Glynn Edwards Movies

This British comedy drama of the lower classes features actors with such thick cockney accents that some prints of the film were subtitled. James Booth stars as Charlie, a merchant seaman who returns home to the East End after two years to find that his wife Maggie (Barbara Windsor) has taken up with another man, a married bus driver named Bert (George Sewell). After taking his brother Fred (Roy Kinnear) hostage in a pub, Charlie gets a reunion with Maggie, who shows up pushing a pram. It seems she's given birth to a child, and the father's identity is uncertain. Charlie and Maggie reconcile, but not before a vicious row with Bert, who doesn't want to give up his girl. Windsor, a BAFTA Best Actress nominee for her role, also performed the film's title song. ~ Karl Williams, Rovi

Runaway wife Ellis hitches a ride with trucker Booth until the truck is hijacked and Ellis works to catch the thieves. ~ Rovi

Filmed on a grand scale, Zulu is a rousing recreation of the January 22, 1879, siege of Rorke's Drift in Natal, Africa. An army of 4,000 Zulu warriors have already decimated a huge British garrison; now they are on their way to the much smaller Rorke's Drift. A Royal Engineers officer (Stanley Baker) is determined to stand his ground, despite having only a skeleton garrison at his command. His steamroller tactics are constantly at odds with those of a by-the-book lieutenant (Michael Caine), who feels that a retreat is called for, but it becomes clear that if the garrison is to survive, they'd better pay heed. Jack Hawkins and Ulla Jacobsson are also on hand as an idealistic missionary and his somewhat more pragmatic daughter. Richard Burton provides the narration for Zulu, closing the film with the observation that 11 of the 1,344 Victoria Crosses awarded since 1856 were bestowed upon the survivors of Rorke's Drift. Zulu was followed in 1979 by a "prequel," Zulu Dawn. ~ Hal Erickson, Rovi

Set during the Victorian era, the film stars Peter Cushing as a Holmeslike detective on the trail of a serial killer. The mystery angle is minimal, since we know virtually from the beginning that the killer is a gigantic....moth! It seems that Wanda Ventham, daughter of addled scientist Robert Flemyng, has spent too much time in her dad's lab, and can turn herself into a malevolent moth at will. Flemyng tries to mollify Ventham by creating a playmate for her-and the result is two murderous moths. Blood Beast Terror was also released as The Vampire-Beast Craves Blood. ~ Hal Erickson, Rovi

The title refers to a special course for secret agents, designed to determine how much brutal interrogation the candidates are able to withstand. Tara King is summoned to undergo the course, willing if not eager to subject herself to its exacting rigors. What Tara doesn't know is that every agent who successfully completes the course ends up murdered a few days later. Christopher Lee guest-stars in "The Interrogators," which was written by Richard Harris and Brian Clemens; the episode debuted in England on New Year's Day 1969, and in America on January 20. ~ Hal Erickson, Rovi

Roger Corman's New World Pictures took a stab at the tale of the nefarious real-life graverobbers -- and filled it with the studio's usual quota of nudity, softcore sex and tacky humor. The result is pretty much as one would expect -- nothing to rival the excellent Flesh and the Fiends, or even Tod Slaughter's campy The Greed of William Hart. Harry Andrews plays the unscrupulous Dr. Knox, who enlists the aid of grave-plundering dirtbags Derren Nesbitt and Glynn Edwards in obtaining fresh cadavers for the medical academy. When the demand increases and local cemeteries begin to run dry, the industrious pair turn to the living to keep the doctor supplied. This time out, Burke and Hare are particularly randy fellows, who spend more time carousing in Edinburgh whorehouses than stalking their prey. Despite the macabre subject matter, the producers opted for sexploitation over gruesome horror, but the end result is decidedly dull. ~ Cavett Binion, Rovi

Get Carter stars Michael Caine as Jack Carter, a powerful British gangster out for blood. His brother has been murdered in Newcastle, prompting Carter to declare a one-man war on other racketeers. Carter must also get his niece out of the life she is leading as an actress in pornographic films. Now that he is a loose cannon, Carter must be eliminated. Get Carter is typical action fare of the 1970s in that there are virtually no "good guys" -- in fact, the assassin is probably the most likable character in the piece! Originally rated X for violence and female nudity, Get Carter was reclassified as an R after subsequent crime films became even more bloodthirsty. ~ Hal Erickson, Rovi

In the third and last in the original Shaft (1971) series of action-packed "blaxploitation" pictures, private eye John Shaft (Richard Roundtree) travels to the "motherland," where he breaks up a modern slavery ring. Shaft is hired by a diplomat, Emir Ramila (Cy Grant), to infiltrate the criminal empire of the evil Vincent Amafi (Frank Finlay), who is kidnapping poor Africans and shipping them to Europe as slave laborers. Amafi murdered Ramila's son when he attempted to expose the illegal operation, and Ramila, now aware that his investigation of Amafi has been compromised, needs an unfamiliar to face to help bring the ring leader down. After undergoing some training at the hands of a comely tutor so that he'll be able to pass muster as an African, Shaft travels to Ethiopia and allows himself to be shanghaied by Amafi's men. However, the high-ranking Wassa (Debebe Eshetu) is the traitor in Ramila's ranks, and he has betrayed Shaft. As the tough private eye attempts to free the slaves being held captive in a former Nazi prison below a French chateau and bed any beautiful women who crosses his path, he must also dodge a series of assassination attempts by Ramila's men. ~ Karl Williams, Rovi

Duke Turnbeau (David Soul) has come to England, in the 1930s, as a way to improve his fortunes. For some reason, he believes that his larcenous ways will bring him prosperity in the country which at one time or another has had rulership over a large portion of the globe. While there, he meets Rosie McCratchit (Pamela McMyler), a lovely Irish gal who could do with some improvement in her fortunes as well. Together, they have a series of legal, quasi-legal and definitely illegal adventures, including Duke's cow-roping and Rosie's response to the mud-wrestling challenge of the Amazon Lady, as well as an attempted armored-car robbery. ~ Clarke Fountain, Rovi

Leonard Rossiter stars in the madcap British farce Rising Damp, as Rupert Rigsby, the bigoted and conniving landlord of a dingy flophouse in an unspecified English city. Rupert must contend on a daily basis with a motley group of tenants, including the nymphomaniacal spinster Ruth Jones (Frances de la Tour); Philip (Don Warrington), a black med student who insists that he is actually an African prince with an entire harem of wives; wet-behind-the-ears art student John (Christopher Strauli); and the dapper gold digger Seymour (Denholm Elliott). This film was actually a theatrical spin-off of a U.K. television series that ran from 1974 to 1978; Richard Beckinsale (father of Kate) had a key role in the original series but died in 1979, hence his absence from the movie. ~ Nathan Southern, Rovi

This horror thriller is based upon the final chapter of the Bible and centers upon Abby Quinn, a pregnant woman living in Venice, California who leases her garage apartment to mysterious David, who seems to be trying to claim the soul and the life of her unborn child. Little does she knows that he is Christ incarnate and has come to open each of the seven seals and release upon the wicked world the prophesied disasters. He has already broken six seals and now with Abby's baby prepares to break the seventh. Meanwhile, David is stalked by the mysterious Father Lucci who has more than a passing interest in Apocalyptic prophesies. ~ Sandra Brennan, Rovi