Britt Ekland Movies

Charles Dickens' classic tale A Christmas Carol is revisited yet again in this made-for-television holiday drama. Told with a different twist, in this version, a melancholy father spends his Christmas Day mourning the son he lost in World War II. His holiday grieving is interrupted by the visiting ghosts of Christmases past, present and future. Henry Mancini provides the score. ~ Bernadette McCallion, All Movie Guide

Edina (Jennifer Saunders) gets in an uproar over the impending visit of Max (Patrick Barlow) and Bettina (Miranda Richardson), a pair of impossibly hip old friends. Terrified that her cluttered house won't be up to snuff with these chic minimalists, she chucks things -- and people -- right and left. Pats (Joanna Lumley), feeling abandoned, sets off to find another lunch partner. She even turns up at her own office, hoping to find Magda but instead encountering Bubble (Jane Horrocks), who is there on loan from Eddy's office. Meanwhile, Eddy, dismayed to find that Bettina and Max have become the shrill, neurotic yuppie parents of a very ordinary newborn, escapes to an imaginary lunch date of her own. Pats and Eddy find themselves at the same hip London eatery, where each tries to impress the other with her dining companions; Eddy gloms onto '60s singer Lulu, while Pats forces herself into the company of Swedish actress Britt Ekland and outrageous fashion designer Zandra Rhodes. Back at the Monsoon house, Eddy still can't stand the company of the hysterical Bettina, so she retires to bed. Strangely enough, so does Max. Originally broadcast on BBC 1 on February 24, 1994, Absolutely Fabulous: New Best Friend marked series two, episode four of this popular Brit-com. Although Richardson, star of such films as The Crying Game, played a fictional character, Ekland, Lulu, and Rhodes all portrayed themselves. ~ Brian J. Dillard, All Movie Guide

With Peter Sellers as star, Neil Simon as screenwriter, and Vittorio DeSica as director, how could After the Fox miss? Miss it did, however--though the film, patchy and inconsistent though it might be, definitely has its moments. Sellers plays an Italian master thief who can't seem to stay out of jail. His latest scheme involves moving $3 million worth of stolen gold bullion from Cairo to Rome. To cover his tracks, Sellers pretends to be a "nouvelle vague" movie director, filming a crime picture. Britt Ekland, Mrs. Sellers at the time, plays his movie-struck sister. The film is effortlessly stolen by Victor Mature, who is unbearably funny as a vainglorious hasbeen Hollywood star. Director DeSica shows up in the film as "himself"-at least until all his camera equipment is stolen by Sellers and his partner-in-crime Akim Tamiroff. Never as hilarious as it should have been, After the Fox nonetheless manages a few isolated belly laughs. Outside of Mature's performance, our favorite bit in the film is the final gag: "Ze wrong man has escaped!" ~ Hal Erickson, All Movie Guide

In the first episode of a two-part story, the Galactica is again attacked by a fleet of Cylon fighters. The crew's only hope of escape is through a space corridor past the ice planet Arcta--which is guarded by a Cylon pulsar cannon. Commander Adama (Lorne Greene) is ultimately forced to place the future of his space vessel in the hards of an army of criminals, led by Adama's son Apollo (Richard Hatch) and Apollo's best friend Starbuck (Richard Hatch). ~ Hal Erickson, All Movie Guide

When actor Lionel Jeffries turned to directing in the 1970s, he exhibited a preference for whimsy, as witness The Railway Children. Jeffries' Baxter is a notable exception to this rule, though, as with his other directorial efforts, he shows a keen sensitivity for the travails of troubled youngsters. Scott Jacoby plays Baxter, a boy with a marked speech impediment. His affliction worsens as his parents' marriage disintegrates. Patricia Neal plays a dedicated speech therapist who realizes that Baxter's problems go deeper than his inability to speak normally. Baxter was scripted by "Golden Age" TV veteran Reginald Rose. ~ Hal Erickson, All Movie Guide

A gangster and his domineering wife divorce, they fight a bitter war over who will retain custody of their young son. ~ John Bush, All Movie Guide

This sex-filled exploitation favorite has bounced from one double-billing to the next, undergoing numerous re-titlings (including Bride of Satan and Fury of the Succubus) in the process. It stars Lana Wood as a frustrated housewife who begins having nightly trysts with a tall, dark stranger... who, of course, turns out to be Satan himself. Thus begins her descent into dementia, as she begins to distance herself even further from her husband and kids (if that were possible) while painting portraits of her enigmatic new lover. For reasons never detailed in the film, there is a fully-functional guillotine in the cellar, and it's only a matter of time before heads begin to roll. Assorted devil-worshippers pop up out of nowhere for a confusing climax. Not a bad little time-waster, this film relies more on nudity than scares, with a dollop of gore for good measure. Britt Ekland fans be warned: despite her prominent billing in the credits, her role barely amounts to a walk-on. ~ Cavett Binion, All Movie Guide

A psychology teacher nearly loses her husband after her recently published doctoral thesis on sex becomes a best-seller. ~ Sandra Brennan, All Movie Guide

Vietnam veterans Baumgartner and Watson (Ben Gazzara and Paul Winfield) are hired to rescue an executive (Keenan Wynn) abducted by Asian guerrillas. ~ Jason Ankeny, All Movie Guide

This story of youthful rebellion is taken from the ancient Greek classic "Antigone." The setting is modern times and Britt Eklund plays Antigone in a fictitious land where reality is suspended. Haimon (Tomas Milian) goes against the wishes of his father and the prime minister by wanting to become an animal. Tiresias (Pierre Clementi) plays a Christ-like figure. The only resemblance between this version and the ancient tragedy is that the three principle characters are slated for an uncertain future among the living. The film was shown at the 1970 New York Film Festival. ~ Dan Pavlides, All Movie Guide

This is the made-for-TV version of the romantic drama that chronicles the exploits of a group of glamorous women caught up in the entertainment industry. This version contains material author Jacqueline Susann omitted from her original novel. ~ Sandra Brennan, All Movie Guide

In this Scandinavian melodrama, a Swedish lieutenant journeys to a lonely island off the coast of Lapland for a summer of badly needed rest and relaxation. Once there, the soldier rents a hunting lodge from an aging local. Soon he encounters his landlord's lovely daughter who, while finding the stranger attractive, is put off by her innate distrust of men. With patience, he shows that men can indeed be trusted; he also introduces her to love. Unfortunately, the girl gets quite jealous when her father's lovely mistress also begins flirting with the stranger. The father is an abusive and jealous man; he cannot help but notice that his formerly passive daughter and mistress have begun standing up to him. To get even, he sends for the wealthy baron who once courted his daughter. He then informs his daughter that her lover, the soldier, has also been carrying on with his mistress. The lass disbelieves him until she sees the truth for herself, and the utterly distraught young woman agrees to marry the baron. The father then makes a play for his former mistress who spurns him and flees into the snowy mountains. It is an unfortunate coincidence that the soldier should choose that time to fire a signal shot to his lover, for his gun triggers off a deadly avalanche that sweeps the hapless mistress to her doom. The father goes mad with grief and burns down his hunting lodge. Later the lieutenant tries to smooth it all over with the daughter, but she is disconsolate and rejects him. ~ Sandra Brennan, All Movie Guide