Robert Ridgely Movies

Detroit cop Axel Foley (Eddie Murphy) has seemingly smoothed out his differences with his Beverly Hills superior Bogomil (Ronny Cox), but there's trouble ahead for both men, not to mention two other holdovers from the first Cop film, officers Rosewood (Judge Reinhold) and Taggart (John Ashton). The "untouchable" heavy this time out is masterminding a series of violent robberies, committed by leather-freak hoods Dean Stockwell and Brigitte Nielsen. Unaccumstomed to this nastiness, Bogomil entreats street-smart Foley to help find the miscreants. But mean-spirited chief of police Lutz (Allen Garfield) will brook no interference from outsiders-especially the profanely insouciant Mr. Foley. ~ Hal Erickson, All Movie Guide

Fugitive Confederate officer Cody Ransom (Jon Cypher) is finally willing to surrender to the Union forces-but only if the Cartwright men act as intermediaries. Unfortunately, by-the-book Northern officer Major Donahue (Hurd Hatfield) insists upon handling the capture all by himself-and he is prepared to resort to violence to get his way. Suzanne Pleshette appears as Rose, a war-weary Southerner desperately trying to put her life back together, while 10-year-old Jodie Foster is seen as Bluebird. Originally shown on March 19, 1972, "A Place to Hide" was written by William D. Gordon and Ward Hawkins. ~ Hal Erickson, All Movie Guide

Claude Akins guest-stars as the titular Sam Hill, a blacksmith of extraordinary strength. Pressured to give up the land on which his mother is buried, Sam discovers that he has been sold out by his own father, an irresponsible drunkard-and that the new owner of the property is a self-styled dictator with a private army. Ford Rainey, Edgar Buchanan and ubiquitous voiceover specialist Robert Ridgely also appear in this episode, one of several directed by Robert Altman. Written by series producer David Dortort, "Sam Hill" originally aired June 3, 1961, as the final episode of Bonanza's second season. ~ Hal Erickson, All Movie Guide

Oscar winner Strother Martin is cast as Joad Bruder, the father of jailed stagecoach robber Randy Bruder (Anthony Colti). Aware that Joad is holding the Ponderosa money that was stolen by Randy, Joe and Hoss hatch another of their hare-brained schemes to retrieve the loot. Heading to Pineville, the Cartwright boy pose as two members of Randy's gang-a ruse that threatens to burn and crash when the wife of one of the gang members shows up unexpectedly. Originally shown on December 13, 1970, "The Impostors" was written by Robert Vincent Wright. ~ Hal Erickson, All Movie Guide

While set within the milieu of the Los Angeles adult film industry, Boogie Nights is less a film about pornography than the serio-comic story of a group of misfits, losers, and lost souls who are embraced by Jack Horner (Burt Reynolds), a director who makes "adult films, exotic motion pictures." In 1977, while hanging out at a disco, Jack spots Eddie (Mark Wahlberg), the new busboy at the club, and tells him he's convinced "there's something wonderful inside those jeans waiting to get out." Jack knows his business well and his expert eye has not betrayed him; Eddie is a pornographer's dream -- good looking, remarkably endowed, and willing and able to do as many takes as might be needed. The product of a woefully dysfunctional upbringing, Eddie is not terribly bright but is very ambitious and eager to prove he has a "special something" to share with the world. Eddie changes his name to Dirk Diggler and quickly becomes the biggest star in hardcore. Working alongside "Dirk" in Jack's films are Amber Waves (Julianne Moore), a porn actress who applies her misplaced maternal instincts to anyone who needs nurturing; Rollergirl (Heather Graham), a cheerful but blank-faced high school drop-out who never removes her roller skates; Reed Rothchild (John C. Reilly), a none-too-bright actor, aspiring magician, and failing songwriter; Buck (Don Cheadle), a black actor fascinated with cowboy iconography who wants to open a stereo shop; Scotty J (Philip Seymour Hoffman), a stocky and awkward soundman infatuated with Dirk; Little Bill (William H. Macy), Jack's assistant director, who has trouble dealing with his wife's brazen infidelity; and Colonel James (Robert Ridgely), Jack's backer, who has a weakness for young girls. In the brief, late-'70s moment when porn was chic and sex films seemed poised to break into the mainstream, Dirk becomes a star and Jack a respected name. But a few years later, drugs and pride have taken their toll on Dirk and many of his friends, while the advent of the VCR radically changes the adult movie business; Jack goes from being a "filmmaker" to manufacturing and wholesaling videocassettes, a wealthy but emotionally broken man. In his second film, wunderkind director Paul Thomas Anderson juggled a broad range of characters in a manner reminiscent of Robert Altman's ensemble films, making Boogie Nights a sad but funny story of a makeshift family of damaged people and what happens before and after their brief moment in the sun. ~ Mark Deming, All Movie Guide

A full year before the debut of Warner Bros.' TV series The FBI, a pilot of sorts was filmed under the title FBI Code 98. Jack Kelly heads the cast of this Dragnet-style docudrama, wherein the action is underlined by William Woodson's stentorian off-camera narration. The main plot concerns a disgruntled mad bomber, who uses his heightened knowledge of electronics to stay one step ahead of detection. The all-Warner-contractee cast includes Maverick's Kelly, Ray Danton, Andrew Duggan, Philip Carey, William Reynolds (later a regular on The FBI), Peggy McCay and Merry Anders. Originally intended as a TV special, FBI Code 98 was released theatrically instead. The film was produced by Stanley Niss, the author of the book on which the screenplay was based. ~ Hal Erickson, All Movie Guide

This is Mel Brooks' spoof of over ten Alfred Hitchcock classics, including Psycho, Vertigo, and The Birds (Brooks actually used the bird trainer from that classic suspense movie in making his film). Brooks plays Dr. Richard H. Thorndyke, a renowned Harvard psychiatrist with a concealed fear of heights, or High Anxiety. Thorndyke takes over as the newest director of the PsychoNeurotic Institute for the Very, Very Nervous after the last director dies under suspicious circumstances. He soon finds himself to be in the company of some very strange colleagues, including longtime Brooks collaborators Cloris Leachman and Harvey Korman, with Madeline Kahn as Victoria Brisbane, the eccentric daughter of a patient at the institute and Thorndyke's love interest. Korman takes on the role of Dr. Charles Montague, a psychiatrist with a closeted habit of his own. Leachman plays Charlotte Diesel, a charge nurse with a dark sneer and tendency towards domination. As Thorndyke heads to a psychiatry conference, he is faced with saving the Institute, his reputation, and his own sanity. Although the film was not well-received by critics, it picked up a 1978 Golden Globe nomination for best picture (musical or comedy) and landed Brooks a nomination for best actor. The movie has a number of cameos, from a young Barry Levinson's spot as an unstable bellboy to a small part by Hitchcock's right-hand special effects man, Albert J. Whitlock, who plays Kahn's father. ~ Rachel Koetje, All Movie Guide

In the first episode of a two-part story, McCall (Stepfanie Kramer) and an informant are gunned down during a police investigation of a prostitution ring operating out of RV's on the Los Angeles Freeway. Working on available evidence, Hunter (Fred Dryer) becomes convinced that a notorious pimp named Big Jack Hemmings ordered the hit. As McCall hovers between life and death, Hunter heads to Mexico in search of Big Jack--and it seems a certainty that only one of the two men will come back alive! ~ Hal Erickson, All Movie Guide

If a comedy is to be made from the plight of the homeless, who have to scrape through their days returning deposit bottles and cleaning car windshields to get their daily bread as the rich get richer and more heartless, it may as well be Mel Brooks' Life Stinks. The trademark Brooks humor dominates this fable about a ruthless billionaire, Goddard Bolt (Mel Brooks), who wants to obliterate a poor section of Los Angeles and build a high-tech commercial center in its place. His only problem is that he owns only half the land needed for the construction, the other half belonging to equally ruthless billionaire Vance Craswell (Jeffrey Tambor), who has his own ideas for the land. The two try to buy each other out until, finally, a deal is struck: Craswell bets that Bolt cannot survive a month on the streets as a homeless man. If Bolt makes it, he gets the property. If he doesn't, Craswell gets it. Bolt agrees and, as a poor man, he begins to feel the pain of being uprooted and alone, even meeting a friendly homeless woman, Molly (Lesley Ann Warren) with whom he forms an attachment. ~ Paul Brenner, All Movie Guide

Jonathan Demme's breakthrough movie featured the shaggy energy and affection for marginal American eccentrics that marked his earlier Citizens Band (1977) and such later films as Something Wild (1986) and Married to the Mob (1988). Melvin Dummar (Paul LeMat) is a barely-getting-by Nevada milkman. One day in the early 1970s, while driving down a lonely highway, Melvin picks up a shaggy, bearded bum (Jason Robards Jr.) and offers him a ride into town. Melvin gives the bum a quarter at the end of the ride, and that, so far as Melvin is concerned, is that. The story goes off on a new tangent, involving the on-and-off marriage between Dummar and his contest-happy wife Lynda (Mary Steenburgen). During one of the multitude of financial crises endured by the Dummars, Melvin discovers that the tramp he picked up was none other than billionaire Howard Hughes -- and when Hughes dies, Melvin inherits $150 million. The movie's wide acclaim included Oscars for Steenburgen and Goldman's script and New York Film Critics Awards in almost all major categories, including Best Picture and awards for Demme, Goldman, Steenburgen, and Robards. Demme would gain even greater attention in the 1990s as the director of The Silence of the Lambs (1991) and Philadelphia (1993). ~ Hal Erickson, All Movie Guide

In this "crossover" episode, Florence Stanley appears as Judge Margaret W. Wilbur, a character she'd introduced on the concurrently-produced NBC sitcom My Two Dads. In her capacity as temporary replacement for Judge Harry T. Stone (Harry Anderson), Judge Wilbur immediately makes an impression by jailing Dan (John Larroquette) for contempt. All this, however, is incidental to the main plot, in which Bull (Richard Moll) hopes to raise money for a boy's home by appearing as a contestant on the popular game show "What Am I?" First, however, he must undergo hypnosis to get over his fear of being on live television. ~ Hal Erickson, All Movie Guide

At the time of its release, Jonathan Demme's Philadelphia was the first big-budget Hollywood film to tackle the medical, political, and social issues of AIDS. Tom Hanks, in his first Academy Award-winning performance, plays Andrew Beckett, a talented lawyer at a stodgy Philadelphia law firm. The homosexual Andrew has contracted AIDS but fears informing his firm about the disease. The firm's senior partner, Charles Wheeler (Jason Robards), assigns Andrew a case involving their most important client. Andrew begins diligently working on the case, but soon the lesions associated with AIDS are visible on his face. Wheeler abruptly removes Andrew from the case and fires him from the firm. Andrew believes he has been fired because of his illness and plans to fight the firm in court. But because of the firm's reputation, no lawyer in Philadelphia will risk handling his case. In desperation, Andrew hires Joe Miller (Denzel Washington), a black lawyer who advertises on television, mainly handling personal injury cases. Miller dislikes homosexuals but agrees to take the case for the money and exposure. As Miller prepares for the courtroom battle against one of the law firm's key litigators, Belinda Conine (Mary Steenburgen), Miller begins to realize the discrimination practiced against Andrew is no different from the discrimination Miller himself has to battle against. The cast also includes Antonio Banderas as Andrew's partner, Joanne Woodward as Andrew's mother, and Stephanie Roth as Joe's wife. ~ Paul Brenner, All Movie Guide