Barbara Archer Movies

Based on a popular British novel by Nell Dunn, Up the Junction was a made-for-TV movie in 1965 before being remade for theatrical release in 1968. It features Suzy Kendall as Polly, an upper-class Chelsea girl who decides to relieve her boredom by slumming in a working-class section of London called Battersea. She gets a job in a candy factory and becomes friends with co-workers Rube (Adrienne Posta) and Sylvie (Maureen Lipman), two sisters. Polly takes up with Peter (Dennis Waterman), who dreams of leaving Battersea and becoming rich. ~ Michael Betzold, All Movie Guide

Cliff Robertson and George Chakiris star in this dumbed-down version of The Guns of Navarone. During World War II, the story concerns a Scandinavian underground leader, Erik Bergman (George Chakiris), who reports to British authorities the location of a German V2 fuel plant. As is the case in most World War II action films, the plant is in an impregnable location -- beneath an overhanging cliff at the end of a highly defended fjord. The only way the British can hope to destroy the plant is by collapsing the cliff on top of it. In order to do that, light Mosquito aircraft must be utilized. This is the job assigned to Wing Commander Roy Grant's (Cliff Robertson) 633 Squadron. In order to assist Grant in his air attack, Bergman attempts a simultaneous ground attack, but the ground attack fails, and Bergman is captured by the Germans. When he is tortured in their efforts to uncover the RAF plans, Bergman may not be able to withhold the top-secret information. Howard Koch and James Clavell adapted their screenplay from Frederick E. Smith's novel, reportedly based on a true story. Though Koch and Clavell are each known for their excellent writing, Squadron 633 is notable mostly for its adept cinematography from the co-operative effort of John Wilcox and Edward Scaife. ~ Paul Brenner, All Movie Guide

If you don't expect Casablanca, you'll derive some pleasure from Model for Murder. This British programmer stars American actor Keith Andes. In England to seek out his dead brother's girlfriend, Andes crosses the path of jewel robbers. Hazel Court is the lady in question, whose true involvement in the proceedings is the object of mystery and confusion. Completed in 1958, Model for Murder was released in the States two years later. ~ Hal Erickson, All Movie Guide

A man is forced to prove who he really is -- and discovers that it isn't as easy as one might think -- in this drama. Sir Mark Loddon (Dirk Bogarde) is a titled member of the British aristocracy who lives a life of wealth, privilege, and notoriety, until one day Jeffrey Buckenham (Paul Massie), a pilot from Canada, makes a startling accusation. Buckenham and Loddon were both inmates in the same POW camp during WWII, and Buckenham is convinced that Loddon is not the man he claims to be; Frank Welney, an actor who was also a prisoner in the same camp, bore a striking resemblance to Loddon, and he is convinced that the actor has taken Loddon's place. The press picks up Buckenham's story, and the question of Loddon's identity becomes the talk of all England; Lady Maggie Loddon (Olivia de Havilland), Mark's wife, is deeply offended and insists that he sue for libel to restore his good name. Mark obtains the services of Sir Wilfred (Robert Morley), one of the nation's best-respected attorneys, but it soon becomes evident that proving Mark's identity in court may not be as simple as it might seem; Mark suffered severe head injuries during the war that cause him to stutter at times and also result in periodic spells of amnesia; the testimony of the many witnesses called by Sir Wilfred and his opponent, Hubert Foxley (Wilfrid Hyde-White), establish no clear consensus of who Loddon really is. Libel was based on the popular stage drama by Edward Wooll. ~ Mark Deming, All Movie Guide

This Hammer Studios classic is far closer to the letter (and spirit) of the Bram Stoker novel than the Bela Lugosi version of Dracula. The premise finds the infamous count journeying from his native Transylvania to England, where he takes a headfirst plunge into the London nightlife, and begins to rack up victim after victim. In the process, Dracula also runs into his arch-nemesis, Van Helsing (Peter Cushing), which ignites a battle of wills between the two. Heavily censored in Britain when released (with the goriest moments truncated), this outing was restored by the BFI in the mid-late 2000s. It put Lee and Cushing on the map and paved the way for many sequels starring the two, and for many non-Dracula follow-ups with these actors as well. ~ Hal Erickson, All Movie Guide

Based on a best-selling Australian novel by D'Arcy Niland, The Shiralee stars Peter Finch as an Aussie "swagman," or poacher, saddled with a faithless wife (Elizabeth Sellars). Concerned over the well-being of his young daughter (Dana Wilson), Finch takes her out of her hostile environment and hits the road. Against the breathtaking landscapes and panoramas of the Outback, Father and Daughter grow to love and understand one another on a deeper and more profound level than ever before. The storyline rambles more than does Peter Finch, but the relationship between the two main characters holds the film together. The Shiralee was remade as an Australian TV miniseries in 1989. ~ Hal Erickson, All Movie Guide

1957's The Good Companions was the second film version of the well-known J. B. Priestly play. The story revolves around the Dinky Doos, a provincial musical troupe living from hand to mouth. Eric Portman, Celia Johnson and John Fraser are three Britons from various classes and walks of life who become involved in the fortunes of the Dinky Doos. Pooling their resources, the diverse "good companions" save the troupe from disbanding. Good-natured and high-spirited, Good Companions might have even been better had the director adopted a more intimate and less showbizzy approach. ~ Hal Erickson, All Movie Guide

Three Men in a Boat is the second film version of the comic novel by Jerome K. Jerome. The titular trio is played by popular British comedian Jimmy Edwards, up-and-coming leading man Laurence Harvey and stalwart character actor David Tomlinson. Escaping their dull weekday pursuit, the three pals take a pleasure excursion down the Thames in a small boat, encountering all sorts of comic and romantic complications. Jill Ireland makes an early screen appearance as a young lady who briefly bewitches the bookish Harvey. Though dated, Three Men in a Boat was just as capable of eliciting laughter as it had been in its first cinematic incarnation in 1933. ~ Hal Erickson, All Movie Guide

Ribald music hall comedian Frankie Howerd stars in the British laughspinner Jumping for Joy. Set in the rarefied world of dog racing, the film stars Howerd as trackboy Willie, who is unceremoniously booted from his job. Teaming up with con artist Jack (Stanley Holloway), Willie decides to get even by raising his own greyhound racer. Unfortunately, the dog Willie and Jack purchase has one paw in the grave. As our heroes nurse the pooch back to health, they are forced to spend their spare time keeping a narcotics gang at bay. The delightful harmonica score in Jumping for Joy is provided by American expatriate Larry Adler. ~ Hal Erickson, All Movie Guide