Florence Eldridge Movies

NBC correspondent Betty Rollin's book about her own mastectomy, First You Cry, was adapted for television by Carmen Culver. Mary Tyler Moore plays Ms. Rollins, who discovers after her breast surgery that her "loving" husband (Anthony Perkins) is a cad who can't withstand the pressure of living with a woman in dire need of emotional support. Thankfully, Ms. Rollins is able to begin a new life with the tender, compassionate man (Richard Crenna) who's loved her all along. Unfortunately, the rest of the film is just as simplistic as its romantic angle. Despite Mary Tyler Moore's consummate performance, First You Cry (originally telecast November 8, 1978) is better read than seen. ~ Hal Erickson, Rovi

Reverent to the point of tedium, Christopher Columbus stars Fredric March in the title role, and he's welcome to it. March's wife Florence Eldredge co-stars as Queen Isabella, who finances Columbus' expedition to find a westward route to India. After several reels devoted to table-top miniatures impersonating the Nina, the Pinta and the Santa Maria (punctuated by rumbles of mutiny--no, not "rumble rumble, mutiny mutiny") Columbus reaches the New World. Though obviously filmed on an extravagant budget (Technicolor was still a rare commodity in 1949), the British Christopher Columbus has less going for it than the 1939 Porky Pig cartoon Christopher Columbus Jr.. Filmgoers stayed away in droves, as they would when the movie industry "rediscovered" Columbus for a brace of disastrous multimillion-dollar films in 1992. ~ Hal Erickson, Rovi

In this provocative drama, a stern hard-liner judge commits euthanasia to save his terminally ill wife from further suffering. He decides to kill her by driving the both of them off a cliff. He succeeds in ending her pain, but unfortunately he survives and ends up turning himself in with a full confession. Now it is up to his brilliant lawyer to defend him. He not only justifies the old judge's actions, he also proves that the wife took a fatal dose of poison before getting in the car; therefore she committed suicide. The judge is freed and returns to his courtroom where he oversees his cases with considerably more sympathy and understanding than he did before. ~ Sandra Brennan, Rovi

Richard Boleslawski directed this lavish adaptation of Victor Hugo's oft-filmed epic novel. Fredric March stars as Jean Valjean, who is hauled into prison for stealing a loaf of bread. After ten years at hard labor, he escapes from the merciless prison but the years have taken their toll and Valjean is now a hard and embittered man. Valjean regains his compassion after the kindly Bishop Bienveenu (Cedric Harwicke) refuses to prosecute him for the theft of his candlesticks. Under an assumed name, Valjean becomes a widely liked and respected mayor. He devotes his life to helping others and adopts a young girl as his own. But the town's chief of police, Javert (Charles Laughton) is suspicious about the mayor and one day, after Valjean lifts a wagon off of a man, Javert remembers Valjean from his days on the prison galley. Javert sets out to uncover the mayor's true identity, but Valjean beats him to it -- when a man who claims to be Valjean is put on trial, Valjean appears at the court and reveals his secret. But before he is arrested, he escapes with his adopted daughter Cosette (Rochelle Hudson) to Paris. In Paris, he assumes yet another identity. Cosette falls in love with student radical Marius (John Beal) and Javert, assigned to Paris to keep an eye on the revolutionaries, latches onto Valjean's trail once again. As Paris simmers in revolution, Valjean and Javert reveal themselves to each other for a final confrontation. ~ Paul Brenner, Rovi

In this crime drama, a dapper thief meets a female detective at a party and fall in love. ~ Sandra Brennan, Rovi

William Faulkner's novel Sanctuary was a notorious bestseller upon its publication in 1931, and while it was successful enough that Paramount Pictures quickly snapped up the film rights, they were forced to change enough of the story to make it fit for the screen (even in the "pre-code" era) that by the time it reached theaters the title had been changed to The Story of Temple Drake. Temple (Miriam Hopkins) is a free-spirited girl being raised by a well-respected judge (Guy Standing) after the death of her mother. Temple has a wild streak and a taste for liquor and men she can bend to her will, and while principled lawyer Stephen Benbow (William Gargan) wants to marry her, she's not willing to settle down. While joyriding with Toddy Gowan (William Collier Jr.), a young man with more bravado than sense who wrecks their car, Temple ends up in the decaying home of Lee Goodwin (Irving Pichel), who with leering, sharp suited gangster Trigger (Jack La Rue) makes and sells moonshine. While Lee's life Ruby (Florence Eldridge) and dim-witted helper Tommy (James Eagles) try to protect Temple, cold-hearted Trigger shoots Tommy, rapes Temple and takes her away to the city, where she falls into a relationship with the gangster governed by both attraction and fear. While the most sordid aspects of Sanctuary were excised by screenwriter Oliver H.P. Garrett and director Stephen Roberts, The Story of Temple Drake was still quite controversial on its initial release, and within a few months of its release, Will Hayes and Joseph Breen overhauled the Motion Picture Producers and Distributors of America's production code and strengthened enforcement of its guidelines on content, making it virtually impossible for a major studio to make a film like it again until the 1960s. ~ Mark Deming, Rovi

Norma Shearer earned an Academy Award for playing the not so gay divorcée in this pre-Code offering based, loosely, on Ex-Wife, a 1929 Ursula Parrott novel. Shearer is Jerry, a socialite who marries handsome Ted (Chester Morris) after a whirlwind courtship. But Ted is not exactly the faithful type and after three years of what she in her naïveté considered marital bliss, Jerry learns of his affair with Janice (Mary Doran). "It meant nothing," Ted assures her but Jerry is devastated and decides to investigate adultery for herself by sleeping with Ted's best friend, Don (Robert Montgomery). When she discovers that the old double-standard still applies, Jerry announces that henceforth Ted, and only Ted, is no longer welcome in her bed. After a string of lovers who mean little or nothing to her, Jerry falls for an old flame, Paul (Conrad Nagel), but when she understands the effect their affair has on Paul's poor disfigured wife, Dorothy (Helen Johnson, aka Judith Wood), Jerry returns to Ted, who still loves her despite it all. ~ Hans J. Wollstein, Rovi

In this early "talkie," William Powell stars as sophisticated detective Philo Vance, who is brought in to investigate the killing of multi-millionaire Tobias Greene. Vance brings together a handful of likely suspects, but it soon becomes apparent he hasn't found the guilty party when all nine of the possible candidates also wind up dead. Vance starts taking a closer look at Greene's mourning family -- as well as the circumstances under which he earned his fortune. Based on the novel by S.S. Van Dine's novel, The Greene Murder Case also stars Jean Arthur, Florence Eldridge, and Ullrich Haupt. ~ Mark Deming, Rovi

Charming Sinners was a stilted adaptation of Somerset Maugham's play The Constant Wife. Robert Miles (Clive Brook) starts the ball rolling when he falls in love with Anne-Marie Whitley (Mary Nolan), the best friend of his own wife Kathryn (Ruth Chatterton). In retaliation, Kathryn begins a flirtation with her former boyfriend Karl Kraley (William Powell). After reels and reels of verbal fencing, the status quo is re-established, and Robert and Kathryn are reunited. So dour and restrained was Clive Brook's performance that one film critic pretended to mistake him for the family butler! Charming Sinners was also filmed in several foreign-language versions. ~ Hal Erickson, Rovi