Jennifer Crystal Movies

Back on active duty, Bobby Simone (Jimmy Smits) reteams with Andy Sipowicz (Dennis Franz) to investigate a bar shooting. The suspect, an off-duty corrections officer, turns out to be terminally ill, and may not have been responsible for his actions. In another development, the squad converges upon the hideout of a serial rapist. And although she hasn't formally announced her pregnancy, Gina (Lourdes Benedicto) accepts Martinez' (Nicholas Turturro) marriage proposal. ~ Hal Erickson, Rovi

Critics were somewhat amused when this made-for-TV movie first aired over CBS on February 21, 1996. They could understand why someone would want to make a biopic about notorious "Hollywood madam" Heidi Fleiss (here played by Tricia Leigh Fisher)--but of what possible dramatic value was a film about Heidi's father, California consulting pediatrician Paul Fleiss? Well, that question was sufficiently answered throughout the film's 90 minutes, told largely in flashback from the point of view of Dr. Fleiss, portrayed by Michael Gross. According to Karol Ann Hoeffner's teleplay, Fleiss was a good, caring, almost saintly family man, whose misguided liberal sympathies led him to excesses of self-indulgence when it came to raising his children. So far as as the spoiled and pampered Heidi is concerned, Dr. Fleiss doesn't believe in discouraging her on any issue, including sex--and this, coupled with the neurotic attitudes of Heidi's repressed, high-strung mother Elissa (Cindy Pickett) led the girl into her life's work, using sex for profit while remaining coolly detached from her work and using her associates and customers rather than ever allowing them to use her. That Heidi is clearly the villain of the piece is made obvious not only by actress Fisher's vitriolic performance, but also by the dramatic core of the story, in which Dr. Fleiss ends up being charged with fraud when Heidi pressures him into signing a highly suspicious bank loan application. The sweeping inaccuracies in The Good Doctor: The Paul Fleiss Story evidently didn't hurt its ratings, nor did the film lack viewers when it was subsequently rerun on cable TV under the title The Making of a Hollywood Madam. ~ Hal Erickson, Rovi

Mel Brooks does it again with this send-up of vampire films. That Leslie Nielson plays the great blood-sucking count gives viewers a good idea as to what they are in for. This Dracula takes himself very seriously despite the fact that he's a bit of a klutz with a tendency to slip in the bat guano that adorns his castle floor. Staying very close to Bram Stoker's original story, Brooks also pays sly homage to other major vampire film classics, including Nosferatu. Though silly but subtle gags abound in this outing, Brooks has taken great care to recreate the late 19th-century atmosphere in rich detail and harkens back to Hammer horror movies popular during the '50s and '60s. ~ Sandra Brennan, Rovi