Aïssa Maïga Movies

Gerard Depardieu, Oliver Marchal, and Asia Argento star in this thriller about a Paris police officer who puts his own career on the line to help his lifelong friend, a crooked narcotics cop who does some drug trafficking on the side. Mat works the night beat in the city, and his best friend Franck works in the drug squad. But after busting the local drug dealers, Franck turns a tidy profit by selling their product at cut-rate prices. When Franck gets in over his head, it's up to Mat to help and old friend by taking matters into his own hands. ~ Jason Buchanan, Rovi

Twenty acclaimed filmmakers from around the world look at love in the City of Lights in this omnibus feature. Paris, Je T'Aime features 18 short stories, each set in a different part of Paris and each featuring a different cast and director (two segments were produced by two filmmakers in collaboration). In "Faubourg Saint-Denis," Tom Tykwer directs Natalie Portman as an American actress who is the object of affection for a blind student (Melchior Belson). Christopher Doyle's "Porte de Choisy" follows a salesman (Barbet Schroeder) as he tries to pitch beauty aids in Chinatown. Nick Nolte and Ludivine Sagnier are father and daughter in "Parc Monceau" from Alfonso Cuarón. Animator Sylvain Chomet turns his eye to a pair of living, breathing mimes in "Tour Eiffel." An interracial romance in France is offered by Gurinder Chadha in "Quais de Seine." In "Le Marais" from Gus Van Sant, a man (Gaspard Ulliel) finds himself falling for a handsome gent (Elias McConnell) who works in a print shop. Isabel Coixet tells the tale of a man (Sergio Castellitto) who is making his final choice between his wife (Miranda Richardson) and his lover (Leonor Watling) in "Bastille." Juliette Binoche plays a grieving mother in Nobuhiro Suwa's "Place des Victoires," in which she's greeted by a spectral cowboy (Willem Dafoe). Richard LaGravanese's "Pigalle" finds a long-married man (Bob Hoskins) turning to a prostitute for advice on pleasing his wife (Fanny Ardant). Gérard Depardieu and Frédéric Auburtin direct Gena Rowlands and Ben Gazzara as longtime marrieds meeting for one final pre-divorce encounter in "Quartier Latin." Steve Buscemi learns a lesson about local etiquette in the Paris Metro in "Tuileries" from Joel and Ethan Coen. In "Loin du 16ème" by Walter Salles, a housekeeper (Catalina Sandino Moreno) longs for her own child as she tends to the infant of her wealthy employer. Elijah Wood stars in "Quartier de la Madeleine," a vampire tale from Vincenzo Natali. Wes Craven presents another fantasy in "Père-Lachaise," in which an engaged young man (Rufus Sewell) receives romantic advice from the spirit of Oscar Wilde (Alex Payne). A postal worker from Colorado (Margo Martindale) shares her thoughts on her visit to Paris in mangled French in Alexander Payne's witty "14th Arrondissement." Other segments include "Place des Fêtes" from Oliver Schmitz, Bruno Podalydès' "Montmartre," and "Quartier des Enfants Rouges" by Olivier Assayas, which stars Maggie Gyllenhaal. Paris, Je T'Aime received its world premiere at the 2006 Cannes Film Festival. ~ Mark Deming, Rovi

A man tries to hold on to his bachelor lifestyle by getting engaged in this romantic comedy. Luis (Alain Chabat) is a man in his mid-fourties who has been happily unmarried all his life. Luis nearly wed his sweetheart when he was 21, but the meddling of his mother (Bernadette Lafont) and five sisters drove the young lady away, and since then he's devoted his romantic attentions to short-term relationships while earning a good living working in the perfume industry. However, his family remains determined to fix him up with eligible women, and Luis has grown tired of it. With the help of a colleague, Luis concocts a plan -- his friend's daughter Emma (Charlotte Gainsbourg) agrees to pose as his fiancée and then abandon him at the altar, which should silence his mother and sisters on the subject of matrimony once and for all. While Luis and Emma's relationship is all business, she does a flawless job of convincing his family that she loves him and is determined to be his wife -- so much so that Luis wonders if she might be serious about him after all. Directed by Eric Lartigau, Prête-Moi Ta Main (aka I Do) was a major box-office success in France, attracting nearly three million viewers in its first month of release. ~ Mark Deming, Rovi

South African filmmaker Oliver Schmitz helmed this short about a young car attendant's deathbed meeting with the great love of his life -- and the aftereffects of seemingly isolated events. Starring Aïssa Maïga and Seydou Boro, Place des Fêtes was included in Paris, Je T'Aime, a collection of short films about the City of Lights featuring contributions by Alexander Payne, Tom Tykwer, and several others. ~ Matthew Tobey, Rovi

French filmmaker and professor of music Denis Dercourt directs the family drama Mes Enfants Ne Sont Pas Comme Les Autres (My Children Are Different). Widowed cellist Jean Debart (Richard Berry) is strict with his two children in regards to their musical education. Teenager Adele (Elodie Peudepiece) studies the cello but yearns for some rebellious independence while 11-year-old Alexandre (Frederic Roullier) is firmly committed to playing the piano and observing his father's wishes. Their stern grandfather Maître Erhardt (Maurice Garrel) is an orchestra conductor and their uncle Gerald (Mathieu Amalric) is a less-ambitious musician who finds work making background sounds. Soon Adele finds herself growing away from her father's harsh rules when she meets fellow musician Thomas (Malik Zidi). ~ Andrea LeVasseur, Rovi

Two teachers find themselves at odds in this drama from France. Hippolyte (Yvan Attal) and Alexandre (Jean-Hugues Anglade) have been friends since childhood; now they're both instructors and assistant principals at the same high school. They're both dedicated to making education exciting and fun for their students, and they want to teach them the importance of not blindly following in the paths of others, but lately they find themselves arguing over the best way to implement these goals. It doesn't help that they've both fallen for the same woman (Helene de Fougerolles), and neither wants to step aside and let the other man win her hand. Le Prof was based on a novel by Alexandre Jardin, who also directed and co-wrote the film's screenplay. ~ Mark Deming, Rovi

Swiss director Alain Tanner, who wowed audiences in the 1970s with his art house classic Jonah, Who Will Be 25 in the Year 2000 (1976), returns to the same territory with this decidedly more downbeat film. The movie details the life of Jonah (Jerome Robart), who has indeed just turned 25. A recent film school graduate, he is living with his Senegalese girlfriend and childhood sweetheart Lila (Aissa Maiga), and occasionally shooting documentaries. The film explores the shifting emotional landscape of Jonah and Lila's relationship as the two take in a boarder, Irina - a Russian woman on the lam from Soviet mobsters, for whom she made an adult movie. Meanwhile, Lila longs to return to Senegal to be with her grandmother. Jonas et Lila, a Demain ran at the 1999 San Sebastian Film Festival. ~ Jonathan Crow, Rovi

A pair of French detectives enter a different world after they are assigned to solve a puzzling double homicide that occurred in an African neighborhood in Paris. The corpses of the two masked Malian women were discovered ritually mutilated and hanging from a ceiling. The detectives' search leads them to a Malian father and his 18-year-old daughter. The father confesses to the crime, but further investigation reveals that he is lying. Even more puzzled than before, the two investigators consult a noted professor who tries to help them understand the true nature of the crime. The story is based on a book by controversial French academic Tobie Nathan, a self-proclaimed "ethno-psychiatrist," who has been researching the problems experienced by France's many immigrants, particularly African ones, as they wrestle with the clash between their native beliefs and their new culture. ~ Sandra Brennan, Rovi