Katie Roumel Movies

Academy Award-winning actress Helen Hunt makes her feature directorial debut with this adaptation of Elinor Lipman's best-selling novel about a Philadelphia schoolteacher (Hunt) whose long-lost birth mother (Bette Midler) reappears at the very moment her daughter is careening into a midlife crisis. Abandoned by her husband (Matthew Broderick) and still grieving the death of her adoptive mother, the emotionally fragile teacher enters into a relationship with the father of one of her students just as her biological mother, an eccentric talk-show host, appears on her doorstep attempting a reconciliation. ~ Jason Buchanan, Rovi

Celebrated and vilified in equal measure, the pinup goddess Bettie Page inspired a legion of followers -- and an indecency scandal -- by appearing in a series of nude, sado-masochistic, and/or revealing magazine spreads in the 1950s. An era later, writer/director Mary Harron casts a knowing eye upon the woman who indirectly gave birth to modern pornography in the biopic The Notorious Bettie Page. As a teen, Page (Gretchen Mol) is a smart, plucky girl with ambitions beyond her Tennessee roots. Suffering varying degrees of abuse from her father, her first husband, and suitors of dubious virtue, Page makes her way to New York City, where an amateur photographer discovers her lounging on the beach. It isn't long before images of the shapely brunette reach Irving and Paula Klaw (Chris Bauer and Lili Taylor), brother-and-sister entrepreneurs who publish illicit magazines dedicated primarily to men's fetishes. The casual nudist Page eventually finds herself acquiescing to their requests to don thigh-high boots, whips, and chains, which raise the ire of the smut-fearing senator Estes Kefauver (David Strathairn). The Notorious Bettie Page had its North American premiere at the 2005 Toronto International Film Festival. ~ Michael Hastings, Rovi

Adapted from the hit off-Broadway musical of the same name, Hedwig and the Angry Inch is the tale of an "internationally ignored" rock & roll singer who hails from Communist Berlin and who dreams of becoming an American sensation. Hedwig (John Cameron Mitchell), born a boy named Hansel, is raised by a single mother (Alberta Watson) who wishes to see her son do better than his poverty-stricken family. Some years later, Hansel is attracted to a good-looking American G.I., who promises a better life overseas for young Hansel, under one condition: that he undergo a sex-change operation to become a fully functional female whom he can then marry. The operation is seriously botched, leaving the now-renamed Hedwig with an "angry inch" only to be stranded in a dingy Kansas trailer park on the day the Berlin Wall comes tumbling down. Hedwig then supports herself through a series of ill-fated lounge gigs and side jobs, meeting up with 16-year-old Tommy Gnosis (Michael Pitt), a religious type who befriends her and later steals her songs and becomes the rock star Hedwig always dreamed of being. Undeterred, Hedwig continues to perform in the shadow of Tommy's sold-out stadium tour, attempting to make herself whole in spirit, if not physically. The film features several songs by composer Stephen Trask, who also appears as a member of Hedwig's disinterested rock band; Miriam Shor portrays Hedwig's newfound love and backup singer. ~ Jason Clark, Rovi

Can a homophobic tough guy and an out-of-the-closet gay man find happiness splitting the rent in Midtown Manhattan? This and other crucial questions are answered in this comedy. Frankie (Nick Scotti) is a macho and slightly thick-headed Italian-American from the Bronx who works in a pizzeria but dreams of becoming a successful actor, like his heroes Robert De Niro and Al Pacino. He's long had vague plans of someday moving to Manhattan and taking a serious shot at making his dream a reality, but it takes a personal crisis to put Frankie's plans into first gear -- namely, learning that his brother Pino (Anthony DeSando) has been sleeping with his girlfriend. This turn of events leaves Frankie with neither a significant other nor a place to live, so he starts hunting for affordable digs downtown. Looking in an alternative newspaper, Frankie spots an ad for a "GWM seeking same to share fully furnished apartment;" naive Frankie figures "GWM" means "Guy With Money," and since the price is right, he moves in right away. However, after spending several days with his new roommate Warren (Anthony Barrile) and his friends, Frankie slowly makes the discovery "GWM" actually means "Gay White Male," which is most certainly not what Frankie was looking for. However, he's in no financial position to go anywhere else, so both Frankie and Warren wind up confronting their fears and learning a lot about people different from themselves. As it turns out, Warren does a bit of acting, and when he hurts his leg shortly before the opening of an off-Broadway play in which he's to appear, Frankie arranges to take his place. There is, however, a catch -- Frankie will be playing a gay man, and he'll have to kiss another actor full on the lips in his big scene. Kiss Me Guido was the first feature film from writer and director Tony Vitale. ~ Mark Deming, Rovi

Adapted from the nonfiction book by Natalie Robins and Steven M.L. Aronson, Tom Kalin's Savage Grace recounts the true crime tale of the death of Barbara Baekeland. Stephen Dillane stars as Brooks Baekeland, the son of the man who invented Bakelite, one of the early forms of plastic. As the family fortune begins to decrease after years of wealth, Brooks marries Barbara (Julianne Moore), who desires to mingle in the highest social circles. They have a child, Antony, who is homosexual. Antony grows up to kill Barbara, in part because Barbara takes a personal interest in "curing" her son of his orientation. This was Kalin's first film since 1991's Swoon, a film about the infamous Leopold and Loeb murders. ~ Perry Seibert, Rovi