Hector Elizondo Movies

When this seriocomic TV film first aired March 28, 1988, it was titled Addicted to His Love. Evidently to pacify certain feminist factions, the film was rechristened Sisterhood for syndication. Either way, this is the story of a smooth lothario, played by Barry Bostwick. In the course of 97 minutes, Bostwick finds time to romance and betray four women, played by Linda Purl, Coleen Camp, Erin Grey and Dee Wallace-Stone. Instead of getting mad upon learning that they're sharing Bostwick's affections, the four ladies join forces to get even. ~ Hal Erickson, All Movie Guide

A slick Los Angeles callboy finds love and redemption in Paul Schrader's ultra-stylish drama. High-living prostitute Julian Kay (Richard Gere, stepping in for John Travolta) has it all: the Mercedes, the clothes, access to Beverly Hills' swankiest establishments, and a stable of rich, older female clients. But it all falls apart after he does a favor for his former pimp (Bill Duke) and the trick turns up dead a short while later; Julian's actual client won't give him an alibi, and police detective Sunday (Hector Elizondo) doesn't believe the gigolo's denials. The one person who can help him is frustrated politician's wife (and sole non-paying bedmate) Michelle (Lauren Hutton), if only Julian could let down his defenses and accept her gesture of love. Mixing his admiration for European art cinema with a voyeuristic view of the seamier side of sex and affluence, Schrader renders Julian an inscrutable, emotionally disengaged purveyor of pleasure, decked out in Giorgio Armani clothes coordinated with Ferdinando Scarfiotti's meticulous production design. Amid critical doubts about its artiness and distanced eroticism, American Gigolo surprised everyone by not dying on the box office vine. With some audiences reportedly showing up for repeat viewings of Gere's seductive charms, it became a moderate hit, turning Gere into a star and Armani into the new fashion sensation. Whatever reservations one may have about the movie, it provided two indelible images of 1980s decadence to come: Gere's perusing his "artist's palette" of shirts, ties, and jackets, and Gere's cruising down the Pacific Coast Highway in his convertible to the New Wave strains of Blondie's "Call Me". ~ Lucia Bozzola, All Movie Guide

This time, undercover cop Tony Baretta (Robert Blake) is on the trail of a professional arsonist. In hopes of expediting his assignment, Baretta enlists the aid of a retired pyrotechnics expert -- who, after sustaining serious injuries in a tenement fire, may turn out to be too unstable to be of any help. Series star Blake is afforded the opportunity to ad-lib to his heart's content in this episode. ~ Hal Erickson, All Movie Guide

Five fables, each set in a different historical era, make up this quirky comedy from director Bill Forsyth. Each tale features Robin Williams as a basically decent but troubled average man named Hector. Beginning with the Bronze Age, where Hector struggles for survival against barbarians, the film proceeds through Roman times, the Middle Ages, and the 16th century, concluding in the present day, where Hector is a divorced father attempting to reconcile with his children. The film clearly intends to draw parallels between these stories in order to illustrate the universal nature of human experience, though the segments themselves vary widely in tone, from broadly comic to philosophically reflective. Additionally, some may find the film's attempts at creating a fantasy atmosphere rather cloying, while others may be charmed by the project's determined oddness and whimsicality. ~ Judd Blaise, All Movie Guide

Born to Win is the grimly ironic title of this jet-black comedy about heroin addicts. George Segal plays Jay Jay, an ex-hairdresser who struggles to support his expensive drug habit. To avoid arrest, Jay Jay turns "narc," informing on his fellow junkies. Eventually Jay Jay's sense of self-hatred threatens to overwhelm him. Also released as Born to Lose and Addict, Born to Win was the first American film for Czech director Ivan Passer. ~ Hal Erickson, All Movie Guide

Best described as Dallas with a Latino flavor, the CBS drama series Cane dealt with a wealthy and powerful Cuban-American family, the Duques, who ran a luctrative rum-and-sugar business in South Florida. Sensing that he wasn't long for this world, patriarch Pancho Duque (Hector Elizondo) began making arrangements to turn over his business to a younger member of the family--but which one? The two leading contenders were Pancho's oldest biological son Frank (Nestor Carbonell) and his adopted son Alex (Jimmy Smits), who in his own sly-and-cunning way was the series' "J.R." character. As Frank and Alex fought tooth and nail over control of the Duque empire, Frank indicated a willingness to sell out to the rival Samuels family, if for no other reason than he was having an affair with Ellis Samuels (Polly Walker). Alex resisted the notion of a sell-out, not only out of loyalty to his adoptive father, but also because he was married to Pancho's biological daughter Isabel (Paola Turbay), making him son and son-in-law all in one! Befitting his status as the series' "hero-villain", Alex handled his business and personal affairs with equal ruthlessness, especially when it came to his dealings with his own son Jaime (Michael Trevino), who in the earliest episodes was being pressured to stay in college, though he himself was torn between joining the Army and making a commitment to his girlfriend Rebecca (Alona Tal). Cane premiered on September 25, 2007. ~ Hal Erickson, All Movie Guide

In this made-for-cable actioner a good-hearted social worker embarks upon a one-man crusade to save Miami teens from getting further involved with a gang of crack dealers. The social worker does this in large part to ease his own guilt at having been responsible for the death of his own son back when he was drinking heavily. To save the teen, he pretends to be a dealer and infiltrates the gang. ~ Sandra Brennan, All Movie Guide

In director Richard Lester's Cuba, Sean Connery plays British soldier-of-fortune Robert Dapes, sent to Havana during the last days of the Batista regime. He is supposed to train Batista's soldiers for their upcoming confrontations with Castro's followers. As Dapes becomes increasingly sympathetic towards the rebel cause, he takes a few precious moments to renew his romance with Alexandra Pulido (Brooke Adams), who is now married to Juan Pulido (Chris Sarandon). The basic thrust of the film is that unchecked capitalism is perfectly capable of collapsing under its own weight -- and that lofty idealism can be easily forgotten once absolute power is within one's grasp. ~ Hal Erickson, All Movie Guide

One of Terrence Malick's early screenwriting efforts, this loosely-structured road movie finds a questionably sane long-distance trucker named Cooper (Alan Arkin) winding his way through the heart of America. An employee of a questionable hauling outfit who has been assigned to drive a newly hijacked rig to an as-of-yet undisclosed-location, Cooper quickly ditches his partner and points his eighteen-wheeler westward. Picking-up a hitchhiker (Paul Benedict) for some company in the cab, the unstable trucker's journey westward grows increasingly surreal as he runs into numerous eccentric characters, portrayed in cameo roles by such noted names as Ida Lupino, George Raft, Charles Durning, Loretta Swit, Richard Kiel and future director John Milius. ~ Jason Buchanan, All Movie Guide

A young Hector Elizondo (of TV's Chicago Hope) stars in this low-key thriller about a harried, unemployed young husband who finally tires of the incessant badgering of his mother-in-law (Geraldine Fitzgerald) and uses his puzzle-solving skills to concoct the perfect murder and get his hands on her inheritance (a mere $80,000). Unfortunately, the old bat's short-term dirt nap only manages to make her even more annoying, and she comes back to torment him from beyond the grave... maybe. Clearly the makers of this low-budget film were inspired by Diabolique and/or the collected works of Hitchcock -- but unlike those films, the endless plot convolutions fail to add up to an enthralling whole, generating more irritation than suspense. ~ Cavett Binion, All Movie Guide

This sexy farce stars Dan Aykroyd and Rosie O'Donnell as Fred Lavery and Sheila Kingston, a pair of cynical detectives investigating the disappearance of a key witness in a diamond-smuggling case. The case leads them to a Club Med-styled S&M resort where dog collars and cat o' nine tails abound; further complicating matters, the smugglers end up on the island as well. The missing witness, photographer Elliot Slater (Paul Mercurio), takes a job as a bondage boy, and he falls in love with the resort manager, Mistress Lisa (Dana Delany. Adapted from Anne Rice's novel of the same name. ~ Jeremy Beday, All Movie Guide

Colonel Jason J. Halsey is a test pilot for the super-secret Stealth bomber. During one mission, he has a terrible crash and loses consciousness. This special-effects-laden drama follows what happens to him afterward. When Halsey finally awakens he is suffering from total amnesia and finds himself face to face with Dr. Dio Gottlieb, a psychotherapist, who uses a variety of techniques to jog his memory. Gottlieb's tests are grueling and Halsey begins to rebel and even becomes violent. Still the interrogation continues, and eventually, Halsey begins to remember bits and pieces. He knows that he was on some sort of highly- classified mission, but he can't remember exactly what. At one point, the Dr. gets him to remember the climactic crash and the memory is so stressful that Halsey suffers an epileptic fit. The questioning continues and eventually Halsey begins to distrust Gottlieb and even wonders if he has actually been captured by the enemy. Still he must keep on with the process, for without his memories, personal and professional, Halsey has no way of solving the mystery. The colonel's flashbacks are punctuated by excellent virtual reality technology. This film was the first "all digital sound motion picture." ~ Sandra Brennan, All Movie Guide