Robert Ridgely Movies

While set within the milieu of the Los Angeles adult film industry, Boogie Nights is less a film about pornography than the serio-comic story of a group of misfits, losers, and lost souls who are embraced by Jack Horner (Burt Reynolds), a director who makes "adult films, exotic motion pictures." In 1977, while hanging out at a disco, Jack spots Eddie (Mark Wahlberg), the new busboy at the club, and tells him he's convinced "there's something wonderful inside those jeans waiting to get out." Jack knows his business well and his expert eye has not betrayed him; Eddie is a pornographer's dream -- good looking, remarkably endowed, and willing and able to do as many takes as might be needed. The product of a woefully dysfunctional upbringing, Eddie is not terribly bright but is very ambitious and eager to prove he has a "special something" to share with the world. Eddie changes his name to Dirk Diggler and quickly becomes the biggest star in hardcore. Working alongside "Dirk" in Jack's films are Amber Waves (Julianne Moore), a porn actress who applies her misplaced maternal instincts to anyone who needs nurturing; Rollergirl (Heather Graham), a cheerful but blank-faced high school drop-out who never removes her roller skates; Reed Rothchild (John C. Reilly), a none-too-bright actor, aspiring magician, and failing songwriter; Buck (Don Cheadle), a black actor fascinated with cowboy iconography who wants to open a stereo shop; Scotty J (Philip Seymour Hoffman), a stocky and awkward soundman infatuated with Dirk; Little Bill (William H. Macy), Jack's assistant director, who has trouble dealing with his wife's brazen infidelity; and Colonel James (Robert Ridgely), Jack's backer, who has a weakness for young girls. In the brief, late-'70s moment when porn was chic and sex films seemed poised to break into the mainstream, Dirk becomes a star and Jack a respected name. But a few years later, drugs and pride have taken their toll on Dirk and many of his friends, while the advent of the VCR radically changes the adult movie business; Jack goes from being a "filmmaker" to manufacturing and wholesaling videocassettes, a wealthy but emotionally broken man. In his second film, wunderkind director Paul Thomas Anderson juggled a broad range of characters in a manner reminiscent of Robert Altman's ensemble films, making Boogie Nights a sad but funny story of a makeshift family of damaged people and what happens before and after their brief moment in the sun. ~ Mark Deming, Rovi

Caroline and Lloyd (Judy Davis and Kevin Spacey) are a married couple constantly at each other's throats, masters at crafting acid-tongued barbs at the other's expense. Indeed, they are so obsessed with belittling each other that they never stop -- not even at gunpoint. Such is the premise of the acerbic comedy The Ref, which shows what happens when this quarrelsome duo is taken hostage. The gunman is Gus (Denis Leary), a thief on the run from the police, who kidnaps the couple as an insurance policy, planning to use their home as a hideout. But their incessant bickering proves more than Gus bargained for, forcing him -- for the sake of his own sanity -- into the unenviable role of peacemaker. To make things even worse for Gus, he discovers that he has taken the couple hostage the night of their big Christmas party, and the guests are already on the way. Not wanting to leave Lloyd and Caroline unattended, Gus opts to attend the party, pretending to be the couple's marriage counselor. This naturally leads to a series of comic confusions, as the hostage crisis and marital tensions head towards their inevitable conclusion. ~ Judd Blaise, Rovi

Mel Brooks directed and co-wrote this satiric comedy which lampoons a number of cinematic treatments of the legend of Sherwood Forest, including Robin Hood: Prince of Thieves and The Adventures of Robin Hood. Robin Hood (Cary Elwes) comes home after fighting in the Crusades to learn that the noble King Richard (Patrick Stewart) is in exile and that the despotic King John (Richard Lewis) now rules England, with the help of the Sheriff of Rottingham (Roger Rees). Robin Hood assembles a band of fellow patriots to do battle with John and the Sheriff, including Asneeze (Isaac Hayes) and his son Ahchoo (Dave Chappelle), the blind watchman Blinkin (Mark Blankfield), Will Scarlet O'Hara (Matthew Porretta), and Rabbi Tuckman (Brooks). The Sheriff is eager to put Robin Hood out of business with the aid of criminal mastermind Don Giovanni (Dom DeLuise), but Robin soon has an ally in the royal palace when he falls for the lovely Maid Marian (Amy Yasbeck), whose minder Broomhilde (Megan Cavanagh) has uncooperatively outfitted Marian with a chastity belt. The cast also includes Tracy Ullman, Robert Ridgely, and Clive Revill. ~ Mark Deming, Rovi

If a comedy is to be made from the plight of the homeless, who have to scrape through their days returning deposit bottles and cleaning car windshields to get their daily bread as the rich get richer and more heartless, it may as well be Mel Brooks' Life Stinks. The trademark Brooks humor dominates this fable about a ruthless billionaire, Goddard Bolt (Mel Brooks), who wants to obliterate a poor section of Los Angeles and build a high-tech commercial center in its place. His only problem is that he owns only half the land needed for the construction, the other half belonging to equally ruthless billionaire Vance Craswell (Jeffrey Tambor), who has his own ideas for the land. The two try to buy each other out until, finally, a deal is struck: Craswell bets that Bolt cannot survive a month on the streets as a homeless man. If Bolt makes it, he gets the property. If he doesn't, Craswell gets it. Bolt agrees and, as a poor man, he begins to feel the pain of being uprooted and alone, even meeting a friendly homeless woman, Molly (Lesley Ann Warren) with whom he forms an attachment. ~ Paul Brenner, Rovi

This teen comedy from Savage Steve Holland stars Corey Parker as an underachieving high schooler who hatches a crazy plot with valedictorian Lara Flynn Boyle to gain acceptance into a prestigious university. ~ Jason Ankeny, Rovi

In the first episode of a two-part story, McCall (Stepfanie Kramer) and an informant are gunned down during a police investigation of a prostitution ring operating out of RV's on the Los Angeles Freeway. Working on available evidence, Hunter (Fred Dryer) becomes convinced that a notorious pimp named Big Jack Hemmings ordered the hit. As McCall hovers between life and death, Hunter heads to Mexico in search of Big Jack--and it seems a certainty that only one of the two men will come back alive! ~ Hal Erickson, Rovi

A wildly inventive and entertaining comic nightmare from former Roger Corman prodigy Jonathan Demme (The Silence of the Lambs), this screwball odyssey is a ride to remember. Jeff Daniels plays clean-cut New York bond trader Charlie Driggs, who accepts a ride home from a strange but attractive lower-class woman named Lulu (Melanie Griffith). The sexy Louise Brooks lookalike doesn't take him home, but shanghais him for a bizarre roadtrip to Virginia that includes kinky bondage sex, destruction of property, and robbery. Things get stranger when Lulu tells Charlie that her real name is Audrey and takes him home to meet her mother, asking him to pose as her husband. The charade continues until her high-school reunion, where the roadtrip (and the entire film) takes a sharp U-turn into psycho-thriller territory. Audrey's dangerously psychotic ex-con husband, Ray Sinclair (Ray Liotta), shows up. What had been a liberating fling for Charlie turns into a bloody and vicious battle for survival. ~ Robert Firsching, Rovi

This animated version of DeBeaumont's classic fairy tale Beauty and the Beast throws in a dash of Cinderella. The kind, virtuous, generous Beauty lives in a mansion with her five spoiled-rotten sisters. Of her avaricious siblings, only Beauty can adjust when her father loses all his money and they must live in reduced circumstances. And only Beauty has the courage to sacrifice her future to live with the hideous Beast in order to save her father's life. Produced by Ruby-Spears, this half-hour version of Beauty and the Beast originally aired November 25, 1983, on CBS as a "Kenner Family Classics" Thanksgiving special. ~ Hal Erickson, Rovi

This for Remembrance, the autobiography of popular singer Rosemary Clooney (1928-2002), was the source for this made-for-TV biopic. Played herein by Sondra Locke, the Kentucky-born Clooney begins her career as one-half of a musical act with her sister Betty (Penelope Milford), performing at the election rallies of her politician uncle (John Karlen). Achieving radio popularity in Cincinnati, Ohio, Rosemary goes on to enjoy nationwide fame in the 1950s with such hit recordings as "Come On A' My House", "Tenderly" and "Hey There". Though her success in movies is negligible (White Christmas notwithstanding), she makes a huge impact on television, hosting several of her own weekly series. All the while, however, Rosemary's private life is in turmoil, due in great part to a tempestuous marriage to actor-director Jose Ferrer (played by, of all people, Tony Orlando). After the assassination of her great friend Robert Kennedy in 1968, Rosemary suffers a nervous breakdown, and it is many years before she is able to make a triumphant comeback on the concert trail. Rosemary Clooney herself serves as the singing voice of Sondra Locke, and also dubs in the tunes performed by the actress playing sister Betty. Had Rosie: The Rosemary Clooney Story aired on CBS a decade or so after its original telecast on December 18, 1982, mention might have been made of the subsequent success of Clooney's actor son Miguel Ferrer and her TV-star nephew George Clooney; there might even have been a re-enactment of Rosemary's third marriage, capriciously staged at a White Castle restaurant in Cincinnati. ~ Hal Erickson, Rovi

Jonathan Demme's breakthrough movie featured the shaggy energy and affection for marginal American eccentrics that marked his earlier Citizens Band (1977) and such later films as Something Wild (1986) and Married to the Mob (1988). Melvin Dummar (Paul LeMat) is a barely-getting-by Nevada milkman. One day in the early 1970s, while driving down a lonely highway, Melvin picks up a shaggy, bearded bum (Jason Robards Jr.) and offers him a ride into town. Melvin gives the bum a quarter at the end of the ride, and that, so far as Melvin is concerned, is that. The story goes off on a new tangent, involving the on-and-off marriage between Dummar and his contest-happy wife Lynda (Mary Steenburgen). During one of the multitude of financial crises endured by the Dummars, Melvin discovers that the tramp he picked up was none other than billionaire Howard Hughes -- and when Hughes dies, Melvin inherits $150 million. The movie's wide acclaim included Oscars for Steenburgen and Goldman's script and New York Film Critics Awards in almost all major categories, including Best Picture and awards for Demme, Goldman, Steenburgen, and Robards. Demme would gain even greater attention in the 1990s as the director of The Silence of the Lambs (1991) and Philadelphia (1993). ~ Hal Erickson, Rovi

Bob advises both Emily and his patients never to store up their anger, but to "vent" when venting is necessary. Unfortunately, Bob's theory doesn't work too well with Emily at home. Nor is it effective with the garage mechanic who blackens Bob's eye. Also in the cast are voice-over specialist Bob Ridgely as Marvin and Marsha Kramer as the receptionist. Written by Sy Rosen, "Shrinking Violence" was originally telecast on March 12, 1977. ~ Hal Erickson, Rovi

This one was shipped out to various regions as Hootch Country Boys, Hootch County Boys, Redneck Country and The Great Lester Boggs. No matter the title, the audience knew what to expect.Alex Karras plays Lester Boggs, a merry moonshiner who gets his jollies from leading the Law on wild car chases. Dean Jagger costars as one of those "Big Daddy" types, anxious to see Boggs locked up or put away permanently. Careening from adventure to adventures, Boggs finds times to palaver with various buxom backwoods babes. It's not rocket science, but it's fun. ~ Hal Erickson, Rovi

In this follow-up to the 1972 animated hit Fritz the Cat (the first animated feature to receive an X rating), Fritz (voice of Skip Hinnant) is married, out of work, on welfare, and not at all happy. Desperate to blot out the misery of living with his nagging wife (voice of Reva Rose), Fritz smokes as much marijuana as he can afford and finds himself fantasizing about how his life could have been. His Walter Mitty-like adventures find him travelling in outer space, working at the White House, assisting Adolph Hitler, and becoming involved with African-American radicals. Unlike its raunchier predecessor, The Nine Lives of Fritz the Cat only merited an R rating upon initial release. Neither Robert Crumb (the comic artist who created the character) nor Ralph Bakshi (director of the first film) were involved in its production. ~ Mark Deming, Rovi