Stuart Townsend Movies

Everyone loves a good, two-fanged fright flick, and from the silent screen to the 21st Century, vampire films have drawn moviegoers to theaters in droves. Much like the immortal monsters that stalk the night in search of precious blood, it seems that our fascination with these strange and seductive creatures will never die. In this ocumentary, interviews with a wide array of filmmakers, actors, special-effects artists, writers, and critics combine with a hearty collection of memorable film clips to explore the evil and eroticism that abounds in vampiric cinema. Vampires director John Carpenter, Underworld director Len Wiseman, and The Lost Boys director Joel Schumacher all weigh in on what inspired them to craft films featuring vampires, while Kristanna Loken and Stuart Townsend reveal what it was like to assume the persona of a creature that so many viewers fear, yet embrace at the same time. Additional interviews with Stan Winston and Greg Nicotero highlight how creative vampires can be tons of ghoulish fun, while writers Marv Wolfman and David Goyer discuss understanding their motivations and critics Leonard Maltin and Harry Knowls explain just why these monsters are so compelling to watch up on the big screen. ~ Jason Buchanan, Rovi

After living his life with clockwork precision, a man throws any and all caution to the wind in this freewheeling comedy drama. Frank Allen (Ryan Reynolds) is a successful motivational speaker and author whose book "The Five-Minute Efficiency Trainer" advises readers that strict organization and avoiding impulsive behavior is the key to success. Frank is married to Susan (Emily Mortimer), who has been his sweetheart since college, but while he's happy, she's beginning to have second thoughts -- she chose to be with Frank rather than his best friend, Buddy (Stuart Townsend), because of his sweet and gentle nature, but his new habit of carefully budgeting every moment of the day has squeezed most of the fun out of their lives. After a quarrel with Susan leaves Frank in a troubled state of mind, he's enthusiastically propositioned by a sexy woman at a self-help seminar (Sarah Chalke), and has to take a pregnant woman (Jocelyne Loewen) to the hospital when he nearly runs her over on the street. Susan learns about Frank's day and comes to the mistaken conclusion that he's been unfaithful to her with both women. Susan leaves him and Frank decides that his hyper-organized life is to blame for the collapse of his marriage. Suddenly, Frank figures it's time to give his id full reign -- he buys a motorcycle, starts fist fights in bars, sleeps with strange women, takes up streaking, and does nearly everything the old Frank would warn him against. ~ Mark Deming, Rovi

The ABC sci-fi/horror/thriller series Night Stalker was not so much a remake of the cult 1974 series Kolchak: The Night Stalker as it was a "reimagining" of the earlier show -- at least according to the series' producer, X-Files alumnus Frank Spotnitz. Stuart Townsend stepped into the old Darren McGavin role as maverick journalist Carl Kolchak, whose mission in life was to alert the world of various and sundry paranormal, supernatural, and extraterrestrial activities -- only to be made the fool each week when evidence substantiating his stories of ghost, monsters, spacemen, etc. mysteriously disappeared. Instead of answering to an acerbic, disbelieving editor (the role played by Simon Oakland in the original show), Kolchak verbally sparred, "Mulder and Scully" fashion, with his erstwhile partner, doubting reporter Perri Reed (Gabrielle Union). And whereas the "old" Kolchak was merely trying to make a living and restore his journalistic reputation, the "new" Kolchak was motivated by the unsolved murder of his wife -- which he claimed was at the hands of supernatural forces, but which the authorities suspected was his own handiwork (a dash of Fugitive there). The weekly, 60-minute Night Stalker premiered September 29, 2005. ~ Hal Erickson, Rovi

Based on the comic book miniseries by Alan Moore, The League of Extraordinary Gentlemen takes place in an alternate universe where the characters of several literary classics exist in reality. As if that weren't enough, they've been assembled together in 1900 by Queen Victoria as a team of evil-fighting heroes. Among them are Allan Quatermain (Sean Connery) from H. Rider Haggard's King Solomon's Mines; Mina Harker (Peta Wilson) from Bram Stoker's Dracula; Tom Sawyer (Shane West) from several works by Mark Twain; Dorian Gray (Stuart Townsend) from Oscar Wilde's The Picture of Dorian Gray; Captain Nemo (Naseeruddin Shah) from Jules Verne's 20,000 Leagues Under the Sea; The Invisible Man (Tony Curran) from H.G. Wells book of the same name; and several others. Working together, the odd assortment of characters must combine their powers to defeat a mysterious villain and save the world from certain destruction. Directed by Stephen Norrington (Blade), The League of Extraordinary Gentlemen also stars Jason Flemyng, Tom Goodman-Hill, and David Hemmings. ~ Matthew Tobey, Rovi

The second and third novels in author Anne Rice's popular book series The Vampire Chronicles provide the inspiration for this horror sequel starring ill-fated actress and recording artist Aaliyah, who was killed in an airplane crash before the film's release. Stuart Townsend is the vampire Lestat, who has awakened from a century-long slumber and turned his considerable energy to rock music. His vampirism identity mistaken for a gothic hard rock publicity stunt along the lines of Kiss or Marilyn Manson, he quickly becomes a pop music sensation. Lestat's powerful music reaches the ear of the slumbering Akasha (Aaliyah), the millennia-old "queen of the vampires" who was the first immortal bloodsucker. Akasha is soon free and embarking on a quest to seize control of the world with Lestat at her side. In the meantime, Lestat becomes an object of fascination for Jesse Reeves (Marguerite Moreau), member of a secret order studying the supernatural called the Talamasca, and a band of ancient vampires come together in an effort to stop Akasha, even though her destruction could potentially cause their own deaths. Queen of the Damned co-stars Lena Olin and Vincent Perez. ~ Karl Williams, Rovi

Gerard Stembridge directs this charming comedy about a handsome stranger who wreaks havoc on an entire family. Pub torch singer Lucy Owen (Kate Hudson) falls for Adam (Stuart Townsend) as soon as she lays eyes on him. Tired of a string of failed short-termed relationships, she succumbs to Adam's radiate charisma and agrees to marry him after only knowing him for a scant couple of days. Yet when she brings him home to her family, she finds to her dismay that his magnetism works equally well on her two older sisters. The middle one, Laura (Frances O'Connor), is a shy bookish sort whose love for poetry proves to be her weakness, while eldest sister Alice (Charlotte Bradley) is aloof at first, but eventually she also yields to his wiles. This film was screened at the 2000 Sundance Film Festival. ~ Jonathan Crow, Rovi

In this witty drama, the future of art is examined from two vantage points: the years 1699 and 1999. Roland (Dennis Hopper) is an avant-garde artist in Venice, California whose sister, Countess Camilla Volta (Lauren Bacall), lives on their family's estate in Venice, Italy. Their father, The Viscount (John Wood), is near death, and he announces, to the disappointment of both his offspring, that his home and priceless collection of art have been bequeathed to the Italian government. ~ Mark Deming, Rovi

Director of award-winning short films Ben Hopkins embarked on this ambitious feature project with Robert Jones, the producer of The Usual Suspects. The screenplay is inspired by Central European folklore, spaghetti Westerns and industrial history. But the film, which runs like a fable, has its roots in folktales rather than history. It is the end of the 19th century and progress has arrived in Silesia. Travelers do not stop at the town anymore because the railway track is laid past the small settlement. Incomes have dropped, and so has the number of inhabitants. Noah Taylor plays Simon, a 'holy fool' of sorts, persecuted by fellow villagers who hold him responsible for everything from the failure of the crops to the milk going sour. Simon, who resembles a scarecrow, lives in a hut outside the village. He earns his living emptying the sewers, existing on dry bread and the occasional herring or pickle given by the wife of a rabbi. He knows how to entertain the village children with his magic tricks and devilish masks. At the same time, he feels he actually is pursued by the devil, which makes him do all kinds of evil things, only increasing his isolation. There is also the poor but good-looking Jew, Dovid, who keeps proposing to the beautiful widow Leah, who rejects him. Dovid devises a plan to build the village economy, and in the process gain her affection. He pays a visit to the eccentric poet esquire and agrees to a business deal which entails the esquire allowing a new railway station to be built on his property in return for Dovid reading his newly published anthology. Unfortunately, Hase Sean McGinley, a wealthy Christian merchant with more money and little respect for the Jewish villagers, is also interested in the railway project. Simon Magus is the story of a village caught between two worlds -- the new industrial order and the old, rural world of tradition and superstition. The camera work of Nic Knowland is outstanding, as is the confident performance by Noah Taylor, the teenage David Helfgott of Shine. The rest of the cast is quite international as well -- Irishman Stuart Townsend as Dovid, the merchant; South African-born Embeth Davidtz as Leah, the widow and Dutch star Rutger Hauer cast against type as the gentle poet squire. Various subplots, however, often carry the story in directions which distracts audience attention. Simon Magus competed at the 49th International Berlin Film Festival in 1999. ~ Gönül Dönmez-Colin, Rovi

Calling to mind the whimsical, swinging London comedies of the 1960s, such as the Blake Edwards Pink Panther films and the collaborations of The Beatles with director Richard Lester, this frantic romantic comedy is an airy, pop example of the British New Wave. Dylan Dan Futterman and Jez Stuart Townsend are friends from opposite sides of the Atlantic using their special skills -- Dylan is a slick-talking American, while Jez is a humble British computer expert -- to bilk England's wealthy. Both orphans, they plan to accumulate enough pounds to buy the luxurious mansion home they never had as children. Their scams include selling phony voice-recognition software and reinstalling the same insulation into various homes. Into their lives comes Georgie (Kate Beckinsale), a beautiful girl engaged to a rich jerk. Dylan and Jez hire Georgie as a secretary and both fall in love with her, though Jez's feelings are a bit more sincere. At first appalled by her employers' scams, Georgie believes their lie that they intend to give the money to the poor. ~ Karl Williams, Rovi

Set in Ireland, this beautifully rendered drama offers a fascinating portrait of a nomadic peddler who travels about the countryside selling housewares from his van. Trojan Eddie's unusual moniker comes from the logo upon his van. He works for John Power, the owner of several such traveling vans. Eddie, who is married with two children (and a mistress), wants to own his own business but lacks the means. He has just spent time in prison on robbery charges and now works as a partner with Dermot, Power's nephew. Power (the story's protagonist) attempts to deal with his overriding passion for the glorious traveler Kathleen. Trouble comes when Dermot tries to steal Kathleen from his uncle. ~ Sandra Brennan, Rovi