Denholm Elliott Movies

This biopic chronicles the true experiences of a British government representative who is sent with his wife to wild, exotic Samoa. Their primary task is to somehow please the persnickety resident bureaucrat. Unfortunately, he is not easily pleased and the harder the representative tries, the worse he botches things up. As a result he is sent to an even tinier island. Depressed and feeling a failure, cracks begin appearing in his stiff-upper lip. Fortunately, his loyal wife is not so easily discouraged and helps him find courage. ~ Sandra Brennan, All Movie Guide

Framed in flashback form, The Man Who Loved Redheads is an anecdotal comedy about a man (John Justin) whose life is defined by his first romantic experience. That liaison occurred in Justin's youth with the luscious Moira Shearer (for her alone, this film must be seen in its original Technicolor). When the young man matures and enters the diplomatic world, he spends the rest of his career searching for his first love. Along the way, he romances two redheaded damsels who look exactly like Ms. Shearer--as well they may, since Shearer plays all the women in Justin's life. Terence Rattigan adapted The Man Who Loved Redheads from his own stage play Who Is Sylvia? ~ Hal Erickson, All Movie Guide

Faithfully adapted from a popular holiday play by Wynyard Browne, this moving British drama centers on a recently widowed, aging country vicar who hosts a family Christmas and learns a valuable lesson about keeping his own homefires alight before spending too much time tending the fires of others. Those coming for the holiday include his sister, his late wife's sister, and her cousin. The vicar's free-spirited youngest daughter and his son, a furloughed soldier, also show up. The preacher's eldest daughter lives with him and together they welcome their guests. The vicar is a good man and a caring fellow who spends considerable time caring for and counseling his parishioners, perhaps too much time, for he does not recognize the troubles of his own clan. His devoted oldest daughter quietly deals with a terrible dilemma. She is about to marry an engineer who has just found a long-term job overseas. She wants desperately to be with him, but will not leave her beloved father who seems to need her so much. Her little sister also has trouble. While in the city she fell in love with a soldier. He impregnated her, returned to the war, and was killed. Later the child died and she has become an alcoholic, something she eventually tells her brother and sister. Meanwhile the young people's aunts, learning of the situation, ask the youngest to return home to care for her father so the eldest can marry. Unfortunately, the young woman refuses and heads off to get drunk with her brother. When the vicar learns about his daughter's troubles, he and she have an emotional reconciliation. He then moves on to make peace with the rest of his family. ~ Sandra Brennan, All Movie Guide

Heart of the Matter is a faithful if somewhat austere adaptation of the same-named novel by Graham Greene. Set in Sierra Leone during WW II, the film stars Trevor Howard as assistant police commissioner Scobie. While his wife Louise (Elizabeth Allan) is away on vacation, Scobie falls in love with Helen (Maria Schell), the widow of a U-boat victim. Scobie would like to get a divorce from his wife, and she from him, but their Catholicism prevents not only this break but Scobie's planned remarriage to Helen. In despair, Scobie chooses a desperate means of solving his dilemma--which only furthers to exacerbate the religious quandary in which everyone finds themselves. Posing several ethical questions throughout its 105 minutes, Heart of the Matter wisely allows the viewers to come up with their own answers. ~ Hal Erickson, All Movie Guide

Breaking the Sound Barrier juxtaposes the history of jet aviation with an intensely personal fictional story. Ralph Richardson plays a wealthy aircraft manufacturer, stubbornly determined to develop a jet that will travel faster than the speed of sound. Richardson's seemingly cavalier attitude toward the pilots who have died on behalf of his dream--including his own son (Denholm Elliott)--has turned his daughter (Ann Todd) against him. When the daughter's fighter-pilot husband (Nigel Patrick) agrees to test Richardson's jet, he too loses his life. The daughter walks out of her father's life and sets up residence with the wife (Dinah Sheridan) of another pilot (John Junkin). Richardson approaches this pilot as well with his challenge--and this time the "sound barrier" is successfully broken without anyone being killed. Reconciled to the fact that her father's apparent coldbloodedness was in the interest of scientific progress, the daughter and her newborn child are reconciled with Richardson. The first independent project of director David Lean, Breaking the Sound Barrier was a huge success, persuasively scripted by Terence Rattigan and beautifully photographed by aerial specialist Jack Hildyard. The film's original British title was simply The Sound Barrier, but the American distributor apparently didn't want filmgoers to think the movie was about the record industry. ~ Hal Erickson, All Movie Guide

Cecil Parker is the whole show in Dear Mr. Prohack, just as he'd been in the stage version by Edward Knoblock. The eponymous Prohack is a Royal Treasury official who is an expert at managing other people's money. Alas, when he himself inherits a fortune, Prohack is as financially naïve as a kid with a piggy bank. Denholm Elliot makes his film debut in the role of Ozzie Morfrey; others in the high-powered cast include Glynis Johns, Dirk Bogarde, Hermione Baddely, Ian Carmichael, future director Bryan Forbes, and Jon "Dr. Who" Pertwee. Both the play and film versions of Dear Mr. Prohack were based on a novel by Arnold Bennett. ~ Hal Erickson, All Movie Guide