Rodney Brooks Movies
- 2008
- NR
- Add Afghan Star to Queue
When the Taliban took control of Afghanistan in 1996, among their many edicts was banning popular music, considering it a corrupting and sacrilegious influence. Though Taliban was swept from power in 2001, Islamic militants still regard music as sinful and have targeted Afghan musicians in assassination plots. Into this repressive culture comes a television show that has taken Afghanistan by storm -- Afghan Star, a talent search modeled after American Idol in which aspiring singers perform for the viewing audience and either advance in the ranks or are dropped from the competition based on votes cast by telephone. In a nation where both free democracy and pop music are both novel and risky concepts, Afghan Star's popularity is a bona fide phenomenon, and filmmaker Havana Marking explores both the competition and its effect on Afghan society in the documentary Afghan Star. Marking examines the show's audience -- it's estimated that a third of the nation watches it regularly -- as well as several top contestants, including would-be teen-pop sensation Rafi; Hammeed, a singer who is seen as a champion and role model by fellow members of the Hazara people; Lima, who was born and raised in a community of Islamic fundamentalists and must hide her identity for the safety of her family; and Setara, an attractive woman who defies convention by wearing American-style clothes and makeup, moving to the music on-stage, and even abandoning her head scarf during a performance, making her a hero to youngsters and a pariah to their parents (as well as Islamic conservatives). Afghan Star was an official selection at the 2008 Sheffield International Documentary Festival. ~ Mark Deming, All Movie Guide
Innovative documentary filmmaker Errol Morris often finds a startling surreal edge in the midst of reality, seeking unique subjects, and discovering humor and pathos in odd, off-the-beaten-path locales. After Morris attracted attention with his memorable look at pet owners and pet cemeteries in Gates of Heaven (1978), he traveled into a backwash of quirky humor by filming Floridians in Vernon, Florida (1981). His controversial The Thin Blue Line (1988) helped free the innocent Randall Adams from prison. Morris ventured into drama with The Dark Wind (1991), and he also made a biographical profile of Stephen Hawking, A Brief History of Time (1992). Now Morris returns with a film he described as "four versions of the myth of Sisyphus." Four eccentrics talk about their seemingly diverse lives, interests, and offbeat occupations: Lion tamer Dave Hoover, following paths trod by his hero Clyde Beatty, offers some curious theories about wild animal thought processes; topiary gardener George Mendo clips hedges to create giraffes, bears, and other creatures; mole-rat specialist Ray Mendez researches the insect-like behavior of these hairless, buck-toothed mammals; robotics scientist Rodney Brooks assembles autonomous robots. Morris finds thematic connections relating the four. While Hoover and Mendo provide footnotes on the fading American scene, Mendez and Brooks look to the future. Contrasting viewpoints are edited into an essay on existence and the human condition, incorporating Morris' reflection on his recently departed parents. Morris and cinematographer Bob Richardson employed a variety of film formats -- black-and-white, color, 35mm, Super-8, and 16mm. ~ Bhob Stewart, All Movie Guide
