Denholm Elliott Movies

Low-brow British humor abounds in this farcical account of Edwin Anthony, the first man to receive a successful penis transplant. Anthony becomes quite attached to his new appendage and even gives it the title name. The alleged humor comes in when Anthony and Percy set out to investigate the life of the latter's former owner. ~ Sandra Brennan, All Movie Guide

This science fiction/fantasy is loosely based on a story by John Wyndham (best known for The Day of the Triffids). Scientist Collin (Tom Bell) stumbles across a parallel world in which President Kennedy is not shot, Vietnam hasn't happened, and Ottilie (Joan Collins), the woman he loves, dies unexpectedly of a heart condition. While he is happy enough with the rest of his new world, he can't stand by and let his true love die in his original world, and he determines to return to his own place and time to save her. ~ Clarke Fountain, All Movie Guide

Like Socrates of ancient Athens, Michael Rimmer (Peter Cook) of modern England believes the key to success is to ask the right questions. Lots of questions. So he gets a job with an advertising agency that conducts polls, rises swiftly through the ranks, and eventually runs the agency. Then he bombards England with questions. His ingenious system enables him to predict the outcome of a general election. (Every voter in England had received a questionnaire.) So accomplished is Rimmer at asking questions that he finds his future wife through market research. To insure that he gets the right answers, Rimmer is not above manipulating the polls. For example, when he asks residents of Coventry their religion, 95 percent identify themselves as Buddhists, thanks to an influx of Rimmer stooges. Then he enters politics. In a short time, he gets himself elected to Parliament, becomes a cabinet minister and eventually moves into Ten Downing Street as prime minister after pushing the incumbent prime minister off an oil platform. By this time, every eligible voter in Britain can cast ballots with a television remote control. Alas, the electorate tires of the endless referendum questions that they must answer as part of their daily routine. This development serves only to catapult Rimmer to further success, for the people decide to place all decisions in his hands as dictator of England. So Rimmer keeps rising and rising and rising. And asking questions. ~ Mike Cummings, All Movie Guide

Jamie McGregor (Barry Evans) is in his last year of high school and hoping to lose his status as a virgin, in this romantic comedy romp. He holds hands with his date at a church dance, but things go no farther. He tries to make time with a gangly girl who has a face that could stop a clock. The more poor Jamie tries, the more he is convinced he will die a virgin. His luck seems to change when he spends a weekend with the prettiest girl in school, but there is more arguing than amore. The best thing about the film is the soundtrack provided by The Spencer Davis Group, Steve Winwood, Dave Mason and Traffic (which included Windwood and Mason). All the aforementioned groups had found or would soon achieve worldwide fame for their contributions in music. ~ Dan Pavlides, All Movie Guide

Narrator Rudy Vallee announces that he knows we are a "real high class audience," thus he has "some swell story to tell." Thus begins The Night They Raided Minsky's, set in the rarefied world of burlesque in the 1920s. Amish girl Rachel Schpitendavel (Britt Ekland) comes to New York in hopes of securing work as a dancing interpreter of religious stories. She gets a job at Minsky's burlesque house, where the dance numbers are "Biblical" only when some gum-chewing stripper performs Salome's Dance of the Seven Veils. The many subplots leading up to Rachel's accidental invention of the striptease during a midnight Minsky's show involve many: top banana Chick Williams (Norman Wisdom) and womanizing straight-man Raymond Paine (Jason Robards Jr.); Billy Minsky (Elliot Gould), whose efforts to stage girlie shows at the National Winter Garden are looked down upon by Minsky Sr. (Joseph Wiseman), who holds the lease on the theater; gangster Trim Houlihan (Forrest Tucker), who intends to shut down Minsky's if he can't get a piece of the action; Ekland's preacher father Harry Andrews, who shows up in New York just in time to see his daughter bare all in front of a cheering audience; and Vance Fowler (Denhom Elliot), self-appointed protector of public morals, whom Paine hopes to embarrass by having Rachel perform her religious dance. A straightforward adaptation of Rowland Barber's novel The Night They Raided Minsky's would seem to be called for here, but novice director William Friedkin and film editor Ralph Rosenblum seem determined to turn the film into a kaleidoscope Hard Day's Night clone. Happily, producer Norman Lear is able to accommodate several nostalgic re-creations of such burlesque chestnuts as "Crazy House" and "Meet Me Round the Corner," as well as six delightful in-period songs penned by Bye Bye Birdie's Charles Strouse and Lee Adams, the best of which is the ribald "Perfect Gentleman." Bert Lahr makes his last appearance on screen in the role of washed-up funnyman Professor Spats; he died during production, and had to be extensively doubled throughout. ~ Hal Erickson, All Movie Guide

It's Funny Face meets Rififi in Maroc 7, starring Cyd Charisse as Louise Henderson, an editor for a slick and chic fashion magazine who utilizes her jet-setting life style as a front for an international jewel-smuggling operation. Abetting her in the scheme is the magazine's top photographer and high-fashion cover model. But instead of "Think pink" it's "Think clink" as secret agent Simon Grant (Gene Barry) is sent in to infiltrate Louise's organization. Posing as a safecracker, Simon convinces Louise to let him in to the gang's next operation: a plan to smuggle a priceless gem out of Morocco. ~ Paul Brenner, All Movie Guide

This story of love and espionage focuses on political turmoil as a small nation struggles to free itself from colonial rule, and one man tries to serve both justice and his own heart. In the late 1950s, the island of Cyprus is under the political control of Great Britain, but groups of Cypriot activists are fighting for the country's independence. Maj. McGuire (Dirk Bogarde) is an English military leader who is on the trail of Haghios (George Chakiris), a terrorist leader who guides the struggle for freedom in Cyprus. Juno Kozani (Susan Strasberg) is an American student of archeology who visits friends on the island, only to discover that they're helping to hide Haghios from the police and the British military. McGuire is convinced that Kozani knows Haghios' whereabouts, but while she has told McGuire nothing, Haghios is convinced that Kozani has turned him in and threatens to kill her. Desperate, Kozani seeks protection from McGuire, who allows her to hide out in his apartment. Put into close contact, McGuire and Kozani fall in love, but when his superiors find out that he's been keeping her in hiding, McGuire is transferred to Greece. Kozani follows him there, only to discover that a mysterious man has been following them. The High Bright Sun has also been released under the titles McGuire Go Home! and A Date with Death. ~ Mark Deming, All Movie Guide

The story of revolutionary Victorian nurse Florence Nightingale is told in this drama. ~ Sandra Brennan, All Movie Guide

James Clavell incorporated a few of his own experiences as a British POW in his novel King Rat. Bryan Forbes' film version stars George Segal as the mastermind of all black market operations in a Japanese prison camp. He is called "King Rat" because of his breeding of rodents to serve as food for his emaciated fellow prisoners; the nickname also alludes to Segal's shifty personality. British officer James Fox helps Segal expand his operation to include trading with the Japanese officers. Though on surface level a thoroughly selfish sort, Segal saves the ailing Fox's life by wangling precious antibiotics from the guards. ~ Hal Erickson, All Movie Guide

American audiences were disappointed when the nude scenes featuring sexy Baby Doll (1956) star Carroll Baker were excised from this potboiler for its exhibition on U.S. shores. At an isolated oil pumping station deep in the African desert, workers Kramer (Peter Van Eyck), Fletcher (Ian Bannen), Macey (Denholm Elliott), Martin (Hansjorg Felmy), and Santos (Mario Adorf) are tense, lonely, and love-starved. A little excitement unexpectedly comes into their lives when they rescue a couple, Jimmy (Biff McGuire) and Catherine (Baker), from a wreck. While Jimmy is bed-ridden with his injuries, Catherine flirtatiously arouses passions and inflames simmering resentments among the oil crew. An amusing dalliance goes too far when Catherine sleeps first with Kramer and then Martin. Based on the play Men Without a Past by Jacques Maret, Station Six-Sahara (1963) played as the B-slot picture on a double bill with Topkapi (1964). ~ Karl Williams, All Movie Guide

Based on a novel by Constantine Fitzgibbon, this two-part British miniseries was set sometime in the 1990s. Weakened by political corruption, agnosticism, and moral decay, Great Britain is ripe for plucking by the U.S.S.R. -- and the result is a full-scale invasion. Naturally, when this series originally aired in 1962, the notion that the U.S.S.R. itself would have collapsed under its own weight by the end of the 1980s was not only remote, but virtually unthinkable. Still, When the Kissing Had to Stop was a competent bit of dramatic speculation, distinguished by a stellar cast of top British character actors. ~ Hal Erickson, All Movie Guide

An animated classic romance, this is the story of a handsome young chimneysweep and a beautiful princess. The voices are provided by Claire Bloom and Peter Ustinov. ~ Tana Hobart, All Movie Guide