Paddi Edwards Movies

Disney's animation team dipped into the rich well of ancient mythology for this musical comedy. The son of Greek gods Zeus (voice of Rip Torn) and Hera (Samantha Eggar), Hercules (voice of Josh Keaton) is stolen as a boy by the minions of Hades (voice of James Woods), lord of the underworld. Forced to live among humans, Hercules is turned into a half-god and half-mortal after drinking a forbidden potion brewed by Hades' right hand men, Pain (voice of Bob Goldthwait) and Panic (voice of Matt Frewer). Now Hercules has the remarkable strength of a god, but is trapped in the body of a human, and before he learns how to use his power properly he goes through a typically adolescent awkward period. In order to become a god and return to his home on Mount Olympus, Hercules must prove himself a true hero on Earth. With the assistance of Philotes (voice of Danny De Vito), a plucky satyr known as "Phil," the grown-up Hercules (voice of Tate Donovan) learns to use his strength to his advantage and becomes a famous and benevolent protector of those around him, successfully battling a variety of gods and monsters. However, Hades, wanting to cut Hercules down to size, sends his secret weapon after him -- Megara (voice of Susan Egan), a seductively beautiful woman under Hades' control, who is to win Hercules' heart and render him helpless against the forces of the underworld. Acclaimed British cartoonist Gerald Scarfe served as production designer for this project, while Alan Menken wrote the musical score. Incidentally, for the Spanish language version of the film, Latin pop singer Ricky Martin provided the singing voice of Hercules, two years before he became a chart-topping sensation in America with his hit single "Livin' la Vida Loca." ~ Mark Deming, Rovi

Based on a true event, this is the account of the Buttafuoco couple, whose names were splattered all over the media in the early '90s after the alleged teen-aged playmate of Mr. B., Amy Fischer (who claimed it was Mr. B's will), shot Mrs. B in the head (though the latter miraculously lived). This particular perspective claims that Amy acted of her own free will and Mr. B never had an affair with her (only vaguely flirted) nor did he in any way encourage her to make an attack on his wife. CBS paid the Buttafuocos $300,000 for their story. ~ Kristie Hassen, Rovi

The big day has arrived: Bull (Richard Moll) is about to marry Wanda (Cathy McAuley), with his mother "Hank" (Paddi Edwards) at his side and the three Del Rubios scheduled to sing. Unfortunately, it looks as though the ceremony is doomed from the start, thanks largely to the overbearing behavior of wedding planner Christine (Markie Post) and the Wanda's flat refusal to wear Hank's wedding gown. And just when things can't get any worse, a full-scale war breaks out between Harry (Harry Anderson) and Art (Mike Finneran) over who will be Best Man--forcing Roz (Marsha Warfield), of all people, to act as arbitrator! ~ Hal Erickson, Rovi

Disney's The Little Mermaid was the first in a series of blockbusters that restored the venerable firm's reputation as the world's premiere animated-feature factory. The title character is a precocious teenager named Ariel, the daughter of Triton, king of the Sea. Against her dad's wishes, Ariel journeys beyond her own world to the surface, where she falls in love with Prince Eric, a handsome human. Foolishly, the little mermaid enters into an agreement with evil sea witch Ursula in order to become human herself. The wistfully melancholy ending of the original Hans Christian Andersen story is dispensed with in favor of a joyously happy ending-but not before a spectacular climactic confrontation between Ursula and Triton. The obligatory Disney comic relief is handled by such freshly minted characters as Sebastian the Crab, who, courtesy of voiceover artist Samuel E. Wright, sings the film's Oscar-winning "Under the Sea." Other voices are provided by Broadway star Jodi Benson (as Ariel) and such Hollywood reliables as Buddy Hackett, Pat Carroll, Kenneth Mars, and Rene Auberjonois. The enormous box-office take of The Little Mermaid made possible such future Disney cartoon ventures as Beauty and the Beast, Aladdin, Pocahontas, and The Hunchback of Notre Dame. ~ Hal Erickson, Rovi

The Enterprise is assigned to escort a young alien princess named Salia (Jaime Hubbard) to Daled Four. Wesley develops a crush on the girl, much to the displeasure of her guardian Anya (Paddi Edwards). Little does Wesley know that Anya possesses a secret power that could destroy him and the rest of the crew. Originally telecast February 26, 1989, "The Dauphin" was written by Scott Rubinstein and Leonard Mlodinow. ~ Hal Erickson, Rovi

Nobody believes Woody (Woody Harrelson) when he claims to have gotten a bit part on the Boston-based TV series Spenser: For Hire. The gang continues to have a laugh at Woody's expense until a certain Big Name shows up to verify his claim. Meanwhile, a practical joke -- involving an orangutan and a paintbrush -- puts a strain on the friendship between Norm (George Wendt) and Cliff (John Ratzenberger). Rebecca (Kirstie Alley) holds a ladies-club meeting that falls apart disastrously. ~ Hal Erickson, Rovi

Veteran television writer-director Jerry Belson concocted this sweet comedy that stars Michael Caine as Sean Stein, a best-selling mystery novelist who's been constantly hurt by women he's fallen for. Sally Field plays Daisy Morgan, an artist who has not yet hit it big. She and Stein are at a museum party when a band of thieves arrive, tie up the guests, and proceed to pull off a heist. They are tied up together, which thrusts them into an unlikely romantic pairing. Because Daisy does not know who Stein is, he pretends that he, too, is a struggling artist. He distrusts women, because in the past, his ex-wife and other women pursued him solely for his money and fame. Steve Guttenberg and Peter Boyle play attorneys vying for Stein's money. Julie Kavner and Louise Lasser are among the fine supporting cast. ~ Michael Betzold, Rovi

Under the Influence is a TV movie about an alcoholic, scripted by recovered alcoholic Joyce Rebeta-Burdett. Andy Griffith plays the head of an outwardly respectable New England family. Griffith drinks heavily, but the rest of the family sweeps his addiction under the rug. When Griffith lands in the hospital, he must come to grips with his illness--and the rest of the family must stop lying to each other and to themselves. Under the Influence is remarkable not only for the intelligent, unsensational handling of its subject, must also for Andy Griffith's convincing portrayal of a New Englander. ~ Hal Erickson, Rovi

When prodigal son Billy Turner (Judd Nelson) returns to his Florida home town, he's caught in a brawl and thrown in jail. He tells the guards to call his father, the mayor, who will have him released; however, he soon discovers his father has been killed. After Turner finally gets out of jail, he starts to hunt down his father's murderer, with the eventual help of Annie Rayford (Ally Sheedy) and her brother Joey (David Caruso). Their nemesis is the nasty crime boss Perry Kerch (Scott Wilson) and his henchmen, though the slow-witted police chief (Paul Winfield) is not much help, either. ~ Eleanor Mannikka, Rovi

Angela Lansbury's former MGM colleagues Van Johnson and June Allyson are prominently featured in this episode. A double-dealing businessman is killed when he is run over by a remote-controlled station wagon. Suspicion immediately falls upon the victim's disgruntled former partner, an oddball inventor--who happens to be a neighbor of our gal Jessica Fletcher (Angela Lansbury). Can it be that the death car's curious license plate number will turn out to be a clue? (Well, maybe not.) ~ Hal Erickson, Rovi

The two-hour debut episode of Murder, She Wrote finds former substitute teacher Jessica Fletcher (Angela Lansbury) reluctantly thrust into the limelight when her first mystery novel, "The Corpse Danced at Midnight," becomes a best-seller. Invited to a costume ball held by her publisher, Jessica comes face to face with a genuine murder when guest Dexter Baxendale (Dennis Patrick), wearing a Sherlock Holmes costume, turns up dead. Suspicion immediately falls upon Jessica's nephew Grady (Michael Horton), forcing our heroine to turn sleuth herself. Throughout the story, the widowed Jessica must also wrestle with her growing attraction to handsome Preston Giles (Arthur Hill). Watch for future Murder, She Wrote semi-regular Herb Edelman in a role other than Lt. Artie Gelber, and also for a young Andy Garcia in a bit part as a tough guy. ~ Hal Erickson, Rovi

In this lightweight made-for-television domestic comedy, a beautiful divorcee, who got the house and the kids, finds herself allowing her husband and his ditzy young fiancee to stay with them after he gets into financial dire straits. ~ Sandra Brennan, Rovi

The only installment of the Halloween series to abandon the Michael Myers story line, Halloween III: Season of the Witch is an intricate sci-fi horror hybrid. A week before Halloween, an older man named Harry Grimbridge (Al Berry) is wounded by a mysteriously dispassionate group of assailants in an industrial parking lot. After receiving treatment at a local hospital from Dr. Dan Challis (Tom Atkins) -- a hard-drinking divorced father of two -- Grimbridge is killed by an assassin who later sets himself on fire. Blowing off his own kids, Challis teams up with Grimbridge's daughter, Ellie (Stacey Nelkin), to find out why the middle-aged toy salesman was murdered. The duo's search soon leads them to a Halloween-mask factory run by inventor and practical joker Conal Cochran (Dan O'Herlihy). In between bouts of passionate lovemaking, Ellie and Challis begin to realize that the sinister old businessman has something other than treats in mind for America's kids -- something to do with the Silver Shamrock masks that Challis' children and thousands of other youngsters have bought for the holiday. Original screenwriter Nigel Kneale, whose scripts for Britain's Quatermass TV series made him a beloved science fiction fixture, sued the producers of Halloween III to have his name removed from the credits after seeing the gory finished product; director Tommy Lee Wallace ultimately received screenplay credit. John Carpenter, director of the first Halloween film, co-produced the third installment with Debra Hill, who would later soldier on without Carpenter for additional, belated sequels. ~ Brian J. Dillard, Rovi