John Ryan Movies

British actor Robert Carlyle stars as the 20th century's most infamous dictator in this two-part TV biopic. The film covers the life of Adolf Hitler from his childhood to his emergence as absolute ruler of Germany in 1934. Most of the ground covered should be familiar to history buffs: Hitler's failed efforts to become a great artist, his frustration at watching his adopted country fall apart at the seams during World War I, his resolve to put Germany back on its feet by exploiting the nation's horrendous postwar economic woes and its ingrained anti-Semitism, his 1923 arrest, the publication of Hitler's virulent screed Mein Kampf, the growing popularity of National Socialism, and the fatal error made by senile German chancellor Von Hindbenburg (Peter O'Toole) to "neutralize" Hitler by giving him a relatively unimportant political post in 1933. Also covered is Hitler's abortive romance with his half-niece Geli Raubal (Jena Malone) and his longer relationship with the estimable Eva Braun (Zoe Telford). Given the difficulties faced by actor Carlyle and the screenwriters to successfully convey pure, unadulterated evil, much of what we learn about Hitler is conveyed by the observations and reactions of other characters, notably crusading but ineffectual anti-Nazi journalist Fritz Gerlich (Matthew Modine), and especially German publisher Ernst Hanfstaengl (Liev Schreiber) and his wife, Helene (Julianna Margulies). Originally a staunch supporter of Hitler, Hanfstaengl eventually comes to realize the danger the man poses to the world ("He's not human. He simply studies others to become human."); in contrast, Helene, who at the outset is vaguely opposed to National Socialism, is ultimately seduced and swept up by the movement. Not surprisingly, this film stirred up a great deal of controversy even before it aired; some Jewish leaders and prominent Holocaust survivors worried that Hitler might come off as being sympathetic (a concern that may have dictated altering the film's title, which was to have been Hitler: The Early Years); and one of the film's producers was summarily dismissed after issuing a public statement which seemed to compare Germany's blind, unthinking allegiance to Hitler to America's rallying behind George W. Bush during the Iraq crisis. Hitler: The Rise of Evil originally aired May 18 and 20, 2003, on CBS. ~ Hal Erickson, All Movie Guide

In this romantic western, unlikely lovers leap across social boundaries so they can be together in the rugged, scenic Canadian Northwest. The young woman is a well-bred, impeccably mannered part of the country-club set, while her suitor is a rough-and-ready American rancher. ~ Sandra Brennan, All Movie Guide

A priest has been murdered in the neighborhood of Inspector Paul Fein's youth, and it's up to the seasoned cop to crack the case in director David Greene's entry into the tense Family of Cops series. It's not going to be easy going back to the streets of his childhood, but despite the demons that linger in the shadows of every corner, this is one case he's not willing to let slip through the cracks. With all evidence pointing to the Russian Mafia as being responsible for the crime, Inspector Fein searches desperately for a witness who's willing to talk. As fear tightens its grip on the scared Russian community of Milwaukee, bodies continue to pile up and an unspoken code of silence threatens to stonewall the investigation. Now, with both his life and the lives of his family hanging in the balance, Inspector Fein must make the decision to pull back, or press forward and pray that the killer won't get to him before he gets to them. ~ Jason Buchanan, All Movie Guide

This made-for-television drama is based on the true story of a woman's search for her birth parents. Melissa Gilbert-Boxleitner stars as Julie, a woman about to undergo surgery. Confronted with questions about her medical history, Julie learns for the first time that she in fact was adopted as an infant. The revelation sparks a desire within Julie to seek out her birth parents and sends her on a quest for the truth. ~ Bernadette McCallion, All Movie Guide

This screwball urban comedy is about two dippy roommates, struggling musicians Lolly (Melanie Mayron) and Hattie (Helen Slater), who are asked by an equally spacey, drug-dealing friend-of-a-friend Diane (Loretta Devine) to baby-sit a bag containing nearly a million dollars while she scoots out of town in order to avoid trouble. Once the money is in their possession, however, temptation proves too much for Lolly and Hattie, who use the ill-gotten cash to pay the rent, buy new instruments, and embark on a shopping spree for earrings, clothes, and shoes. While the girls dig themselves deeper into trouble with every dollar spent, they also encounter a variety of eccentric characters, including a fellow musician (Danitra Vance), their ailing landlady (Eileen Brennan), Lolly's boyfriend (Christopher Guest), and a parking lot attendant (Stephen McHattie). The latter, however, is actually a cop who's keeping surveillance on them from across the street. Mayron co-wrote the script for Sticky Fingers (1988) with actress and first-time director Catlin Adams. ~ Karl Williams, All Movie Guide

After spending eight years in an insane asylum, Roo (Vernon G. Wells) takes a job in a gym owned by Napoleon (Michael Copeman). Tormented by memories of shock treatments and inhumane conditions, he channels his pent-up aggression and becomes a bare-knuckled street fighter. He soon goes up against the champ Razor (Real Andrews). ~ Dan Pavlides, All Movie Guide

This is a fast-paced, standard crime story with Sgt. Boyd (Richard Crenna) as a lone cop out to clean up the neighborhood. Kurtz (Paul Williams) is a wild gangster who manages a ring of prostitutes, and right now he has problems. Someone is shooting his hookers. A few of the undercover cops get killed as they try to infiltrate the hooker trade, so Sgt. Boyd is more or less alone in bringing in the sniper and giving Kurtz his due. While he is focusing on those tasks, prostitute Monica (Linda Sorenson) is focusing on him. ~ Eleanor Mannikka, All Movie Guide

First broadcast in 1955 and lasting at least ten years, the Canadian weekly Heritage was like such American efforts as Lamp Unto My Feet and Look Up and Live, a potpourri program on religious issues. With full script approval of the National Religious Advisory Council, the series offered everything from original dramas to documentaries to debates, supplied by local producers from virtually every one of the CBC's provincial outlets. In addition, the series accepted contributions from "other" countries, notably the ten-part BBC drama Paul of Tarsus. During the 1958 season, the series was briefly retitled The Church in Canada. ~ Hal Erickson, All Movie Guide