Samantha Eggar Movies
Samantha Eggar's father was a British Army brigadier and her mother was of Dutch/Portuguese extraction. Convent educated, Eggar became a stage actress in her teens. While performing in a Shakespeare play, Eggar was discovered by film producer Betty Box, who cast the tall, auburn-haired 23-year-old actress as a sluttish college coed in The Wild and the Willing (1961). Eggar's first international success was The Collector (1965), replacing Natalie Wood (who'd turned down the film) as the harried kidnap victim of obsessive Terence Stamp. Eggar garnered an Oscar nomination for her demanding performance, and also won the Cannes Film Festival award. Then followed a succession of unremarkable roles in films like Walk, Don't Run (1966) and Doctor Doolittle (1967) (which at least gave Eggar a chance to sing). She was better served in The Molly Maguires (1970) and Seven Per Cent Solution (1976), playing the wife of Sherlock Holmes crony Dr. Watson (Robert Duvall) in the latter. Eggar's prolific American TV work has included the role of Anna Leonowens in the expensive, short-lived weekly Anna and the King (1972). Samantha Eggar has managed to maintain her dignity and integrity despite far too many horror flicks like The Brood (1979). ~ Hal Erickson, Rovi
Science fiction blends with domestic horror in this thriller. Spencer Armacost (Johnny Depp) is an astronaut on a routine mission in space when something goes horribly wrong and it looks as if he's doomed. However, Spencer is rescued at the last moment and returns to earth a hero. He soon announces that he's retiring from space exploration to spend more time with his wife Jillian (Charlize Theron). Jillian has suffered from depression in the past and would like to start a family, so she's initially thrilled with Spencer's decision. Jillian soon finds herself pregnant, but she starts to notice something odd about her husband, as if the man who returned isn't quite the same person who went away. As her pregnancy advances, Jillian's anxieties increase, but has something really happened to Spencer, or have Jillian's old demons merely resurfaced? The Astronaut's Wife marked the directorial debut of Rand Ravich, who previously penned screenplays for such films as The Maker and Candyman: Farewell to the Flesh. ~ Mark Deming, Rovi
- Starring:
- Johnny Depp, Charlize Theron, (more)
- 1998
Burned-out, boozing crime novelist Bruce Simon Barker (John Ritter) emerges from his doldrums long enough to involve himself in a bizarre missing-persons case. At the urging of his police inspector sister (Samantha Eggar), Bruce investigates the disappearance of a baby. There have been no ransom demands, the baby's parents are (to put it mildly) dysfunctional, and the father of the child is cheating on his wife with her sister. At first, Barker figures that these sordid real-life intrigues might serve as inspiration for another of his crime novels, but the deeper he becomes enmeshed in the situation, the more he realizes that there is much, much more to the case than meets the eye. Meanwhuile, Barker must wrestle with the disintegration of his own marriage and the alienation of his daughter. Daphne Zuniga, Michelle Scarabelli and Roddy McDowell deliver standout performances as the sister-in-law, the baby's mother, and the family's shady attorney. Produced for Canadian TV under the title Loss of Faith, this film has since been shown on America's Lifetime network as The Truth About Lying. ~ Hal Erickson, Rovi
- Starring:
- John Ritter, Michele Scarabelli, (more)
Disney's animation team dipped into the rich well of ancient mythology for this musical comedy. The son of Greek gods Zeus (voice of Rip Torn) and Hera (Samantha Eggar), Hercules (voice of Josh Keaton) is stolen as a boy by the minions of Hades (voice of James Woods), lord of the underworld. Forced to live among humans, Hercules is turned into a half-god and half-mortal after drinking a forbidden potion brewed by Hades' right hand men, Pain (voice of Bob Goldthwait) and Panic (voice of Matt Frewer). Now Hercules has the remarkable strength of a god, but is trapped in the body of a human, and before he learns how to use his power properly he goes through a typically adolescent awkward period. In order to become a god and return to his home on Mount Olympus, Hercules must prove himself a true hero on Earth. With the assistance of Philotes (voice of Danny De Vito), a plucky satyr known as "Phil," the grown-up Hercules (voice of Tate Donovan) learns to use his strength to his advantage and becomes a famous and benevolent protector of those around him, successfully battling a variety of gods and monsters. However, Hades, wanting to cut Hercules down to size, sends his secret weapon after him -- Megara (voice of Susan Egan), a seductively beautiful woman under Hades' control, who is to win Hercules' heart and render him helpless against the forces of the underworld. Acclaimed British cartoonist Gerald Scarfe served as production designer for this project, while Alan Menken wrote the musical score. Incidentally, for the Spanish language version of the film, Latin pop singer Ricky Martin provided the singing voice of Hercules, two years before he became a chart-topping sensation in America with his hit single "Livin' la Vida Loca." ~ Mark Deming, Rovi
- Starring:
- Tate Donovan, Josh Keaton, (more)
The first superhero ever, created by Lee Falk in 1936, gets another shot at movie stardom 60 years after achieving fame in comics and serials. Billy Zane stars as Kit Walker, who discovers that he's the 21st in a line of purple-clad African superheroes known as "The Phantom" or, to superstitious Bengalla Island natives, "the Ghost Who Walks." When he's not fighting the evil Singh Brotherhood with his faithful wolf Devil and white horse Hero, the Phantom lives in the hidden Skull Cave. Kit discovers that Xander Drax (Treat Williams), a slimy industrialist, is plotting to take over the world by uniting the three long lost magical Skulls of Touganda. So he travels to New York, where he finds allies in crusading newspaper publisher Dave (Bill Smitrovich) and his niece, Diana (Kristy Swanson), who's also Kit's ex-girlfriend. Kit and Diana tackle Drax's forces, including the conflicted Sala (Catherine Zeta-Jones), in a quest for the Skulls that brings both sides back to Bengalla for a showdown. The Phantom's mixture of elaborate stunts with liberal doses of tongue-in-cheek humor was characteristic of screenwriter Jeffrey Boam, whose previous films included Innerspace (1987) and Indiana Jones and the Last Crusade (1989). ~ Karl Williams, Rovi
- Starring:
- Billy Zane, Kristy Swanson, (more)
- 1994
The uneasy relationship between a naive shrink and the psychotic husband of one of her patients forms the basis for this thriller. After poor Veronica runs screaming hysterically from a theater she is placed in an asylum. Dr. Marcia Stevens who did the initial observations of Veronica places the distraught woman under the care of Dr. Lisa Kelner, an innocent young psychiatrist in the midst of her residency. Dr. Kelner soon learns that Veronica is being abused by her husband Adam Cestare. Despite strict hospital regulations forbidding personal contact the intrigued young Dr.. visits the husband. Lisa is entranced by the charismatic Adam. For a psychiatrist she is incredibly gullible and masochistic. When Adam sees Dr. Lisa accidentally murder someone, he begins to blackmail her and mold her to suit his will. ~ Sandra Brennan, Rovi
- Starring:
- Maxwell Caulfield, Stephanie Knights, (more)
A rich New England family succumbs to a twisted web of jealousy and greed when the family patriarch, (Brian Keith) catches everyone by surprise and leaves his business to Suzy (Liz Vassey), his daughter whom he hasn't seen in ages. Now every covetous member of the brood is swarming on the household like vipers, including Suzy's long estranged mother, who hasn't returned to the family she abandoned in years. They all want a piece of the pie-or better yet, the whole thing. ~ Cammila Collar, Rovi
- 1993
- R
In this crime drama, a talented, ambitious young lawyer takes the case when one of his colleagues, jealous of the other attorney's flawless court record, is found murdered. ~ Sandra Brennan, Rovi
- 1992
- PG
A troubled teen girl finds friendship with a cast-aside horse, in this family drama. Ari Meyers (from TV's Kate & Allie) stars as Allison Mills, a young girl who gets herself into trouble after the death of her mother. Sent to a horse farm as part of a community service sentence, Allison is initially cold and unresponsive, but slowly she begins to open up as she befriends a difficult-to-manage horse named Jet. Unfortunately, just as she begins to find purpose in her work at the farm, Allison's mettle is once again put to test after a devastating accident leaves both she and her prized horse seriously injured. ~ Bernadette McCallion, Rovi
- Starring:
- Ed Begley, Jr., Mimi Rogers, (more)
- 1991
- R
When a portly pouting wife gets jealous of her hubby and suspects he's cavorting with a Playboy pin-up gal, she enrolls in the same workout club to spy on the gal, which provides for some routine laughs. ~ Rovi
- 1991
This video is made up of four mini-thrillers from a popular television anthology series. The first is "People Don't Do Such Things," about a soured marriage; "Youth from Vienna," centering on a fountain of youth that gives unexpected results; "Skeleton in the Cupboard," about a man with a terrible secret; and "Bird of Prey," the mystery of a dead parrot's giant egg. ~ Sandra Brennan, Rovi
- 1990
A Ghost in Monte Carlo is based on one of the millions of romance novels penned by Barbara Cartland. True to the Cartland canon, the story is set long ago (1875) and far away (The Riviera). Sarah Miles is top-billed as a pompadoured former madam, while Oliver Reed dispenses tons of Armor Star as a lascivious rajah. Christopher Plummer struts about bedecked with medals as a military hero, and Samantha Eggar is a mystery woman shrouded in black. But the story is carried by Lysette Anthony, the niece of Sarah Miles, who tries to break into upper-crust society--a goal impeded by a long-standing thirst for vengeance on the part of one of the older stars. A Ghost in Monte Carlo was produced in Europe by Sir Lew Grade, and first seen in the US over the TNT Cable Network. ~ Hal Erickson, Rovi
- 1990
Safely returned to his own self after briefly being possessed by the Borg, Captain Picard must face a another, more personal crisis. Returning to his home village during a repair stopover on Earth, Picard has an uncomfortable reunion with his envious older brother Robert (Jeremy Kemp). Meanwhile, Worf's adoptive parents, Sergey and Helena Rozhenko (Theodore Bikel and Georgia Brown), pay him a visit on the Enterprise, while Wesley Crusher comes across a hologram message recorded by his long-gone father (Doug Wert). First telecast October 6, 1990, "Family" was written by Ronald D. Moore. ~ Hal Erickson, Rovi
When his girl's life's in danger, this kickboxer, who'd sworn off the sport, must fight one last contest to save her. ~ Rovi
- 1988
In this episode of the Disney series, which appeared as a presentation of "Magical World of Disney," Davy and President Andrew Jackson reminisce about an Indian uprising they helped put down 25-years before. ~ Sandra Brennan, Rovi
- 1987
Made for TV on a feature-film budget, Love Among Thieves stars Audrey Hepburn and Robert Wagner--but fails to be worthy of the talents of either star. Ms. Hepburn plays a widowed baroness and classical pianist, who steals three Faberge eggs from a museum in order to ransom her kidnapped fiance. En route to the "drop", Audrey is rescued from a mysterious assailant (Jerry Orbach) by suave stranger Robert Wagner. Wagner proceeds to demonstrate that he's not all he seems by swiping the valuable jeweled eggs. The rest of the film is a maelstrom of double-crosses, clinches and hairbreadth escapes, all evidently intended to emulate Hepburn's 1963 theatrical feature Charade and Wagner's popular 1960s TV series It Takes a Thief. ~ Hal Erickson, Rovi
- 1986
This excellent biographical documentary looks at the life and work of director William Wyler. The film is dominated by clips from many of Wyler's better-known works, such as Roman Holiday, Ben-Hur, and Funny Girl. A long interview with the director himself (conducted a few days before he died) provides his personal perspective on his work and interviews with his actors and colleagues offer some surprising comments about the man. Terence Stamp feels Wyler may not have had a good command of English, while Laurence Olivier notes that Wyler taught him how to drop theatrical exaggerations and act for the camera. Bette Davis gives the most extensive commentary. Excerpts from home movies show Wyler and his family on vacation and also record a bit of the making of Wuthering Heights. ~ Eleanor Mannikka, Rovi
- Starring:
- William Wyler, Bette Davis, (more)
- 1984
Samantha Eggar guest stars as psychic Laura Bennett, who has been experiencing eerie visions of her own murder. Though skeptical about Laura's ability to foretell the future, Magnum agrees to provide protection to the woman, while simultaneously attempting to collect his fee from a shifty previous client (Kenneth Mars). Need we add that both of Magnum's seemingly unconnected missions are inextricably linked together by episode's end? Meanwhile, Higgins (John Hillerman) becomes more insufferable than usual as he tries to put together a fundraising variety show. ~ Hal Erickson, Rovi
- 1984
Jessica (Angela Lansbury) arrives in Hollywood, where her first mystery novel "The Corpse Danced at Midnight" is being made into a movie. Unfortunately, Jessica is displeased by the decision of film producer Jerry Lydecker (John Saxon) to "juice up" her novel with heavy doses of sex and violence, and she makes no secret of her outrage. Thus it is that Jessica ends up on the suspect list when the highly unlikable Lydecker turns up murdered. John Astin, later a series semi-regular in the role of Cabot Cove real estate agent Harry Pierce, is here cast as Ross Hayley. ~ Hal Erickson, Rovi
- 1983
- R
This derivative Canadian thriller plays like a distaff version of Samuel Fuller's cult classic Shock Corridor fused rather crudely to a standard mad-slasher plot. The story takes place primarily at the country villa of a sleazy horror film director (scenery-chomping John Vernon), where auditions for the title role of his new film Audra are taking place. The casting session is called after the film's intended star had herself committed to an asylum in order to properly research her Frances Farmer-type role, then found herself unable to get out. It comes as little surprise, then, that the six actresses vying for the plum role in her absence are not long for this world, as a witch-masked marauder is wandering the premises with some well-honed implements. This film's surprisingly stylish look is probably due to the initial direction of acclaimed cinematographer Richard Ciupka, but the film was actually completed by a pseudonymous replacement. (The credited director, "Jonathan Stryker," is actually the name of Vernon's character.) ~ Cavett Binion, Rovi
- Starring:
- John Vernon, Samantha Eggar, (more)
- 1983
- Add For the Term of His Natural Life to Queue Add For the Term of His Natural Life to top of Queue
For the Term of His Natural Life, Australian novelist Marcus Clarke's epic tale of the hardships and deprivations of his native country in the 1830s, served as the basis for one of the most famous Australian films of the silent era. That was in 1927; 56 years later, Clarke's novel again went before the cameras, this time resulting in a three-part, six-hour TV miniseries. Colin Friels starred as Londoner Rufus Dawes, who thanks to treachery and deceit was arrested on a trumped-up charge and transported to a penal colony in Tasmania, while an impostor laid claim to his birthright. Eighteen years into his incarcaration, Rufus managed to escape, and was subsequently reunited with his sweet Sylvia (Susan Lyons), daughter of the colony's warden. Unfortunately, a happy ending was not in the cards for the hero and heroine. For the Term of His Natural Life aired over Australia's Nine Network in 1983. ~ Hal Erickson, Rovi
- 1981
In this routine action film, Danny Fairchild (Wayne Rogers) and Vincent Reblack (Patrick Macnee) are partners in an art-scam operation in which Danny forges valuable paintings and Vincent authenticates them; both pretend to run a company that legitimately authenticates art for sale at auction. Their illicit operation has been undetected for years until one day someone catches on and Severo (Lloyd Bochner) shows up, threatening to turn them in, or worse, if Danny does not forge a series of paintings that disappeared in World War II. Although the two partners have to agree, they begin to develop a scam that will get Severo and his unknown boss right where it hurts the most. ~ Eleanor Mannikka, Rovi
- Starring:
- Wayne Rogers, Marie-France Pisier, (more)
- 1981
- R
This inept horror film is a rare treat for fans of laughably bad cinema. From the opening flashback, in which a group of hooded cultists chop off a woman's hand and the obviously rubber appendage bounces to the floor, Macabra starts to amuse. By the time the action shifts to present-day Mexico, and the film's heroine (Samantha Eggar) has a discussion with a silver-mine worker as to the sex of a mine and whether silver mines get jealous, it becomes hilarious. The plot concerns the fabled "left hand of power" belonging to Satan, which possesses people's minds, forcing them to chop off their own hands until a priest (Stuart Whitman) turns back the evil. The most unintentionally amusing scenes involve the victims doing everything in their power to chop off their own possessed left hands. They roll around on the floor, put their hands under speeding trains, and force doctors to amputate them at gunpoint. Meanwhile, director Alfredo Zacharias films some explosions and many authentic ruins to promote the idea that Macabra is a professional motion picture. Even in its best moments, however, this film can only approximate a particularly weak episode of Fantasy Island. ~ Robert Firsching, Rovi
- Starring:
- Samantha Eggar, Roy Jenson, (more)
- 1980
- R
A Vietnam veteran declares a one-man war on crime in this vigilante revenge thriller. Michael Jefferson (Steve James) saved the life of his best friend John Eastland (Robert Ginty) while the two were serving in Vietnam, so when Jefferson is left permanently paralyzed after a vicious attack by muggers, Eastland is determined to get revenge. Declaring war not only on the thugs who injured Jefferson but the entire lawless underclass, Eastland becomes known as "The Exterminator" for his swift and deadly retaliation against muggers and other street criminals. While Eastland's actions may be making for safer streets, they're also illegal, and just as the mob have put a price on Eastland's head, Detective James Dalton (Christopher George) has set his sights on putting "The Exterminator" out of business. Jazz great Stan Getz makes a cameo appearance as himself. ~ Mark Deming, Rovi
- Starring:
- Christopher George, Samantha Eggar, (more)
Canadian director David Cronenberg followed his graphic vampire variation Rabid with this multi-layered, speculative horror film which addresses the way the repressed demons of the psyche can force their way to the surface. Psychologist Dr. Raglan (Oliver Reed), director of the controversial Psychoplasmic Institute and author of the book "The Shape of Rage," encourages his patients to outwardly manifest their anger and fear (aided by some experimental drugs), which then takes physical shape as actual sores, cancers, or strange new organs. One of Raglan's more successful patients (from his point-of-view, anyway) is Nola Carveth (Samantha Eggar), who is undergoing therapy following a painful divorce from her husband, Frank (Art Hindle). When Frank discovers evidence that Nola may have injured their daughter, Candice (Cindy Hinds), he begins to suspect Raglan's techniques but is unprepared for the most horrifying by-product of her rage: a progeny of sexless, dwarflike mutants who are born for the sole purpose of acting out her violent fantasies of revenge. Containing only enough energy to carry out their murderous tasks, the brood is dispatched to kill Nola's parents, then a woman she believes is having an affair with Frank. By the time Frank discovers the origins of the tiny offspring, they have already abducted Candice and taken her to the institute, where Frank must confront Nola in person. Although it contains one of the most visceral and nauseating scenes in movie history (during the film's climax), this nevertheless remains the most subtle of Cronenberg's early horror projects, with a strong subtext about the devastating effects of divorce. ~ Cavett Binion, Rovi
- Starring:
- Oliver Reed, Samantha Eggar, (more)
- 1978
When it was first made available to television in 1978, the three-hour Ziegfeld: The Man and His Women was previewed to only a few carefully selected TV critics. Barred from the preview were those older columnists who would have most likely harbored pleasant memories of the Oscar-winning 1936 theatrical feature The Great Ziegfeld, which is approximately ten times the better film. The TV movie version stars Paul Shenar as Broadway showman Flo Ziegfeld, looking for all the world like a spoiled prep-schooler dressed up in his daddy's tuxedo. While the film admirably attempts to encompass every aspect of Ziegfeld's public and private life, the sense of beauty and grandeur, so vital to the success of the 21 "Follies" stage shows mounted between 1908 and 1931, is totally missing. The film's structure is curiously aloof: The four most important women in Ziegfeld's life dispassionately narrate the story, a couple of them "from beyond the grave." Valerine Perrine comes off best as actress Lillian Lorraine; Barbara Parkins struggles with a wavering foreign accent as Ziegfeld's first wife Anna Held (she even gets a "telephone scene" ripped off from The Great Ziegfeld's Luise Rainer); Pamela Peardon is shrill and unlikeable as dancer Marilyn Miller; and Samantha Eggar is saintly to the point of tedium as Billie Burke, the second Mrs. Ziegfeld. Those expecting to see an unending stream of Ziegfeld headliners will have to settle for fleeting cameos by "celebrity look-alike" actors playing Fanny Brice, Will Rogers and W. C. Fields. This is the sort of clichefest in which Ziegfeld announces that his greatest days are yet to come--just before we cut to a title reading "1929." Ziegfeld: The Man and His Women serves only one positive purpose--to whet the viewer's appetite for a cable-TV revival of The Great Ziegfeld. ~ Hal Erickson, Rovi
- Starring:
- Paul Shenar
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