Samantha Eggar Movies

In this crime drama, a talented, ambitious young lawyer takes the case when one of his colleagues, jealous of the other attorney's flawless court record, is found murdered. ~ Sandra Brennan, All Movie Guide

A mid-life crisis takes a strange turn in this horror movie. The terror begins when a city couple decide to escape the hub-bub and crime and start new lives in the husband's great-grandfather's mansion located in the isolated North Woods. They are not there long before the wife finds herself tempted by a dashing ghost. ~ Sandra Brennan, All Movie Guide

Samantha Eggar guest stars as daycare worker Laurie Eckhardt, the newest girlfriend of undercover cop Tony Baretta (Robert Blake). Things become tense when Laurie is paid a visit by an escaped murderer. Clearly, she and the escapee have a close personal bond, but until Laurie admits what that bond is, her life is in danger -- and not even Baretta can help her. ~ Hal Erickson, All Movie Guide

A troubled teen girl finds friendship with a cast-aside horse, in this family drama. Ari Meyers (from TV's Kate & Allie) stars as Allison Mills, a young girl who gets herself into trouble after the death of her mother. Sent to a horse farm as part of a community service sentence, Allison is initially cold and unresponsive, but slowly she begins to open up as she befriends a difficult-to-manage horse named Jet. Unfortunately, just as she begins to find purpose in her work at the farm, Allison's mettle is once again put to test after a devastating accident leaves both she and her prized horse seriously injured. ~ Bernadette McCallion, All Movie Guide

This inept horror film is a rare treat for fans of laughably bad cinema. From the opening flashback, in which a group of hooded cultists chop off a woman's hand and the obviously rubber appendage bounces to the floor, Macabra starts to amuse. By the time the action shifts to present-day Mexico, and the film's heroine (Samantha Eggar) has a discussion with a silver-mine worker as to the sex of a mine and whether silver mines get jealous, it becomes hilarious. The plot concerns the fabled "left hand of power" belonging to Satan, which possesses people's minds, forcing them to chop off their own hands until a priest (Stuart Whitman) turns back the evil. The most unintentionally amusing scenes involve the victims doing everything in their power to chop off their own possessed left hands. They roll around on the floor, put their hands under speeding trains, and force doctors to amputate them at gunpoint. Meanwhile, director Alfredo Zacharias films some explosions and many authentic ruins to promote the idea that Macabra is a professional motion picture. Even in its best moments, however, this film can only approximate a particularly weak episode of Fantasy Island. ~ Robert Firsching, All Movie Guide

Rex Harrison, although not at all like the portly man described in Hugh Lofting's charming series of children's stories, is sheer perfection as the kindly animal doctor in Leslie Bricusse's musical fantasy Doctor Dolittle. Sadly, Harrison is the only thing nearing perfection in this overstuffed and over-mounted fiasco that nearly brought down 20th Century Fox. Considered a lunatic because he can converse in 498 animal dialects, Dolittle gathers up his friends Matthew Mugg (Anthony Newley) and Emma Fairfax (Samantha Eggar) and heads off on a journey to the South Seas to find the elusive great pink snail and the giant lunar moth. Along the way, the group encounters a succession of bizarre human and animal characters -- most notably the legendary pushme-pullyou, an animal so freakish that it compels Albert Blossom (Richard Attenborough) to burst out into the exuberant song, "I've never Seen Anything Like It in My Life." Incredibly, the film was nominated for a Best Picture Oscar in 1967. ~ Paul Brenner, All Movie Guide

It goes without saying that the 1973 TV-movie version of Double Indemnity doesn't come within shouting distance of the classic 1944 theatrical-movie version. Still, the basic story is a solid one, and the actors are eager to please. Richard Crenna plays the old Fred MacMurray role of Walter Neff, the slightly larcenous insurance salesman inveigled into an elaborate murder/fraud scheme by sexy Phyllis Dietrichson (Samantha Eggar, replacing the 1944 version's Barbara Stanwyck). The scheme almost goes off without a hitch, but Walter's boss Barton Keyes (Lee J. Cobb; originally Edward G. Robinson) has this "stinking" hunch-and besides, you can't trust Phyllis as far as you can throw her. Originally telecast October 13, 1973, Double Indemnity is based on the Raymond Chandler-Billy Wilder script for the 1944 film, which in turn was adapted from James M. Cain's Three of a Kind. ~ Hal Erickson, All Movie Guide

For the Term of His Natural Life, Australian novelist Marcus Clarke's epic tale of the hardships and deprivations of his native country in the 1830s, served as the basis for one of the most famous Australian films of the silent era. That was in 1927; 56 years later, Clarke's novel again went before the cameras, this time resulting in a three-part, six-hour TV miniseries. Colin Friels starred as Londoner Rufus Dawes, who thanks to treachery and deceit was arrested on a trumped-up charge and transported to a penal colony in Tasmania, while an impostor laid claim to his birthright. Eighteen years into his incarcaration, Rufus managed to escape, and was subsequently reunited with his sweet Sylvia (Susan Lyons), daughter of the colony's warden. Unfortunately, a happy ending was not in the cards for the hero and heroine. For the Term of His Natural Life aired over Australia's Nine Network in 1983. ~ Hal Erickson, All Movie Guide

Disney's animation team dipped into the rich well of ancient mythology for this musical comedy. The son of Greek gods Zeus (voice of Rip Torn) and Hera (Samantha Eggar), Hercules (voice of Josh Keaton) is stolen as a boy by the minions of Hades (voice of James Woods), lord of the underworld. Forced to live among humans, Hercules is turned into a half-god and half-mortal after drinking a forbidden potion brewed by Hades' right hand men, Pain (voice of Bob Goldthwait) and Panic (voice of Matt Frewer). Now Hercules has the remarkable strength of a god, but is trapped in the body of a human, and before he learns how to use his power properly he goes through a typically adolescent awkward period. In order to become a god and return to his home on Mount Olympus, Hercules must prove himself a true hero on Earth. With the assistance of Philotes (voice of Danny De Vito), a plucky satyr known as "Phil," the grown-up Hercules (voice of Tate Donovan) learns to use his strength to his advantage and becomes a famous and benevolent protector of those around him, successfully battling a variety of gods and monsters. However, Hades, wanting to cut Hercules down to size, sends his secret weapon after him -- Megara (voice of Susan Egan), a seductively beautiful woman under Hades' control, who is to win Hercules' heart and render him helpless against the forces of the underworld. Acclaimed British cartoonist Gerald Scarfe served as production designer for this project, while Alan Menken wrote the musical score. Incidentally, for the Spanish language version of the film, Latin pop singer Ricky Martin provided the singing voice of Hercules, two years before he became a chart-topping sensation in America with his hit single "Livin' la Vida Loca." ~ Mark Deming, All Movie Guide

The American prints of Battle Force credit the direction to one Humphrey Longan, but in fact the man behind the megaphone of this European war flick was Umberto Lenzi. Orson Welles narrates this crazy-quilt of stock battle footage and hapharzardly staged new scenes. A lot of potent acting talent -- Henry Fonda, Stacy Keach, Helmut Berger, Samantha Eggar -- is squandered herein. Since we know who won the war, it serves no purpose to offer a random series of events leading up to the victory if they aren't going to be interestingly presented. Originally titled Il Grande Attaco, this one was also shipped out as La Battaglia di Mareth, The Biggest Battle and The Great Battle. ~ Hal Erickson, All Movie Guide

A joint venture between Italian and German production companies, this meandering horror mess stars Alex Cord and Samantha Eggar as a pair of archeologists delving into a series of ancient Etruscan tombs who eventually discover a supernatural connection between a series of grisly murders and the wrath of the vengeful god "Tuchulka." Their ruminations are eventually interrupted by Tuchulka's hordes of the walking dead -- or a handful of them, anyway -- who hunger for the flesh of the living. Cord and Eggar turn in workmanlike performances en route to their paychecks, but the rest of the proceedings are woefully amateurish; some scenes seem like trial runs for Amando de Ossorio's Blind Dead series. ~ Cavett Binion, All Movie Guide

From Twentieth Century FOX comes the animated video release of Mozart's classic opera, The Magic Flute. Directed by Ron Myrick and Marlene Robinson May , this child-oriented version of Mozart's timeless opera follows Prince Tamino as he searches for Pamina, the Queen of the Night's kidnapped daughter.
~ Tracie Cooper, All Movie Guide