling fever, which costs him his friends, his reputation and his talent. Director Robert Siodmak was never happy with the screenplay for The Great Sinner, constant revisions bloated the film's rough-cut running time to nearly six hours! After Siodmak pared the film down, MGM insisted that the director reshoot the love scenes. Siodmak refused, thus the new sequences were filmed sans screen credit by Mervin LeRoy. ~ Hal Erickson, All Movie Guide

Set in pre-World War I Austria, this relatively sweet and cheerful film marks writer/director Billy Wilder's first and last try at musical comedy. Bing Crosby is Virgil H. Smith, a New Jersey-born phonograph salesman with a fox terrier mutt and orders to sell record players in Austria. Joan Fontaine is Johanna Augusta Franziska von Stoltzenberg-Stolzenberg, a countess with a bankrupt father and a black pedigree poodle that has just been picked to breed with the Austrian Emperor's (Richard Haydn) beloved black dog. Virgil and his fox terrier must convince the Emperor to buy a record player so that the product will gain favor amongst the Austrian people. Johanna must persuade her black poodle to mate with the Emperor's royal dog in order to ameliorate her father's financial woes. Virgil and Johanna have a love affair that overcomes class differences, opens up the phonograph market in Austria, and leaves the Emperor satisfied with a beautiful set of fox terrier puppies that could never have been the offspring of his own royal dog. ~ Aubry Anne D'Arminio, All Movie Guide

The Lodger was the third film version of Mrs. Marie Belloc-Lowndes' classic "Jack the Ripper" novel, and in many eyes it was the best (even allowing for the excellence of the 1925 Alfred Hitchcock adaptation). Laird Cregar stars as the title character, a mysterious, secretive young man who rents a flat in the heart of London's Whitechapel district. The Lodger's arrival coincides with a series of brutal murders, in which the victims are all female stage performers. None of this fazes Kitty (Merle Oberon), the daughter of a "good family" who insists upon pursuing a singing and dancing career. Scotland Yard inspector John Warwick (George Sanders), in love with Kitty, worries about her safety and works day and night to solve the murders. All the while, Kitty draws inexorably closer to The Lodger, who seems to have some sort of vendetta on his mind?..Some slight anachronisms aside (for example, the villain falls off a bridge that hadn't yet been built at the time of the story), The Lodger is pulse-pounding entertainment, with a disturbingly brilliant performance by the late, great Laird Cregar. ~ Hal Erickson, All Movie Guide

Our Hearts Were Young and Gay was based on the lighthearted joint autobiography of actress Cornelia Otis Skinner and humorist Emily Kimbrough. Gail Russell and Diana Lynn star respectively as Cornelia and Emily, two innocent but fun-loving young girls at loose in the Roaring 20s. The story concerns the girls' first trip abroad to London and Paris, and the various misadventures encountered therein. The more amusing moments involve a pair of rabbit-skin capes that begin shedding at the most inopportune moments, and a lengthy episode in which the girls are stranded atop Notre Dame Cathedral at midnight. And of course there's romance, in the form of handsome young doctor Tom Newhall (Bill Edwards) and college "Lothario" Avery Moore (James Brown). Also appearing are Charlie Ruggles as Cornelia's actor-father Otis Skinner and Dorothy Gish (whose talkie film appearances were sadly infrequent) as Mrs. Skinner. So well-received was Our Hearts Were Young and Gay that Paramount commissioned a 1946 sequel, Our Hearts Were Growing Up . ~ Hal Erickson, All Movie Guide

In this musical comedy, a musical comedy star is finally reunited with her estranged son whom she hasn't seen in 20 years. She is so happy she buys him a little restaurant which he and his friends turn into a dinner theater. Soon they make the place a great success. Songs include: include "Annabella," "It Makes No Difference When You're in the Army" (Johnny Lange, Lew Porter), "Put Your Trust in the Moon" (June Baldwin, Charles Callender), "Zis Boom Bah" (Elaine Cannon), "Good News Tomorrow," "I've Learned to Smile Again" (Neville Fleeson). ~ Sandra Brennan, All Movie Guide

Previously filmed in 1930 with Lawrence Tibbett and Grace Moore, the robust Sigmund Romberg operetta New Moon was given another airing in 1940 as Nelson Eddy-Jeanette MacDonald vehicle. Set in 18th century Louisiana, the story concerns the relationship between haughty plantation owner Marianne de Beaumanoir (MacDonald) and her handsome bondservant Charles (Eddy). Actually a French nobleman in disguise, Charles leads his fellow bondsman in revolt, commandeering a ship and heading out to sea. He ends up capturing a vessel carrying Marianne and a cargo of mail-order brides. Though the bondsmen and the brides get along just fine, the romance between Marianne and Charles is noticeably strained, but the French Revolution comes along to solve everyone's problems. The soaring Romberg musical score includes such favorites as "One Kiss", "Stout-Hearted Men" and "Lover Come Back to Me", all performed con brio by the stars. Comedian Buster Keaton, whose supporting role was cut from the final release print of New Moon, can still be glimpsed among the bondsmen. ~ Hal Erickson, All Movie Guide

Bing Crosby plays the melodic medico of the title. To help cover for his ailing policeman pal (Andy Devine), Crosby takes the policeman's latest assignment and becomes the bodyguard for a loopy but wealthy matron (Bea Lillie). Bing falls in love with the lady's niece (Mary Carlisle), expressing his ardor in song. When the older woman becomes the target of thieves, it's Bing to the rescue. Based on the O. Henry yarn "The Badge of Policeman O'Roon", Dr. Rhythm is a satisfactory Bing Crosby vehicle, with the legendary Bea Lillie permitted a few choice moments in a rare screen appearance. ~ Hal Erickson, All Movie Guide

The third of MGM's profitable Jeanette MacDonald/Nelson Eddy songfests, Maytime opens in the early 20th century, with a young girl arguing with her boyfriend over her wishes to become an opera singer. The girl's neighbor, a lonely old woman whom we gradually recognize as a convincingly "aged" Jeanette MacDonald, tells the girl of her own career in opera. The old lady was once the radiant young diva Marcia Mornay. In 1868 she was the toast of Europe, thanks to the tutelage of her voice instructor Nikolai Nazarov (John Barrymore). He proposes marriage, and Marcia accepts, more out of gratitude than love. In a euphoric pre-nuptial state, Marcia finds herself on Paris' Left Bank, where she meets handsome café crooner Paul Allison (Nelson Eddy). They meet again at a lavish Maytime festival, falling in love (to the accompaniment of Sigmund Romberg's most dazzling duets) in the process. Sadly, Marcia returns to Nazarov, while Paul goes off to America to lick his wounds. Seven years later, Marcia, making her New York debut in a fictional opera based on the works of Tchaikovsky, finds that the leading baritone is none other than Paul. Unable to envision life without her new love, Marcia begs Nazarov for a divorce. He smiles slyly and promises to give her her freedom-whereupon he heads to Paul's apartment and kills the poor fellow. The flashback done, Marcia advises her pretty young neighbor that one can never have both love and a career. Out of tragedy grows the happy ending, in which the spirit of the now-deceased Marcia is reunited with Paul in a blossom-filled Hereafter. On paper, Maytime may seem to be the ultimate in Hoke, but even in recent revival showings the film never fails to cast its spell over an audience. ~ Hal Erickson, All Movie Guide

Advertised by Paramount as "Another Lives of the Bengal Lancers," The Last Outpost actually has more in common with two RKO releases, Friends and Lovers and The Lost Patrol. The story takes place during the Kurdistan campaign in WW I. Left to die in the desert, British officer Michael Andrews (Cary Grant) is rescued by intelligence agent John Stevenson (Claude Rains). While recuperating in the base hospital, Andrews falls in love with his nurse Rosemary (Gertrude Michael) -- who happens to be Stevenson's wife! This romantic entanglement is taken care of only after a climatic battle at a remote outpost in the Sudan, with Andrews and a skeleton crew desperately fending off hostile Kurdish tribesmen while awaiting reinforcements. ~ Hal Erickson, All Movie Guide

In this comedy, a boozy Brit inherits an estate from his late American uncle. Unfortunately, he is too drunk to claim it and so sends his valet in his stead. The prim butler goes to the executor's home and meets and falls in love with a lovely maid. Unfortunately, the executor's portly daughter also finds the valet/"nephew" attractive and begins an aggressive courtship. Mixed-up mayhem ensues until the truth is revealed. ~ Sandra Brennan, All Movie Guide

In the early stages of his directing career, Alfred Hitchcock made a number of hackneyed studio films which barely resemble the works he would go on to direct. The society drama Easy Virtue is one of the nine silent movies Hitchcock directed. The film opens with Larita Filton posing for her portrait in an artist's studio. The behavior of her boorish, philandering husband, Aubrey Filton, drives her into the artist's arms where her husband discovers her. In the melee that follows, the artist shoots the husband, wounding but not killing him. Aubrey sues for divorce and Larita falls from grace in the courtroom while journalists feed the public a salaciously inflated account. Ruined, Larita flees to the south of France and meets John Whittaker, a young, upstanding British man. They fall in love, marry, and the happy couple returns to England to mummy. Mother Whittaker, a Victorian in the modern age, strenuously opposes the union and upbraids John for bringing scandal upon the family name. Neither John nor his father has the strength to withstand Mother Whittaker's onslaught, and the film, and Larita, end miserably. Hitchcock does one of his wordless cameos in the film. ~ Brian Whitener, All Movie Guide