Army Archerd Movies

This is almost a follow-up to its relative The Exorcist, since it stars Linda Blair, also the leading lady in the '70s head-spinner tale. In Repossessed, a grown-up Blair plays a housewife who becomes possessed by the Devil while watching TV. Leslie Nielsen plays Father Mayii, who gets called to exorcise the intrusive being. ~ Rovi

Made for cable television, The Ratings Game was directed by Danny DeVito, who co-starred in the film with his wife Rhea Perlman. DeVito plays the owner of a New Jersey trucking firm who yearns for a televison career. He offers several TV-series ideas to a receptive network programming head. On the verge of being fired, the network exec decides to have his revenge on his ex-bosses by selecting the very worst of DeVito's concepts. The "born to fail" series becomes a hit, and soon DeVito is the hottest programmer in the industry! More truthful than many of us are willing to admit, The Ratings Game premiered with astonishingly little fanfare over The Movie Channel cable service on December 15, 1984. ~ Hal Erickson, Rovi

The infamous casting couch is the center point of this Hollywood behind-the-scenes drama that chronicles the exploits of a movie mogul and the actresses he turns into stars. ~ Sandra Brennan, Rovi

This made-for-TV ancestor to When Harry Met Sally stars the then-married Rob Reiner and Penny Marshall in what was essentially a replay of their own courtship. Covering a timespan from 1958 to 1971, the teleplay (written by Reiner and his frequent collaborator Phil Mishkin) asks the musical question "Should would-be novelist Alan Corkus (Reiner) and aspiring actress Maddy Pearlman (Marshall) become lovers, or merely remain good friends?" The whimsical nature of the plotline was carried over into the ABC network's ad campaign for the film, which was touted as "A Like Story." More Than Friends first aired on October 20, 1978. ~ Hal Erickson, Rovi

This spoof makes fun of a certain famous German shepherd movie star from the 1920s. The mayhem begins when the head honcho of a financially struggling studio turns a lost dog into a legend. The story features a number of old stars making cameo appearances. ~ Sandra Brennan, Rovi

Adam-12 takes on an "Old West" flavor in this episode, as Officers Pete Malloy (Kent McCord) and Jim Reed (Kent McCord) investigate the theft of valuable riding equipment from a rancher. Later on, the two cops temporarily abandon Adam-12 and mount a pair of horses to pursue a gang of car thieves. The supporting cast includes former B-western heroes Rod Cameron and Donald Barry, and celebrated Hollywood reporter Army Archerd. ~ Hal Erickson, Rovi

A rock star decides he'd rather rule the free world than just sell records in this ambitious fusion of political satire and teen exploitation. Teenage rebel Max Flatow (Christopher Jones) has grown tired of life in suburbia with his domineering mother (Shelley Winters) and weak-willed father (Bert Freed), and, having saved up 800 dollars he earned by selling home-brewed LSD to his schoolmates, he blows up the family car with a makeshift bomb and strikes out on his own. A few years later, Max has adopted the name Max Frost, and is one of the world's biggest rock stars, selling millions of records and earning a fortune from concert appearances and music publishing. Max has learned firsthand about the buying power of America's youth, and when Sen. John Fergis (Hal Holbrook) asks Max to appear at a "youth rally" to mobilize younger voters, he realizes the kids could also sway an election if they wanted. At Fergis' rally, Max debuts a new song, "Fourteen or Fight," which demands the voting age be reduced to 14; the youth respond by rising up in support of Max's demands, reducing many American cities to a standstill. As political leaders bow to public pressure, the age of suffrage is reduced to 15, but rather than choosing candidates to support, Max decides it's time he and his inner circle took control. After Max doses Washington, D.C.'s water supply with LSD, congress votes to make any registered voter eligible to hold federal office, and before long Max Frost has become president of the United States. Once in office, Max unveils a bold plan to once and for all do something about people over 30 -- including his parents. Wild in the Streets features an early screen appearance from Richard Pryor as drummer and political activist Stanley X, while media personalities Dick Clark, Walter Winchell, Army Archerd, and Melvin Belli portray themselves. Barry Mann and Cynthia Weil wrote the songs for fictional rockers "Max Frost and the Troopers," including the hit single "The Shape of Things to Come." ~ Mark Deming, Rovi

This lavishly produced, big-budget comedy (it cost $20 million in 1964 dollars) stars Shirley MacLaine as Louisa, a widow who is worth $200 million dollars. However, she's convinced that her fortune is cursed, and she wants to give all her money to the IRS. As she explains her sad tale to her psychiatrist, Dr. Stephanson (Robert Cummings), it seems that when Louisa was young she had the choice of marrying rich playboy Leonard Crawley (Dean Martin) or poor but decent Edgar Hopper (Dick Van Dyke). She chose Edgar, but soon he became obsessed with providing a fine home and fortune for her; he got rich but worked himself to death in the process. Despondent, Louisa flies to Paris, where she strikes up a romance with expatriate artist Larry Flint (Paul Newman). When Larry invents a machine that creates paintings based on sounds, he becomes wealthy and famous -- and dies. Louisa returns to America, where she figures to break her streak by marrying Rod (Robert Mitchum), a business tycoon who already has lots of money. He resolves to take life easier and becomes a farmer, only to die in a strange accident with a bull. Louisa is drowning her sorrows one night at a sleazy night spot when she falls for second rate entertainer Jerry (Gene Kelly). They marry, and a now-wealthy Jerry develops a relaxed, carefree quality to his act that makes him a huge star, which leads to his being crushed by a mob of his biggest fans. What a Way to Go! boasted a screenplay by Betty Comdon and Adolph Green that featured many amusing film parodies and a score by Nelson Riddle; it also marked the final screen appearance of comic actress Margaret Dumont, best remembered as Groucho Marx's straight woman in several films. ~ Mark Deming, Rovi

A man falls for an exotic "bad girl," unaware he's already met the nice girl lurking beneath the surface, in this romantic comedy. Samantha Blake (Joanne Woodward) works for a large department store in New York City as a sort of industrial spy; while ostensively a buyer, Blake's greatest responsibility is to find out what the hot new fashions are going to be, so her store can have cut-price knockoffs on the racks once they hit the boutiques. Samantha is flying to Paris with her co-workers Leena (Thelma Ritter) and Joe (George Tobias) when she meets Steve Sherman (Paul Newman), a no-nonsense reporter who has been assigned to cover the unveiling of the new designer lines. Samantha and Steve don't exactly hit it off, and after arriving in Paris, a depressed Samantha makes her way to a beauty salon after a few cocktails too many. Decked out in a new wig and dressed to the nines, Samantha bumps into Steve, who is convinced she's one of the city of lights' glamorous high-priced call girls. Samantha plays along, and Steve writes a story about her which proves to be a hit with his readers, but as she finds herself falling for Steve, she isn't sure how to tell him that she's really the mousy woman he met on his flight to Paris. A New Kind Of Love also features cameo appearances from Maurice Chevalier and Frank Sinatra, the latter of whom sings the title song. ~ Mark Deming, Rovi