Rita Durao Movies

In writer/director/composer/cinematographer Siegfried's handheld whirlwind of a movie Sansa, the title character is an ethnically ambiguous street hustler played by Roschdy Zem. Sansa travels the globe, hawking and bartering on the street, selling tourists sketches of themselves and consistently running afoul of police, airport security, and military personnel, all the while keeping a sharp eye out for beautiful women. When Sansa sees an attractive woman, he has a tendency to follow her wherever he goes, and as he travels from country to country, covering France, Spain, Italy, Hungary, Russia, India, Japan, Egypt, Portugal, and Ghana, this pattern pretty much stays the same. At some point during a particularly heated pursuit, he inadvertently steps onto the stage where a ballet is being rehearsed. The elderly orchestra conductor, an internationally renowned musician named Click (Israeli violinist Ivry Gitlis), chides him for interrupting the rehearsal, but later invites him to a café. The two strike up an unlikely friendship, based in part on their shared admiration for beautiful young women. Thereafter, Sansa seems to run into Click wherever he goes. In Italy, Sansa chats up Valentina (Valentina Cervi) until her boyfriend shows up and chases him off. In Spain, he interrupts a woman's (Emma Suarez) boardroom business presentation to sweet-talk her. In Japan, he meets an old friend, June (Ayako Fujitani), who laments his inevitable departure. In Russia, he gets caught in a crossfire between soldiers and Chechen rebels. Sansa was shown by the Film Society of Lincoln Center as part of its 2004 Rendez-Vous With French Cinema series. ~ Josh Ralske, Rovi

The eccentric Portuguese director Joao Cesar Monteiro is also the screenwriter and the main character of this film, which continues his cynical observations about God and religion. Two shadow-like figures meet in an old, icy park when all seems lost. They are Deus and a Messenger from God. The Messenger gives the Crook (which is the temporary state of poor Joao de Deus) a suitcase full of money. Having accomplished his mission, he disappears. While Joao is busy counting his fortune, a heavy object plunges into the nearby lake, disturbing its tranquility. Joao goes to see what is happening and sees a young girl drowning. He plunges into the water to save her and carries the unconscious girl off to a convent. When he returns to the park, the suitcase full of money is still there waiting for him. Providence or sheer luck? With Monteiro, the answer is evident. 52nd Cannes Film Festival, Un Certain regard, 1999. ~ Gönül Dönmez-Colin, Rovi