Gregory Poirier Movies

Reminiscent of Kindergarten Cop, with a dash of Spy Kids, The Spy Next Door blends together an entertaining mixture of family fun and martial-arts comedy styling to form a familiar story that once again reminds us that even hardened action heroes have a soft side. Jackie Chan stars as Bob Ho, an international spy on loan to the CIA who gives up his job in hopes of leading a so-called normal life with his next-door-neighbor girlfriend and her rambunctious brood. There's nothing in Spy that the audience hasn't seen before from similarly themed incarnations (think The Pacifier), but, fans will appreciate director Brian Levant's homage to Jackie Chan's past Hong Kong movie blockbusters -- most notably, Police Story and The Legend of Drunken Master -- during the opening credit sequence, which is fitting considering many of the action sequences are derivative of those films.

The main story centers on Bob's relationship with artsy single mom Gillian (Amber Valletta) and her three kids: precocious teenage stepdaughter Farren (Madeline Carroll), nerdy middle child Ian (Will Shadley), and adorably energetic Nora (Alina Foley). After an emergency sends Gillian away to Denver, Bob steps up and offers to watch the kids while she's gone. Ill-equipped to handle a situation that's clearly over his head, Bob utilizes his spy skills and gadgets -- video watch, GPS tracking, x-ray glasses -- to gain control over the situation in hopes of winning over the kid's affection, but when an old enemy escapes from prison and threatens his potential family, Bob must return to his 007 world of international espionage to protect them.

Admittedly, there's a certain level of cheese in this film, especially when it comes to the Boris-and-Natasha-style villains, Poldark (Magnús Scheving) and Creel (Katherine Boecher), whose silly Russian stereotyped performances and running joke about American fashion unabashedly border on cringe-worthy territory. Not to mention, the thinly plotted storyline involving brainiac Ian, who accidentally downloads a top-secret formula for oil-eating ooze created by the bad guys, which propels the main action of the film. Adding to the pile are the supporting cast members: George Lopez as the traitorous CIA agent, Glaze, and Billy Ray Cyrus as CIA agent and Bob's BFF Colton James, who lends folksy witticisms like "As gone as rum cake at an AA meeting."

Even so, Chan's charm wins out in the end, and The Spy Next Door's most effective sequences involve Bob's attempts to bond with the kids -- from taking little Nora shopping for a Halloween costume to helping Ian with school bullies and girls. These comedic moments more or less overshadow an otherwise simplistic narrative, and the audience can't help but smile to themselves every time Chan appears onscreen. Die-hard fans might miss the era of classic kick-ass Hong Kong action films, but Spy manages to fill that void as an entertaining alternative that kids and parents alike will enjoy. ~ Alaina O'Connor, Rovi

A seemingly insignificant act may cause the fabric of history to unravel in this sci-fi adventure. Charles Hatton (Ben Kingsley) owns and operates a successful firm known as Time Safari. Thanks to time travel technology developed by Hatton's employee Sonia Rand (Catherine McCormack), Time Safari allows big game hunters to journey back to prehistoric days and shoot living, breathing dinosaurs. Rand picks out the dinosaur in question, who is soon to die, and creates a floating walkway for the hunters, so the impact of their presence will not be felt by the land around them. But on one expedition, things go horribly wrong when a nervous hunter steps off the walkway and crushes a butterfly, a tiny act that proves to have massive consequences over the course of several million years. As the earth's climate and animal life begin to mutate due to this shift in natural history, Time Safari's leading hunting guide, Travis Ryer (Edward Burns), works beside Rand in a desperate attempt to halt the "ripples of time" before modern civilization completely collapses. A Sound of Thunder was based on a classic short story by pioneering science fiction author Ray Bradbury. ~ Mark Deming, Rovi

A police dog finds himself pitted in a battle of wits against an accident-prone mailman and a gang of crooks (and it looks like the dog has the edge in the brains department) in this broad comedy. Agent 11 (Bob) is a bulldog trained by the FBI agent Murdoch (Michael Clarke Duncan) to sniff out drugs, and the dog's keen nose ferrets out the storage facility of Mafia kingpin Sonny (Paul Sorvino); Agent 11 has also been taught to show no mercy with criminals, and he gives Sonny a serious bite in a rather personal place. Needless to say, Sonny is not amused, and wants revenge against the pooch, so Agent 11 is put into the animal equivalent of the witness protection program. However, unlikely circumstances set the dog loose, where he soon pairs up with Gordon (David Arquette), a stunningly inept letter carrier with a long history of fending off ill-tempered pets. Gordon is attempting to impress Stephanie (Leslie Bibb), an attractive single mother, by helping to look after her son James (Angus T. Jones), and when he comes across Agent 11, he adopts the dog and names him Spot, feeling certain he can smooth out the critter's often cranky relationship with people. But Gordon doesn't know that Sonny and his henchmen are hot on Agent 11's trail and that his new best friend will lead a gang of ruthless gangsters into Stephanie and James' home. See Spot Run was originally announced as a vehicle for comedy star Martin Lawrence, but when changes in Lawrence's schedule prevented him from taking on the project, it was retooled for the talents of David Arquette. ~ Mark Deming, Rovi

Rosewood is the true story of an almost unknown incident in a small Florida town, (fictionalized, but faithful to the known facts, as documented in a 1994 report by the Florida Legislature). The town was inhabited almost entirely by quiet, "middle-class" African- Americans (most of them home and land owners and better off than average at the time.) On New Year's day, 1923, the town was wiped off the face of the earth by angry whites from a neighboring community. Based on palpably false testimony by a single white woman against one "Black" stranger, many of the men of Rosewood were hunted down and lynched, or shot, or burned. The rest of the town's residents fled into the swamps and never returned. At the time, official reports stated that two to six people from the black community were slain. Neither the perpetrators nor the victims spoke of the incident again, which was promptly forgotten until 1983 when a reporter stumbled across the old story and began investigating. Interviews with surviving victims indicated that the previous reports were wrong; in reality, between 70 and 250 people were killed in Rosewood during the four-day attack.

The film is a human story, about human envy, greed and lust, about the totally insane psychology of a mob, but also about the courage and decency of common folks facing an unbelievable onslaught of evil. The courage of the black residents is self evident, and the decency on the part of a few white neighbors is reluctant, until they realize that they can't live with themselves if they don't help the woman and children to escape. The most notable black heroes are Sylvester (Don Cheadle) -- a music teacher and the best-educated man in town -- and Mann (Ving Rhames) -- a stranger on horseback with Samson-like strength who becomes the focus of white hatred and black resistance. The penny-pinching, adulterous town grocer John Wright (John Voight), one of the few white residents, also plays a key role in saving lives, but before he does, he must resolve painful racial issues and make a difficult personal choice. Eventually, though, he sees enough of the mob's evil to know what he must do, and with the help of the reluctant owner-operators of the Gainesville railway, he does it. John Singleton's powerful epic film does not present a "comfortable" view of the circumstances of this grim, little-known page from American history. ~ Michael P. Rogers, Rovi