Jonathan Sehring Movies

Zooey Deschanel, Aaron Stanford, Izabella Miko, and Christopher Lloyd star in director Michael Lehmann's comedy concerning a New Orleans cereal bar manager whose slacker lifestyle is turned upside down when a rival cereal shop threatens both his livelihood and his love life. ~ Jason Buchanan, All Movie Guide

Mark Christopher - writer-director of the hit Miramax drama 54 (1998) - returns to the helmer's chair for the first occasion in eight years with the indie comedy Pizza, from IFC Films. An unofficial homage to mid-80s teen films, the picture concerns Cara-Ethyl (Kylie Sparks), an overweight high-schooler whose mom (screen vet Julie Hagerty) lost her sight in a baking accident. Despondent and lonely as her eighteenth birthday arrives and passes - not to mention embarrassed by her lack of friends - Cara attempts to save face by lying to her mother and pretending that she's expecting a whole host of guests. She then impersonates the "friends" one at a time in front of her mother. When thirty-something pizza delivery guy Matt turns up, Cara falls instantly in love; he then invites her to accompany him, into the night, on his pizza route. As Matt inducts Cara into the area's social realm - replete with bed-hopping flatmates, deadhead teenage addicts and obstinate employers - a friendship forms between the two. Joey Kern, Alexis Dziena and Judah Friedlander co-star. ~ Nathan Southern, All Movie Guide

A less than auspicious homecoming for an introspective artist sets the stage for this low-key comedy drama directed by Steve Buscemi. Jim (Casey Affleck) is a chronically glum aspiring novelist who, after a failed two-year sojourn in New York City, has returned home to his parents' home in Goshen, IN. Jim's folks, Don (Seymour Cassel) and Sally (Mary Kay Place), run a ladder factory, a family business Jim wants nothing to do with. His older brother, Tim (Kevin Corrigan), is also living at home, and has problems of his own after his marriage ended in divorce and his business went broke. When Tim makes the latest of a number of suicide attempts by driving into a tree, Jim is reintroduced to Anika (Liv Tyler), a nurse who had a one-night fling with Jim a while ago. Jim and Anika strike up a conversation and start seeing one another again, though she seems to have feelings for Tim as well. With Tim in the hospital, Jim is persuaded against his better judgment to take on some of his brother's responsibilities, including doing some work at the ladder factory. At work, he bonds with his uncle Stacy (Mark Boone Jr.), who prefers to use the nickname "Evil" and deals drugs on the job. Jim's attempts to help Uncle Stacy with his side business backfire and implicate his parents, with Sally ending up in jail. But between his budding relationship with Anika and coaching a kids' basketball team that includes Tim's daughters, Jim begins to cautiously consider the notion that life might be worth all the trouble. ~ Mark Deming, All Movie Guide

A man with a "doormat" personality tries standing up for himself for a change in this comedy. Mild mannered tax accountant Elliot Sherman (Michael Showalter) is what he calls a "Baxter": the kind of calm, unexciting fellow who "wears sock garters" and "enjoys raking leaves." Loved by bosses and parents, Elliot is a perfectly nice guy. And that's his problem -- he's safe and pleasant, but not very interesting, so as a consequence he hasn't had much luck with long-term relationships, and more than one woman has abandoned him for someone more exciting. Elliot believes his luck has finally changed for the better when he becomes engaged to Caroline Swann (Elizabeth Banks), a smart and attractive editor at a successful magazine. However, a few weeks before the wedding, who should come back into Caroline's life but Bradley Lake (Justin Theroux), her high school sweetheart and, according to many, the great love of her life. Bradley quickly makes it clear that he wants to win Caroline back, and generally in such circumstances Elliot would politely step aside, but just this once Elliot decides to fight for the woman he loves. Elliot gains an unexpected champion in Cecil Mills (Michelle Williams), a frumpy but adorable temp employee at his office who encourages Elliot to develop a take-charge attitude, though the results aren't quite what he expects. The Baxter was written and directed by Michael Showalter, who also plays Elliot; Showalter was a member of the sketch comedy troupe the State, and also works with the comedy performance trio Stella, whose other members, Michael Ian Black and David Wain, also appear in the movie. ~ Mark Deming, All Movie Guide

A handful of disparate characters, both adults and children, find themselves navigating the tricky waters of intimacy in this award-winning independent comedy drama. Richard (John Hawkes) is a recent divorcé who is alternately exhilarated and terrified with his life and the world around him. While he believes great things are in store for him, he's also become so despondent about his wife's departure that he attempts to set his hand on fire. Richard meets Christine (Miranda July) at the shoe store where he works; Christine likes to paint a picture of herself as a stylish and confident video artist, but in truth she supports herself as a driver with a car service for the elderly, and she'd very much like to meet someone special. As Richard and Christine fumble their way into a relationship, Richard's two sons have issues of their own. Seven-year-old Robby (Brandon Ratcliff) has met someone in an Internet chat room who responds to his naïve and scatological perceptions of sex, while 14-year-old Peter (Miles Thompson) finds himself on the receiving end of unusual and unexpected attention from two girls in his class. Me and You and Everyone We Know was the first feature film written and directed by noted performance artist Miranda July; the picture won prizes in 2005 at the Cannes Film Festival and Sundance Film Festival. ~ Mark Deming, All Movie Guide

The down-and-dirty side of building management in pre-gentrification Manhattan sets the stage for this dark comedy. It's 1981, and Joe Peltz (David Krumholtz) runs a newsstand in New York City, where he has recently married Annabelle (Clara Bellar), an exotic dancer from France who isn't in love with Joe but asked for his hand so she could get a Green Card. When Annabelle discovers she's pregnant, the couple decides they need a larger apartment, and Joe finds a flat in the East Village that's on the same block where his great-great-grandparents lived when they first came to America. However, the neighborhood is decaying and ridden with crime, and when Joe and Annabelle move into their new apartment, he's immediately drafted onto the building's co-op board, where he has to deal with a variety of eccentrics of various stripes and must often sleep in the lobby armed with a baseball bat to ward off junkies and burglars. But by far his biggest problem is Carlos DeJesus (Paul Calderon), a bully who has been squatting in the building for eight years with his roughneck teenage son, Segundo (Jon Budinoff). Carlos sees no reason why he should start paying rent, and he's made enemies with practically everyone who lives in the building, wasting no time in adding Joe and Annabelle to that list. So when a gasoline fire guts Carlos' apartment, the question is not who wanted him out, but who actually had the nerve to start the blaze. Based on a novel by Joel Rose, Kill the Poor was written for the screen by Daniel Handler, best known as the author of the popular "Lemony Snicket" books. ~ Mark Deming, All Movie Guide

Tony-nominated actor Todd Graff makes his directorial debut with the musical comedy Camp, featuring an ensemble cast of newcomers. Guitarist Vlad (Daniel Letterle) attends Camp Ovation, the summer theater camp for budding actors, dancers, and musicians. Finding himself to be one of the only hetero boys around, he soon befriends nice girl Ellen (Joanna Chilcoat). Meanwhile, openly gay Michael (Robin de Jesus) develops a crush on him. This sparks dramatic confrontations among fellow campers Jenna (Tiffany Taylor), Jill (Alana Allen), and Fritzi (Anna Kendrick). The whole camp is run by Bert Hanley (Don Dixon), a washed-up Broadway songwriter who decides to enlist the help of his young campers to put together a new production. Features musical numbers by Stephen Sondheim and the Rolling Stones, as well as original tunes from composer Michael Gore and lyricist Lynn Ahrens. Camp was nominated for the Grand Jury Prize at the 2003 Sundance Film Festival. ~ Andrea LeVasseur, All Movie Guide

In the suburbs of Dublin, more than a dozen strangers find their paths colliding in sometimes violent, sometimes absurd ways in Intermission, the first feature from director John Crowley. Setting the chain of events in motion is Lehiff (Colin Farrell), a small-time crook whose most recent petty theft has him on the run from Jerry (Colm Meaney), a self-aggrandizing police detective who's even more full of himself now that he's being constantly trailed by a TV news documentary crew. Meanwhile, Lehiff's friend John (Cillian Murphy) is going though a trial breakup -- or "intermission," as he calls it -- with his girlfriend, Deirdre (Kelly Macdonald), who has promptly taken up with the older, more conventionally responsible bank manager Sam (Michael McElhatton). When Lehiff suggests that the answer to all of his and John's troubles is to set up Sam and rob his vaults, John's too eager to comply -- and their plan spells dire consequences for everyone in their immediate circle of relations. Also starring David Wilmot, Brian F. O'Byrne, and Shirley Henderson, Intermission had its premiere at the Galway Film Festival, where it won the Audience Award, and secured berths at the Edinburgh, Telluride, and Toronto festivals. ~ Michael Hastings, All Movie Guide

Still reeling from his recent break-up with the women who left him to experience life in America, a serious-minded British man finds that true love may be closer than he ever expected in first-time writer/director Tony Fisher's intimate romantic drama. Abandoned by his former girlfriend and desperate to grasp the intricacies of the fairer sex, Matt (Joseph McFadden) falls subject to the lager-soaked advice of his philosophizing mates before embarking on a string of failed love connections. Just when it seems that all hope for romance may be forever lost, the revelation that the relationship between his best friends Vinnie (Matthew Delamere) and Susie (Kate Ashfield) is on the rocks leads the lovelorn London twenty-something wondering if his future isn't sitting right there before him. ~ Jason Buchanan, All Movie Guide

In the late '60s, American culture experienced a period of change as the youth movement challenged conventional attitudes about politics, sex, drugs, and gender issues, while the advancement of the Vietnam War found many citizens questioning the actions and wisdom of their government for the first time. As American attitudes continued to evolve, so did the American film industry; as costly big-budget blockbusters nearly brought the major studios to the brink of collapse, smaller and more personal films such as Bonnie and Clyde, Easy Rider, and Five Easy Pieces demonstrated there was a ready audience for bold and challenging entertainment. As the '60s faded into the 1970s, American cinema moved into an exciting period of creativity and stylistic innovation, which led to such landmark films as The Godfather, MASH, The Last Picture Show, Shampoo, One Flew Over the Cuckoo's Nest, Chinatown, and Taxi Driver, and new freedom for directors and screenwriters. Ironically, however, it was another pair of big-budget blockbusters directed by students of the new wave of filmmaking -- Jaws and Star Wars -- which brought the studios back to power and put an end to Hollywood's flirtation with offbeat creativity. A Decade Under the Influence is a documentary which explores the rise and fall of new American filmmaking in the 1970s, and features interviews with many of the key directors, screenwriters, and actors whose work typified the movement, including Francis Ford Coppola, Robert Altman, Martin Scorsese, Paul Schrader, Roger Corman, Dennis Hopper, Jon Voight, and Julie Christie. A Decade Under the Influence received its world premier at the 2003 Sundance Film Festival, and an expanded version of the film was later shown on the premium cable outlet The Independent Film Channel; the documentary was the final work of co-director Ted Demme, who died shortly before the film was completed. ~ Mark Deming, All Movie Guide

Drawn into a menacing underground world of the New Orleans elite while searching for her missing sister, Muriel (Shalom Harlow), Amelia (Liane Balaban) is aided in her investigation by ex-CIA agent Bill (Clarence Williams III) in this effort from Nadja director Michael Almereyda. Soon discovering mysterious webcam footage on Muriel's laptop computer that will seemingly aid them in finding Amelia's sister, the duo is confronted with shifting identities in a scene where no one is quite who they appear to be on the surface. An obscure and disturbing study in the nature of avatars in the age of technological isolation, Almereyda's haunting drama soon leads Amelia and Bill into a complex web buried deep in the underground of a mysterious and sometimes menacing city. ~ Jason Buchanan, All Movie Guide

Victor Nuñez's Coastlines centers on Sonny (Timothy Olyphant), who is returning home after his release from prison. When he asks for money owed to him by local crime boss Fred Vance (William Forsythe), Vance responds by blowing up Sonny's home (causing the death of Sonny's father). Sonny moves in with old friends Dave and Ann (Josh Brolin and Sarah Wynter), even though Dave is now a policeman. Ann, who has grown bored by her husband's conversion from wild man to cop, begins an affair with Sonny. Nuñez wrote this script before his breakthrough films Ruby in Paradise and Ulee's Gold, but directed it after making those movies. Coastlines was screened at the 2002 Sundance Film Festival. ~ Perry Seibert, All Movie Guide

Three women whose lives have followed very different paths ponder their pasts and their futures in this omnibus film from second-time director Rebecca Miller, adapted from her acclaimed short story collection of the same name. Delia (Kyra Sedgwick) grew up in a fractured household; her mother abandoned the family when Delia was a child, and her father (Brian Tarantina) was a drug-addled loser who could barely be prodded off the couch. When she entered adolescence, Delia realized that she could use her body to get men to do as she pleased. While this gained her a feeling of power and self-sufficiency, it also earned her a reputation as the "class slut," and the end product was her marriage to Kurt (David Warshofsky). Greta (Parker Posey) is the daughter of a successful lawyer (Ron Leibman) who left her mother when she was young and offered Greta criticism rather than affection. Plagued with self-doubt, Greta is squandering her literary talents editing cookbooks and is married to Lee (Tim Guinee. When Thavi (Joel de la Fuente), a respected and successful young novelist, asks Greta to edit his next novel, it forces her to reassess herself on a number of levels. Finally, Paula (Fairuza Balk), yet another product of a fractured family, ran away from her mother and was homeless until she met Vincent (Seth Gilliam), who took her in and became her boyfriend. A year later, Paula is uncertain in her feelings about Vincent, unsettled to learn that she's pregnant, and startled after witnessing a murder while out clubbing with a friend; she hits the road again, and soon picks up a fellow alienated teen, Kevin (Lou Taylor Pucci), who bears the scars of a recent -- and very brutal -- beating. Personal Velocity: Three Portraits was honored with the Grand Jury Prize at the 2002 Sundance Film Festival. ~ Mark Deming, All Movie Guide