Werner Daehn Movies

The Matrix masterminds Andy and Larry Wachowski usher anime icon Tatsuo Yoshida's classic 1960s-era hit into the new millennium with this family-friendly story of a young racecar driver who takes on the mysterious Racer X in a custom-made, gadget-loaded speed machine named the Mach 5. Speed Racer (Emile Hirsch) is the kind of driver that every wheelman wishes he could be: a born winner whose unbeatable combination of aggression, instinct, and fearlessness always finds him crossing the checkered flag with a comfortable lead. In Speed Racer's mind, the only driver who could present him with any real challenge is his late brother -- the legendary Rex Racer. Rex died in a heated cross-country rally known as The Crucible many years ago, and now his younger sibling is driven to fulfill the legacy that Rex left behind. To this day, Speed Racer is fiercely loyal to family. It was Speed Racer's father, Pops Racer (John Goodman), who designed the unbeatable Mach 5, and even a lucrative offer from racing giants Royalton Industries isn't enough to get the young ace to break his family ties.

Upon turning down Royalton's (Roger Allam) astronomical offer, Speed Racer makes the shocking discovery that the outcomes of the biggest races are being predetermined by a handful of powerful moguls who pad their profits by manipulating the drivers. Realizing that his career would be ruined if word of the fix gets out, Royalton vows that the Mach 5 will never make it to another finish line. Now, the only way for Speed Racer to save the family business and beat Royalton at his own game will be to win the very same race that claimed his brother's life so many years ago. In order to accomplish that formidable feat, however, Speed Racer will not only have to rely on his family and the aid of his longtime girlfriend, Trixie (Christina Ricci), but form a tenuous alliance with his longtime rival -- the mysterious Racer X (Matthew Fox) -- as well. ~ Jason Buchanan, Rovi

A man who has devoted his life to ferreting out "dangerous" characters is thrown into a quandary when he investigates a man who poses no threat in this drama, the first feature from German filmmaker Florian Henckel von Donnersmarck. It's 1984, and Capt. Gerd Wiesler (Ulrich Mühe) is an agent of the Stasi, the East German Secret Police. Weisler carefully and dispassionately investigates people who might be deemed some sort of threat to the state. Shortly after Weisler's former classmate, Lt. Col. Grubitz (Ulrich Tukur), invites him to a theatrical piece by celebrated East German playwright Georg Dreyman (Sebastian Koch), Minister Bruno Hempf (Thomas Thieme) informs Weisler that he suspects Dreyman of political dissidence, and wonders if this renowned patriot is all that he seems to be. As it turns out, Hempf has something of an ulterior motive for trying to pin something on Dreyman: a deep-seated infatuation with Christa-Maria Sieland (Martina Gedeck), Dreyman's girlfriend. Nevertheless, Grubitz, who is anxious to further his career, appoints Weisler to spy on the gentleman with his help. Weisler plants listening devices in Dreyman's apartment and begins shadowing the writer. As Weisler monitors Dreyman's daily life, however (from a secret surveillance station in the gentleman's attic), he discovers the writer is one of the few East Germans who genuinely believes in his leaders. This changes over time, however, as Dreyman discovers that Christa-Maria is being blackmailed into a sexual relationship with Hempf, and one of Dreyman's friends, stage director Albert Jerska (Volkmar Kleinert), is driven to suicide after himself being blackballed by the government. Dreyman's loyalty thus shifts away from the East German government, and he anonymously posts an anti-establishment piece in a major newspaper which rouses the fury of government officials. Meanwhile, Weisler becomes deeply emotionally drawn into the lives of Dreyman and Sieland, and becomes something of an anti-establishment figure himself, embracing freedom of thought and expression. A major box-office success in Germany, Das Leben der Anderen (aka The Lives of Others) received its North American premiere at the 2006 Toronto Film Festival. ~ Mark Deming, Rovi

Ella drives a cab for a living in Berlin's busy streets. On a day when, ironically, she is broke, some muggers try to rob her and are frustrated by her lack of money. They are about to inflict grievous bodily harm on her when she is rescued by a debonair Russian, Aleksei. Intrigued by his manner as much as by his appearance of having lots of ready cash, Ella arranges to meet him again. He offers her a lot of money to marry him so that he can legally immigrate to Germany. Soon, she finds out that he is involved in a scheme concocted by his brother Yevgeni to sell nuclear weapons-grade materials to Middle East types. When Aleksei steals the money the buyers brought, he and Ella are chased by everybody, and Ella shows that she has an unexpectedly clever turn of mind. ~ Clarke Fountain, Rovi