Allan Arbus Movies

After several years working along the margins of the underground film scene in New York, director Robert Downey broke through to wider recognition with the arthouse hit Putney Swope, a wildly irreverent satire of race and advertising in America. Putney Swope (Arnold Johnson) is the token African-American executive at an otherwise all-white advertising agency when the chairman of the board unexpectedly drops dead. Through a fluke in the chain of command, Swope becomes the new head of the firm, and decides its time to do things his way. He fires nearly all the staff (except for his one token white employee), renames the agency Truth and Soul, Inc., and announces they'll no longer accept accounts advertising tobacco, alcohol, or war toys. The ads they do produce -- for acne remedies and breakfast cereal, among other things -- are wildly successful, and the iconoclastic ad agency (which only accepts payment in cash) is targeted by government operatives as a threat to the national security. Antonio Fargas and Allen Garfield lead the supporting cast; Mel Brooks makes a cameo appearance. ~ Mark Deming, Rovi

This crime-drama follows the exploits of a rock star who is finally freed from prison after being convicted of drug dealing. Though he wants to go straight, he is blackmailed by a crooked cop who forces him to sell marijuana. ~ Sandra Brennan, Rovi

Bette Davis stars in the TV movie Scream, Pretty Peggy. She isn't Peggy, but instead the secretive matriarch of a spooky household. Peggy, played by Sian Barbara Allen, is a goggle-eyed college student hired by Davis as a housekeeper. Ted Bessell plays Davis's son, a crazed sculptor; but no one ever sees Bessell's maniacal sister (where's Anthony Perkins when you need him?). Be assured that pretty Peggy takes up the invitation proposed by the film's title and screams loud and often. ~ Hal Erickson, Rovi

This crime drama is the fourth in Roger Corman's series of sexy "nurseploitation" films. Three curvaceous health care workers in a big city hospital expose a drug ring that is operating from inside the facility. ~ Sandra Brennan, Rovi

Fed up with an escalating crime rate and an increasingly ineffective police force, blue-collar New Yorkers Willie and Cy (Carroll O'Connor and Ernest Borgnine) join a citizen's vigilante group. Their efforts to act as an auxiliary police force are comically inept, but director Ivan Passer lulls us into laughter only to catch us unprepared when he wants to play things in dead seriousness. After finally proving their worth as after-hours cops, Willie and Cy are euphoric; this lasts just long enough for Cy to be killed. Constantly changing its tone and point of view, Law and Disorder struck just the right nihilistic note in the 1970s. Modern viewers may not be quite as responsive, though many will cheer Willie's final act of defiance against the Big Apple. ~ Hal Erickson, Rovi

W.C. Fields and Me is the film version of the Fields biography written by the comedian's former mistress Carlotta Monti. W. C. Fields was a great comedian in vaudeville and early talking films, who was noted for his ability to say the most hilariously cutting and mean things in a cheery, bright tone of voice. He had amazing skills in the manipulation of objects, from pieces of paper to crooked cue sticks. Rod Steiger plays Fields, while Valerie Perrine portrays Ms. Monti. Jack Cassidy is also on hand as Fields' close friend and drinking crony John Barrymore. The film is not above sacrificing facts for a good story, notably in its recreation of Fields' celebrated "dentist" routine which. W. C. Fields and Me depicts the great juggler/comedian as a straightforwardly mean-spirited man, whereas he is generally believed to have been more complex than that. ~ Hal Erickson, Rovi

The focus is on psychiatrist Sidney Freedman (Allan Arbus) in this whimsical episode. Hoping to find an island of sanity during the Korean Conflict, the depressed Dr. Freedman settles for a few days surrounded by the merry insanity of the 4077th. In a letter to his "mentor" Sigmund Freud (one suspects that this missive won't be answered), Sidney describes a typical vacation amongst the M*A*S*H loonies, culminating on yet another practical joke perpetrated against the insufferable Frank Burns (Larry Linville). ~ Hal Erickson, Rovi

It just might be that Hawkeye (Alan Alda) is cracking under the strain of the war. For several nights, Hawkeye has been robbed of slumber by a series of horrifying nightmares and a few spells of treacherous sleepwalking. It is up to the 4077's favorite funky psychiatrist, Dr. Sidney Freedman (Allan Arbus), to solve Hawkeye's current crisis. ~ Hal Erickson, Rovi

Raid on Entebbe constitutes one of two all-star made-for-TV reenactments of the Entebbe rescue of July 4, 1976. On June 27, 1976, a jet carrying an international mix of passengers is hijacked by pro-Palestinian revolutionaries. The plane lands in Entebbe, Uganda, where President-for-life Idi Amin (Yaphet Kotto) struts about feigning concern, though his sympathy toward the hijackers is obvious. Many of the passengers are released, but 103 Israelis are kept in custody, and it becomes apparent that the revolutionaries plan to use these unfortunates as a bargaining chip for the release of imprisoned terrorists throughout the world. With virtually no other option, the Israeli government gives the go-ahead for Operation Thunderbolt, a commando raid on the Entebbe airport. The cast includes Charles Bronson as General Shomron, Jack Warden as Mordecai Gur, Sylvia Sidney as ill-fated passenger Dora Bloch, and, as Prime Minister Rabin, Peter Finch, whose performance (his last) won him an Emmy nomination. Raid on Entebbe first aired on January 9, 1977. ~ Hal Erickson, Rovi

Satan's son comes of age in this horror sequel. Shortly after the events of The Omen, a pair of anthropologists uncovers an ancient crypt that depicts the face of the Antichrist -- that of Damien Thorn (Jonathan Scott-Taylor), recently orphaned scion of a wealthy industrialist. Before they can warn the world of the child's evil lineage, both men are buried under tons of rubble. Seven years later, 13-year-old Damien attends military school alongside his cousin, Mark (Lucas Donat), and spends lots of time with his adoptive parents, Uncle Richard (William Holden) and Aunt Ann (Lee Grant). After the boy's Great Aunt Marion (Sylvia Sidney) tries to convince the Thorns that Damien is a malevolent influence on Mark, she dies suddenly, and, unbeknownst to the family, horrifically. Ravens, it seems, are the harbingers of Damien's power, and in addition to Aunt Marion, they visit a long procession of characters who get too close to Damien's true identity. The most horrible death is suffered by Joan Hart (Elizabeth Shepherd), an investigative reporter who's digging into the boy's life; she gets flattened by a truck after having her eyes devoured by those menacing birds. Meanwhile, executive Paul Buher (Robert Foxworth) climbs the corporate ladder at Thorn Industries and takes young Damien under his devil-worshiping wings. Sgt. Neff (Lance Henriksen), one of the boy's instructors, also helps initiate Damien. As the pile of bodies gets bigger -- and closer -- Uncle Richard begins to suspect the truth, and, like his brother before him, plot the death of Damien. The existence of another sequel, 1981's The Final Conflict, gives a good indication of the outcome. Although Damien: Omen II is his only Hollywood feature credit, Scott-Taylor appeared frequently in the theater and on television; he once even portrayed Damien's arch-nemesis, Jesus, on-stage. ~ Brian J. Dillard, Rovi

A cowboy-turned-huckster unexpectedly finds love as he tries to regain his self-respect in this romantic comedy drama. Sonny Steele (Robert Redford) is a one-time rodeo star whose career as a cowboy has ground to a halt. He makes a good living as a spokesman for Ranch Breakfast, a sugar-coated cereal for kids, but he's lost most of his self-respect in the process; his boss, corporate mogul Hunt Sears (John Saxon), considers him a property rather than a human being, and Sonny has developed a serious problem with alcohol. Sears' cereal company is negotiating a highly profitable merger with another firm and brings Sonny to Las Vegas for a publicity stunt, in which Sonny, wearing a garish cowboy outfit complete with blinking lights, will ride on-stage at Caesar's Palace aboard prize-winning thoroughbred stallion Rising Star. When Sonny discovers Sears' men have drugged the horse so that it will be able to walk on an injured leg, he's appalled, and he rides Rising Star off the stage at Caesar's and into the Nevada desert, looking for grazing land where he and the horse can heal their wounds. Sears is shocked to discover that Sonny has run off with a 12 million dollars, and he realizes that Sonny knows enough to make his firm look very bad in the press, potentially scotching the merger. Sears files charges against Sonny and posts a reward for Rising Star's safe return, though he implies that it wouldn't bother him if Sonny died in the rescue attempt. Hallie Martin (Jane Fonda), a television journalist covering Sonny's Vegas appearance, is convinced that something is fishy and manages to catch up with him in the desert; as Hallie tries to get Sonny to tell her his story, the has-been cowboy and the city-girl reporter fall in love. The Electric Horseman also stars Valerie Perrine and Willie Nelson; the country & western star made his screen debut in this film and has a very memorable line about tequila and trailer hitches. ~ Mark Deming, Rovi

In the future (the distant year of 1997), the United States of America is in crisis. The oil shortage has grown to epic proportions, leading to people living in their cars and bicycling to work. Cigarettes and meat have been outlawed, gold coins are needed to operate common household appliances, and the Western White House (located in a luxury apartment in California) has been forced by economic necessity to operate round-the-clock tours for vacationing Chinese citizens. The economy is deep trouble; President Chet Roosevelt (John Ritter) has borrowed four billion dollars from Native American tennis shoe manufacturer Sam Birdwater (Chief Dan George), and he's foreclosing on the loan. When a media expert, Eric McMerkhin (Peter Riegert), is summoned for advice (since despite all hardships, Americans refuse to give up their televisions), he suggests a telethon. It's a great idea, except the President's assistant Vincent Vanderhoff (Fred Willard) is in cahoots with the United Heb-Rab Republic, a sinister coalition of Israeli and Arab nationals who want to snap up America if the debt can't be paid. He ensures that the show is stocked with endless ventriloquists and insists on Monty Rushmore (Harvey Korman), a washed-up, drug-addicted television personality as host. The star of the popular sitcom "Both Mother and Father," he is sure to self-destruct over the grueling 30-day-and-night telethon schedule. Despite terrorist attacks and the kidnapping of President Roosevelt, the patriotic spirit prevails and American citizens dig deep and pledge their gold to the cause. This outrageous farce (based on a play by Firesign Theatre alumni Philip Proctor and Peter Bergman) features cameos from Elvis Costello, Jay Leno, Meat Loaf and the Del Rubio Triplets, and is narrated by George Carlin. The Beach Boys, Eddie Money, and Nick Lowe contribute to the musical soundtrack. ~ Fred Beldin, Rovi