Stuart Townsend

Everyone loves a good, two-fanged fright flick, and from the silent screen to the 21st Century, vampire films have drawn moviegoers to theaters in droves. Much like the immortal monsters that stalk the night in search of precious blood, it seems that our fascination with these strange and seductive creatures will never die. In this ocumentary, interviews with a wide array of filmmakers, actors, special-effects artists, writers, and critics combine with a hearty collection of memorable film clips to explore the evil and eroticism that abounds in vampiric cinema. Vampires director John Carpenter, Underworld director Len Wiseman, and The Lost Boys director Joel Schumacher all weigh in on what inspired them to craft films featuring vampires, while Kristanna Loken and Stuart Townsend reveal what it was like to assume the persona of a creature that so many viewers fear, yet embrace at the same time. Additional interviews with Stan Winston and Greg Nicotero highlight how creative vampires can be tons of ghoulish fun, while writers Marv Wolfman and David Goyer discuss understanding their motivations and critics Leonard Maltin and Harry Knowls explain just why these monsters are so compelling to watch up on the big screen. ~ Jason Buchanan, All Movie Guide

After living his life with clockwork precision, a man throws any and all caution to the wind in this freewheeling comedy-drama. Frank Allen (Ryan Reynolds) is a successful motivational speaker and author whose book "The Five-Minute Efficiency Trainer" advises readers that strict organization and avoiding impulsive behavior is the key to success. Frank is married to Susan (Emily Mortimer), who has been his sweetheart since college, but while he's happy, she's beginning to have second thoughts -- she chose to be with Frank rather than his best friend Buddy (Stuart Townsend) because of his sweet and gentle nature, but his new habit of carefully budgeting every moment of the day has squeezed most of the fun out of their lives. After a quarrel with Susan leaves Frank in a troubled state of mind, he's enthusiastically propositioned by a sexy woman at a self-help seminar (Sarah Chalke), and has to take a pregnant woman (Jocelyne Loewen) to the hospital when he nearly runs her over on the street. Susan learns about Frank's day and comes to the mistaken conclusion that he's been unfaithful to her with both women. Susan leaves him and Frank decides that his hyper-organized life is to blame for the collapse of his marriage. Suddenly, Frank figures its time to give his id full reign -- he buys a motorcycle, starts fist fights in bars, sleeps with strange women, takes up streaking, and does nearly everything the old Frank would warn him against. ~ Mark Deming, All Movie Guide

The ABC sci-fi/horror/thriller series Night Stalker was not so much a remake of the cult 1974 series Kolchak: The Night Stalker as it was a "reimagining" of the earlier show -- at least according to the series' producer, X-Files alumnus Frank Spotnitz. Stuart Townsend stepped into the old Darren McGavin role as maverick journalist Carl Kolchak, whose mission in life was to alert the world of various and sundry paranormal, supernatural, and extraterrestrial activities -- only to be made the fool each week when evidence substantiating his stories of ghost, monsters, spacemen, etc. mysteriously disappeared. Instead of answering to an acerbic, disbelieving editor (the role played by Simon Oakland in the original show), Kolchak verbally sparred, "Mulder and Scully" fashion, with his erstwhile partner, doubting reporter Perri Reed (Gabrielle Union). And whereas the "old" Kolchak was merely trying to make a living and restore his journalistic reputation, the "new" Kolchak was motivated by the unsolved murder of his wife -- which he claimed was at the hands of supernatural forces, but which the authorities suspected was his own handiwork (a dash of Fugitive there). The weekly, 60-minute Night Stalker premiered September 29, 2005. ~ Hal Erickson, All Movie Guide

Shade, the first feature film from real-life card shark Damian Nieman, who wrote and directed the picture, stars Gabriel Byrne and Thandie Newton as a duo of con artists looking to beat the "Dean" (Sylvester Stallone), a legendary card shark, in a high-stakes poker game. Their first step is hiring two fellow tricksters -- Jamie Foxx and Stuart Townsend -- to provide the smooth talking and to procure the necessary funds. Unfortunately, Larry (Foxx) blows his hand and finds himself with 85,000 dollars worth of debt owed to a local crime boss. Shade premiered at the 2003 CineVegas film festival and also features Dina Merrill and Melanie Griffith. ~ Tracie Cooper, All Movie Guide

A mother is caught in a race against time to save her child in this taut suspense thriller. Dr. Will Jennings (Stuart Townsend) and his wife, Karen (Charlize Theron), find their world has been turned upside down when they're taken hostage and held in different cities while their young daughter is kidnapped by the same band of ruthless criminals. Joe Hickey (Kevin Bacon) has hatched a seemingly foolproof plan with his wife, Cheryl (Courtney Love), and cousin, Marvin (Pruitt Taylor Vince): while Dr. Jennings and Mrs. Jennings are under guard and unable to contact the police, Hickey will demand a massive ransom for the return of their daughter. If the payment is not arranged in 24 hours, the girl will be killed. Will and Karen realize it's imperative that they find their daughter as soon as possible, as she suffers from a medical condition that could claim her life if she doesn't receive her medication within a day, but as Karen plots a way to get away from Joe and rescue her little girl, she discovers money isn't the only reason Joe has chosen the Jenningses as his victims. Trapped was based on the novel 24 Hours by Greg Iles; 24 Hours was also announced as the film's title before it was changed to avoid being confused with the popular television series 24. ~ Mark Deming, All Movie Guide

Gerard Stembridge directs this charming comedy about a handsome stranger who wreaks havoc on an entire family. Pub torch singer Lucy Owen (Kate Hudson) falls for Adam (Stuart Townsend) as soon as she lays eyes on him. Tired of a string of failed short-termed relationships, she succumbs to Adam's radiate charisma and agrees to marry him after only knowing him for a scant couple of days. Yet when she brings him home to her family, she finds to her dismay that his magnetism works equally well on her two older sisters. The middle one, Laura (Frances O'Connor), is a shy bookish sort whose love for poetry proves to be her weakness, while eldest sister Alice (Charlotte Bradley) is aloof at first, but eventually she also yields to his wiles. This film was screened at the 2000 Sundance Film Festival. ~ Jonathan Crow, All Movie Guide

The members of a British working-class family see their lives starting to come apart as the Nation prepares to celebrate Guy Fawkes Day (named for an anarchist who tried to blow up Parliament) in Michael Winterbottom's drama Wonderland. Eileen (Kika Markham) and Bill (Jack Shepherd) are a married couple with four grown children. Bill has lost his job and is drifting through life, unsure of what to do. He's also having sexual problems with Eileen, who is being driven insane by their noisy neighbors. Neither Bill nor Eileen have seen their son Darren (Enzo Cilenti) for a long time, and his birthday is a heartbreaking experience for them. (Darren, on the other hand, would prefer to celebrate his birthday by spending the night in a hotel with his girlfriend rather than seeing his parents.) Bill and Eileen also have three daughters, Nadia (Gina McKee), Debbie (Shirley Henderson) and Molly (Molly Parker). Nadia works in a cafe and has trouble meeting men; she's signed up with a dating agency, but has yet to meet anyone she likes. Debbie is suddenly a single mother after separating from her drunken lout of a husband. Debbie drowns her sorrows in a series of meaningless one-night-stands, while her husband flies into uncontrollable rages and their son is left with no one to turn to on either side. And while Molly's story seems happy on the surface -- she's soon to give birth to her first child and her husband has done well in kitchen sales -- she's suddenly thrown into instability when she finds her husband has quit his job, without telling her, to follow his dream of becoming a chef. Wonderland received enthusiastic reviews for its ensemble cast when shown at the 1999 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Director of award-winning short films Ben Hopkins embarked on this ambitious feature project with Robert Jones, the producer of The Usual Suspects. The screenplay is inspired by Central European folklore, spaghetti Westerns and industrial history. But the film, which runs like a fable, has its roots in folktales rather than history. It is the end of the 19th century and progress has arrived in Silesia. Travelers do not stop at the town anymore because the railway track is laid past the small settlement. Incomes have dropped, and so has the number of inhabitants. Noah Taylor plays Simon, a 'holy fool' of sorts, persecuted by fellow villagers who hold him responsible for everything from the failure of the crops to the milk going sour. Simon, who resembles a scarecrow, lives in a hut outside the village. He earns his living emptying the sewers, existing on dry bread and the occasional herring or pickle given by the wife of a rabbi. He knows how to entertain the village children with his magic tricks and devilish masks. At the same time, he feels he actually is pursued by the devil, which makes him do all kinds of evil things, only increasing his isolation. There is also the poor but good-looking Jew, Dovid, who keeps proposing to the beautiful widow Leah, who rejects him. Dovid devises a plan to build the village economy, and in the process gain her affection. He pays a visit to the eccentric poet esquire and agrees to a business deal which entails the esquire allowing a new railway station to be built on his property in return for Dovid reading his newly published anthology. Unfortunately, Hase Sean McGinley, a wealthy Christian merchant with more money and little respect for the Jewish villagers, is also interested in the railway project. Simon Magus is the story of a village caught between two worlds -- the new industrial order and the old, rural world of tradition and superstition. The camera work of Nic Knowland is outstanding, as is the confident performance by Noah Taylor, the teenage David Helfgott of Shine. The rest of the cast is quite international as well -- Irishman Stuart Townsend as Dovid, the merchant; South African-born Embeth Davidtz as Leah, the widow and Dutch star Rutger Hauer cast against type as the gentle poet squire. Various subplots, however, often carry the story in directions which distracts audience attention. Simon Magus competed at the 49th International Berlin Film Festival in 1999. ~ Gönül Dönmez-Colin, All Movie Guide

Samantha Morton, who soon after this film gained attention for her role in Woody Allen's Sweet and Lowdown, makes an impressive feature debut in first time writer-director Carine Adler's bittersweet saga about a troubled woman's uneven progress toward self-realization. Morton plays Iris, a woman who feels ignored by her boyfriend Gary (Matthew Delamere), her self-possessed pregnant sister Rose (Claire Rushbrook), and even her beloved mother (Rita Tushingham). After their mother dies suddenly of a brain tumor, Iris falls apart. Tired of a supervisor's hostility, she suddenly quits her job as a clothing saleswoman and has a sexual encounter with Tom (Stuart Townsend), a man she meets in a movie theater. Iris leaves Gary, starts wearing her mother's wig, and dresses like a slut. She gets drunk and desperately picks up men in bars, and she ends up being abused by Max (Daniel O'Meara). Iris mooches money from her sister and they fight over a ring that Rose claims their mother gave her. She finds out that her best friend Vron (Christine Tremarco) has taken up with Gary and tries to seduce Rose's husband Frank (Mark Womack). ~ Michael Betzold, All Movie Guide

Set in Ireland, this beautifully rendered drama offers a fascinating portrait of a nomadic peddler who travels about the countryside selling housewares from his van. Trojan Eddie's unusual moniker comes from the logo upon his van. He works for John Power, the owner of several such traveling vans. Eddie, who is married with two children (and a mistress), wants to own his own business but lacks the means. He has just spent time in prison on robbery charges and now works as a partner with Dermot, Power's nephew. Power (the story's protagonist) attempts to deal with his overriding passion for the glorious traveler Kathleen. Trouble comes when Dermot tries to steal Kathleen from his uncle. ~ Sandra Brennan, All Movie Guide