Thierry Forte Movies

A man with a secret forms an uneasy alliance with an opportunistic reporter in this drama from Mexico. Manolo Bonilla (John Leguizamo) is a broadcast journalist for a Latin-American tabloid television series who has been sent to Ecuador to cover the funeral services of three children who fell victim to a mass murderer known as "the Monster of Babahoyo." Shortly after Bonilla finishes interviewing a young mourner, the child is struck by a car driven by Vinicio Cepeda (Damián Alcázar), a traveling salesman who pedals bibles. The crowd assembled to pay their respects flies into a rage, pulling Cepeda from his car and nearly killing him. Bonilla's intervention ends up saving Cepeda's life, but the reporter is ashamed to admit that he and his cameraman didn't break through the crowd to save the driver, but in hopes of getting a better shot of those beating him. Cepeda is jailed for manslaughter, and when Bonilla visits him behind bars, he shares some unexpected news with the reporter -- he claims to know the identity of "the Monster of Babahoyo," and also knows where the killer has buried other victims. Cepeda is willing to share this information if Bonilla can help get him out of jail, but instead of handing the information to the police, Bonilla decides to investigate himself, certain that another scoop on the case will boost his ratings and his career. Crónicas was screened as part of the "Un Certain Regard" series at the 2004 Cannes Film Festival. ~ Mark Deming, Rovi

Venerable Argentinian filmmaker Alejandro Agresti turns his lens to his own childhood in this nostalgic coming-of-age tale. Set in the director's hometown of Buenos Aires circa 1964, Valentin centers around its title character (and ostensible stand-in for the director), a nine-year-old boy (Rodrigo Noya) whose feuding parents have left him to be raised by his sage, eccentric grandmother (Carmen Maura). With his father (Agresti) visiting only occasionally, Valentin is left to look to the other men in the neighborhood for father figures, and to replace his absent mother, he warms to Leticia (Julieta Cardinali), one of his father's many short-term girlfriends. When he tells her personal secrets about his father, however, Valentin jeopardizes their relationship. ~ Michael Hastings, Rovi

In this allegorical comedy-drama, a disparate group of people wait at a rundown Cuban transit station for the next bus to arrive. The problem is, it never shows up. While a number of busses pass by the station, and others that are either full or at the end of the line stop by, it soon becomes obvious that the bus everyone was waiting for has left them high and dry. While one of the would-be passengers, Emilio (Vladimir Cruz), uses his down time to win the affections of beautiful Jacqueline (Thaimi Alvarino), most of the rest decide that if they're stuck without anywhere to go, they might as well make the station a better place to wait, and they begin forming a plan to turn the decrepit bus terminal into a showplace that people would look forward to visiting. Lista De Espera was directed by Juan Carlos Tabio, in what was his first solo directorial credit in eight years -- after several noted collaborative efforts. The film was shown as part of the Un Certain Regard series at the 2000 Cannes Film Festival. ~ Mark Deming, Rovi

Based on the novel of Gabriel Garcia Marquez by the same name, but set in the forties, the film is a reflection on life and its illusions by the Mexican master Arturo Ripstein. In a small coastal town in Mexico in the late 1940's, an obstinate colonel of the anticlerical Cristeros War keeps waiting for the pension that has been promised to him but never delivered. Every Friday, he goes down to the docks, dressed in his best suit in anticipation of the arrival of the letter announcing his pension. Everyone knows that he is waiting in vain, but he refuses to face reality, even though, deep in his heart, he knows that the letter will never arrive. His wife is suffering from asthma; their son Agustin was killed by the fascists; and the roof over their head will soon be taken away because of the unpaid mortgage. Yet the Colonel stands by his dream, refusing to give up despite poverty and hunger. He knows that if he lets go, there is nothing else left. His wife Lola proposes to sell the cock, which is the only thing left behind from their son. But the Colonel does not want to give up the fighting cock, which he believes will win one day. The story is rendered in a simple and straightforward narrative style unlike Ripstein's earlier work, which is more baroque, or Marquez's magical realist style. Repeated close-ups accentuate the damages of a long and hopeless wait on a person's inner strength. Veteran Fernando Lujan is remarkable as the Colonel, but Spanish Marisa Paredes shines as the wife who suffers in dignity. Salma Hayek has a brief appearance as the prostitute who had a relationship with Agustin. In competition at the 52nd Cannes Film Festival, 1999. ~ Gönül Dönmez-Colin, Rovi

The La Cuadrilla team (Luis Guridi and Santiago Aguilar) directed this Spanish black comedy about corrupt funeral worker Atilano (Manuel Manquina). Moonlighting by chopping fingers off bodies to obtain ID fingerprints, he can then withdraw money from bank accounts. Failed politician Ortega (Ramon Barea), working for the PR party, maneuvers Atilano into becoming a presidential candidate. As elections near, Atilano and the party's image consultant Sol (Laura Conejero) find romance in each other's arms. When Atilano's populist approach to politics becomes too popular, ambitious Antunez (Fernando Vivanco) does away with Sol -- and a maddened Atilano sets out to get revenge. ~ Bhob Stewart, Rovi

A young boy's fascination with the deaths of several people close to him spark his growth from boyhood in this Spanish drama from writer-director Montxo Armendáriz. The hometown of nine-year-old Javi (Andoni Erburu and his brother Juan (Alvaro Nagone) is a rural farming village in the early 1960s. Their father, they are told, accidentally killed himself while cleaning his gun, and the room where the death occurred has been declared off limits to the boys. Juan tells his younger brother that ghostly sounds can be heard in the room, but when Javi sneaks in and hears the unearthly moans, it's really the sound of their mother making love with their uncle Tio (Carmelo Gomez). Javi's friend Carlos (Inigo Garces) has also suffered the loss of a parent, his mother, who committed suicide. Javi and Carlos sneak into a haunted house, also rumored to be a site where spectral sounds can be heard, and they overhear something in the basement. His adventures inspire Javi to question the deaths of his father and Carlos' mother, leading to a revelation. Secretos del Corazon (1997) was the winner of four Goya Awards, as well as an Oscar nominee for Best Foreign Language Film. ~ Karl Williams, Rovi