Josip Elic Movies

After writing, directing, and starring in The Adventure of Sherlock Holmes' Smarter Brother, Gene Wilder added the producer's hat to his three-headed beast in The World's Greatest Lover. Wilder plays Rudy Valentine, a Milwaukee baker who enters a talent search in the Hollywood of the 1920s, initiated by movie studio mogul Zitz (Dom DeLuise), to find a new Rudolph Valentino. He travels to Hollywood with his wife Annie (Carol Kane) in hopes of taking a screen test, but Annie falls in love with the real Valentino. Jealous of the Latin Lover, Rudy disguises himself as a sheik in an attempt to look like Valentino. Rudy then invites Annie to a rendezvous at the studio, where he tries to seduce his own wife. ~ Paul Brenner, All Movie Guide

Comedian Jackie Mason made one of his many comeback attempts after the 1966 Ed Sullivan Show "flipping the finger" debacle with the low-budget The Stoolie. Mason plays a cheap crook who cops a plea with the law by offering to trap other thieves with bait money. But Mason can't leave well enough alone; he steals $7500 of the money himself and high-tails it to Miami Beach. Now he must continually look over his shoulder as both the police and the crooks try to catch up with him. Seedily effective at times (though not during the love scenes between Mason and leading lady Marcia Jean Kurtz), The Stoolie was produced in Florida and New Jersey by Jackie Mason himself; it received very limited release in 1972, then was given a second unsuccessful distribution in 1974. ~ Hal Erickson, All Movie Guide

Georgie Soloway (Dustin Hoffman) is an unbelievably successful composer of popular music. Just in the last year, he has written over 60 hit songs. That kind of output worries him, however. Now that he is getting to be middle-aged, he wonders if he will be able to keep the pace he has set. He also has a rich crop of neuroses, and his worries go way beyond what might seem reasonable. For instance, Georgie believes that someone named Harry Kellerman sabotaged each of his previous relationships, and he is worried about his current one with Alison (Barbara Harris), a singer. He seeks the aid of his psychiatrist (Jack Warden) but gets little satisfaction. He then tries to get comfort from his business associates (Dom De Luise and Gabriel Dell), but they don't have a clue about how to help him. Turning to home, he visits his mother (Betty Walker) and father (David Burns) but is further distressed when he learns that his father is dying. Still highly agitated, he takes to the air in his private jet. ~ Clarke Fountain, All Movie Guide

Theatrical producer Max Bialystock (Zero Mostel) was once the toast of Broadway. Now he lives in his seedy office, cadging cash contributions from wealthy old ladies in exchange for sexual favors. Even worse, he's reduced to wearing a cardboard belt. Max's new accountant, Leo Bloom (Gene Wilder), the soul of honesty, suggests that Max produce a hit to try to recoup his losses, but Max knows that it's too late for that. Offhandedly, Leo muses that, if Max found investors for a flop, he could legally keep all the extra money. Suddenly, Max's eyes light up -- and in that moment, Leo Bloom is gloriously corruptible. "I want everything I've ever seen in the movies!" cries Leo as Max embraces him. Together, Max and Leo conspire to select the worst play, the worst playwright, the worst director, and the worst actor to collaborate on their guaranteed flop. That play is Springtime for Hitler, "a delightful romp...with Adolf Hitler and Eva Braun." The playwright is Franz Liebkind (Kenneth Mars), an unreconstructed Nazi who, in drunken delirium, insists that Hitler was a better painter than Churchill -- "He could paint an entire apartment in one afternoon, two coats!" The director is pompous transvestite Roger De Bris (Christopher Hewett), who is preparing to go to a costume party garbed as Marie Antoinette when Max and Leo come calling ("Max, Max, he's wearing a dress"). And the star, selected after extensive auditions, is hippie-freak Lorenzo St. DuBois (Dick Shawn) -- "L.S.D." for short.

At the end of several weeks, Max has sold 25,000 percent of the show; and, as a finishing touch, Max bribes the opening-night critics for a favorable review, knowing full well that such a gesture is the kiss of death. The curtains part, and Springtime for Hitler opens with perhaps the most tasteless production number in the history of films. At the end of this extravaganza, the audience sits in dumbfounded silence. Gleefully, Max and Leo repair to a corner bar to celebrate their failure. But then.... The first directorial effort of Mel Brooks, The Producers didn't do so well on its first release, but since that time it has taken its place as one of the all-time great movie comedies. ~ Hal Erickson, All Movie Guide

Based on the autobiography of convicted killer John Resko (played here by Ben Gazzara), this routine biographical drama looks at the crucial years between 1931 and 1949 in the convict's life. That period begins when Resko is convicted of killing a store owner and is sentenced to life in prison. After his arrival in prison Resko eventually gets involved in creating art, an activity that leads to a transformation in his character. That change became evident enough to garner the attention of the powers-that-be and by 1949, Resko receives a pardon. The prison system is shown as improving between the killer's first internment and his release, which in itself might make some viewers wonder what happened then, in the years between 1949 and the present. ~ Eleanor Mannikka, All Movie Guide

The second season of Twilight Zone came to a powerful conclusion with this Rod Serling-scripted "message" drama. In a futuristic society where books and religion have been outlawed, librarian Romney Wordsworth stands on trial for his life. Adjudged "obsolete" by the imperious Chancellor (Fritz Weaver), Wordsworth is sentenced to death, whereupon he makes one last, unusual request: He wants to have his execution televised, and he wants the Chancellor to be in attendance. The episode's Kafkaesque ending might have packed even more of a punch had director Eliot Silverstein's original concept been carried out to the fullest. "The Obsolete Man" was originally telecast June 2, 1961. ~ Hal Erickson, All Movie Guide