Lisa Eichhorn Movies

John Schlesinger directs the war romance Yanks, based on the story by Colin Welland. Set in England at the end of WWII, the story concerns three American GIs and their affairs with British women of varying social status. The central romance concerns Sgt. Matt Dyson (Richard Gere) and Jean Moreton (Lisa Eichhorn making her film debut), who is the daughter of shopkeepers (Rachel Roberts and Tony Melody). He falls in love with her but she is still infatuated with her boyfriend Ken (Derek Thompson). Higher up on the class scale, the officer John (William Devane) has a brief extramarital affair with socialite Helen (Vanessa Redgrave). The third pairing involves Sgt. Danny Ruffelo (Chick Vennera) in a fling with Mollie (Wendy Morgan). Eventually, the Americans and the Britains find themselves surrounded by racism at a New Year's Eve dance. Annie Ross from the vocal jazz group Lambert, Hendricks, & Ross appears briefly as a Red Cross nurse. Yanks won two BAFTA awards in 1980: to Shirley Russell for Best Costume Design and to Rachel Roberts for Best Supporting Actress. ~ Andrea LeVasseur, All Movie Guide

In this romantic drama, Treat Williams plays Cletus, a rather unpleasant and morally shaky man desperate to keep his mitts on the one-million-dollar inheritance bequeathed to himself and his siblings. He improbably accepts a job as a social worker, then becomes emotionally involved with Jeorge (Gabriel Swann), a little boy torn away from his wrongly convicted and incarcerated mother., Cletus then sets about reuniting Jeorge with his mother. Along the way, he falls in love with Kay (Lisa Eichhorn. ~ Sandra Brennan, All Movie Guide

It could be said that without the incredible success of the ABC miniseries Holocaust in 1978, CBS might have thought twice before greenlighting the ambitious, three-hour TV docudrama The Wall four years later. Adapted by Millard Lampell from his own 1960 Broadway play, which in turn was inspired by John Hersey's 1950 novel, The Wall is the heartbreaking but inspiring story of the heroic Warsaw Ghetto Uprising of 1943. When it becomes obvious that every Jew in Poland is doomed to be shipped off to the Nazi work and death camps, some 650 members of the newly formed Jewish Fighting Organization mount a last, brave stand against nearly 3000 German soldiers. The story is told through the eyes of Warsaw Jew Dolek Benson (Tom Conti, in his first American TV appearance), who is a passive observer of the atrocities all around him until he learns the truth about the Nazi's "resettlement" program. Rachel Roberts, cast as a former schoolteacher, made her final appearance in this film; she passed away shortly after production ended. Filmed on location in Sosnowiec, Poland and first telecast February 16, 1982, The Wall earned a Peabody Award the following year. ~ Hal Erickson, All Movie Guide

Perennial second lead Lisa Eichhorn is afforded a starring role in the independently produced Wildrose. Shedding her abusive husband, Eicchorn starts life anew by taking a job as a heavy-machinery operator in an otherwise all-male Minnesota iron mine. Relentless harrassed by her sexist coworkers, Eichhorn finds a friend in strip-miner Tom Bower. Their casual relationship develops into romance, while Eichhorn questions the wisdom of entering into another love affair so quickly after her disastrous marriage. Wildrose was magnificently photographed on location in Minnesota and Wisconsin. ~ Hal Erickson, All Movie Guide

Agatha Christie's Murder in Three Acts represents Peter Ustinov's fifth appearance as Dame Agatha's brilliant, insufferable Belgian detective Hercule Poirot. The scene is Acapulco, where retired actor Tony Curtis hosts two separate parties--both of them were blighted by the fatal poisoning of a guest. The police think the butler did it (honest!), but Poirot activates his "little grey cells" to pinpoint the killer amongst a group of wealthy and eccentric suspects. Filmed in Mexico, Murder in Three Acts was the latest (and to some reviewers the least) in a long line of Agatha Christie TV-movie specials produced by Stan Marguiles. Ustinov was Poirot in three of these, having first essayed the role in the theatrical feature Death on the Nile (78). ~ Hal Erickson, All Movie Guide

An entertaining hybrid of Amicus-style horror anthology and gritty low-budget western, this first-time effort from writer-director Wayne Coe succeeds where many such genre-bending attempts have failed. The quartet of uneven but well-mounted stories are spun around a desert campfire by grizzled, menacing bounty hunter Morrison (a rousingly hammy James Earl Jones) and wet-behind-the-ears city slicker Farley (Brad Dourif). Morrison starts off with the tale of an Indian tribe's ritual revenge against the drunken cracker who desecrates their sacred burial ground; When Farley seems interested but unfazed, Morrison follows up with the more visceral story of a Good Samaritan who succumbs to temptation while rendering aid to a pregnant woman, leading to a particularly disgusting (though definitely original) demise. Appalled by the storyteller's lack of taste, Farley counters with a down-to-earth morality tale involving a prairie settler's young daughter who witnesses her father's horrifying act of hate, realizing that the man she trusted with her life is a very human breed of monster. Morrison acknowledges his companion's skill but offers another violent story according to his own idiom -- that of a slick gunfighter who gets his comeuppance by his own hand after winning a deadly competition. The stories feature fine acting and direction but are ultimately overshadowed by the engaging framing story and lack much of the dramatic payoff of their earlier British counterparts. ~ Cavett Binion, All Movie Guide

Pride and Extreme Prejudice was first seen January 17, 1990, on the USA Cable TV network. Brian Dennehy is atypically but effectively cast as an ageing CIA agent headquartered in West Germany. Dennehy has recently recovered from a nervous breakdown, and as a result he falls under the deadly scrutiny of both the CIA and the KGB. The weary "mole" is sent on a mission in the Eastern sector from which neither side expects him to return--in fact, they're hoping he won't. Just a tad outdated by late-breaking world events, Pride and Extreme Prejudice was written directly for television by Frederick Forsyth. ~ Hal Erickson, All Movie Guide

As detective Cerreta (Paul Sorvino) recovers from his gunshot wounds, Logan (Chris Noth) adjusts himself to his new partner, Lennie Briscoe (Jerry Orbach, in his first Law & Order appearance, save for an earlier guest-star appearance in a different role). Logan and Briscoe's current investigation results in the arrest of a suspect who claims self defense. In mounting his case against the accused, assistant D.A. Stone (Michael Moriarty) is distressed to learn that he will be coming face to face with an old enemy from his law-school days. Elaine Stritch won an Emmy award for her performance in this episode. ~ Hal Erickson, All Movie Guide

George Sluizer's 1992 English-language remake of his 1988 Dutch thriller The Vanishing follows the same plot-line as the original film, yet with one important difference. The film details a young man's (Kiefer Sutherland) search for his girlfriend (Sandra Bullock), who disappeared at a gas station after the couple had a fight. Where the original film didn't reveal what happened to the girlfriend until late into the movie, the 1992 version opens with her kidnapper (Jeff Bridges) plotting his abduction. Over the course of the film, Sutherland's search for Bullock is intercut with footage of Bridges that illustrates his mental illness and his repeated attempts to abduct women. ~ Stephen Thomas Erlewine, All Movie Guide

Most people fall in love and then have a baby, but one woman finds herself reversing the process in this romantic comedy. Grace Rhodes (Lisa Eichhorn) is a businesswoman inching into her 40s who has reached most of her career goals, but she is having a little trouble with her biological clock, which has started ticking very, very loudly. Grace hasn't had much luck in finding Mr. Right, and her friend Elaine (Caroline Aaron), who manages the not inconsiderable feat of being even more cynical about such matters than Grace, assures her that the man of her dreams doesn't really exist. Elaine is the first to suggest to Grace that if she wants a child and can't find a man, perhaps she should consider visiting a sperm bank. In time, Grace warms to the idea and eventually chooses sample #247. Grace becomes pregnant, and is very happy...until she starts wondering what sort of man her child's father really is. With Elaine's help, Grace cracks into the sperm bank's records and learns that #247 belongs to Peter Kessler (Stanley Tucci), a gifted but lonely photographer with serious commitment issues. Elaine meets Peter at the gallery he runs, and before long, a cautious romance begins to blossom between them, but Elaine isn't sure if this relationship is destined to last -- or when or if she should tell Peter that she's carrying his child. A Modern Affair was produced, directed, and written by Vern Oakley; it was his first feature film. ~ Mark Deming, All Movie Guide

Some say that to be the leader of a country is one of the loneliest jobs in the world. But being the child of a world leader can be doubly so. Constantly surrounded by security officers, restricted in movements and having almost every waking moment carefully monitored makes normalcy an impossibility. No one knows this better than young Luke Davenport, the son of U.S. President Davenport. He vents his loneliness, frustration and feelings of isolation from family and friends by being a brat to his private Secret Service agent. When the agent snaps from the strain in front of the First Lady, a new agent is assigned to Luke. He turns out to be the enormous Sam Simms, a bit of a rogue who managed to rise through the ranks by sheer determination rather than strict adherence to Secret-Service protocol. At first, Luke tries all his old tricks upon Sam. But instead of getting angry, Sam seems to actually understand. This touching comedy follows the eventual friendship that forms between the two misfits. ~ Sandra Brennan, All Movie Guide

At a bachelor auction to benefit a Biotech institute, likable "Angel of Death" Andrew (John Dye) is entered as one of the prizes. The winning bid is registered by Dr. Kate Calder (Stephanie Zimbalist), who has only entered the auction to spite her rival Beth Popik (Lisa Eichhorn)--and as such, Kate flatly refuses to go out on a date with Andrew. Under normal circumstances, Kate's turndown would be the end of the story. Instead, Andrew is ordered by his Heavenly predecessor Adam (played by former series regular Charles Rocket in a return appearance) to take Kate out no matter how much she protests--and to make certain that Adam fulfills his assignment (the purpose of which is not revealed until late in the proceedings), Monica (Roma Downey) and Tess (Della Reese) set up an "instant" restaurant! ~ Hal Erickson, All Movie Guide

Detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) swing into action when a fertility clinic employee is murdered. The ensuing investigation leads to the two wives of a dead sperm donor. As indicated by the title of this episode, it will take a lot of work from the D.A.'s office to "unscramble" this case of deadly possessiveness. ~ Hal Erickson, All Movie Guide