Bruce Edwards Movies

Bedlam is one of the costlier psychological-horror efforts from RKO producer Val (Curse of the Cat People) Lewton. Boris Karloff stars as the supervisor of the notorious 18th century British insane asylum St. Mary's of Bethlehem, better known as "Bedlam." Anna Lee, who co-stars as the feisty mistress of a fatuous government official, is appalled by the miserable treatment afforded the Bedlam inmates and insists that reforms be initiated. The crafty, politically connected Karloff responds by having Lee herself incarcerated in the institution: she is a "willful woman", and therefore must be insane. With the help of a few of the more rational patients, Lee stages a mutiny, capturing Karloff and giving him a mock trial. Though they don't truly intend to harm Karloff, he is seriously injured by one of his tormented patients. Assuming that Karloff is dead, the other inmates wall up his body in the cellar--and as the last brick is put in place, we see Karloff's eyes suddenly open! Though it has it moments of genuine terror, Bedlam is as historically accurate as possible, right down to the archaic dialogue passages. For the most part, the film is an indictment against political corruption, with Karloff (in a terrific, multi-faceted performance) alternately bullying and wheedling to save his own behind. Val Lewton (writing under the pseudonym Carlos Keith) based his film on one of the illustrations in Hogarth's "The Rake's Progress," glimpses of which are seen throughout the film as transitional devices. ~ Hal Erickson, Rovi

With famed journalist Drew Pearson appearing in the film's prologue and epilogue, it was easy in 1945 to confuse Betrayal from the East with Real Life. Lee Tracy is once again cast as a seemingly disreputable type with a heart of gold, in this case an expatriate ex-GI named Eddie. Believing that he'd be willing to sell out his country, a Japanese spy ring approach Eddie and ask him to get his hands on secret American war plans. But Eddie is still a true-blue Son of Uncle Sam; at the behest of Army Intelligence, Eddie agrees to play counterspy, using dictaphones, phony messages and other such devices to pull the wool over the enemy's eyes. The results aren't very pretty for either Eddie or his fellow counterspy Peggy (Nancy Kelly), though the audience can take some comfort in the fact that their sacrifice was for the good of Democracy. Fairly slow going during most of its 82 minutes, Betrayal From the East comes to a startling conclusion as Peggy suffers mightily at the hands of her Japanese captors. ~ Hal Erickson, Rovi

As was his custom, director Andrew L. Stone filmed most of Confidence Girl away from the studio on actual locations. The title character, Mary Webb (Hillary Brooke), is in league with sharpster Roger Kingsley (Tom Conway). The pair's latest scam is to pose as a clairvoyant and a detective while trimming their unwitting victims. After making a tidy profit, however, Mary has a change of heart. But Roger knows when he's got a good thing going, and he'll do anything--anything--to keep Mary from turning herself in and spilling the beans. The huge supporting cast of Confidence Girl includes such ever-reliables as Jack Kruschen, John Gallaudet, Walter Kingsford, Tyler McVey, Paul Guilfoyle, Edmund Cobb, Roy Engel and Duke York. Andrew Stone's wife Virginia handled the editing duties. ~ Hal Erickson, Rovi

Dick Tracy, Detective (originally just Dick Tracy) was the first of four RKO Radio B-pictures based on Chester Gould's classic comic strip. Though Ralph Byrd is most closely associated with the role of Tracy, the title character is played herein by Morgan Conway (Byrd would be seen as Tracy in the last two series entries). The jut-jawed detective takes on a vicious criminal named Splitface (Mike Mazurki), who upon escaping from jail vows to murder the jurors who found him guilty and their alternates. He manages to knock off three before the police force figures out what's happening. Galvanized into action, Dick Tracy and his partner Pat Patton (Lyle Latell) track Splitface to a deserted riverboat (a leftover set from the 1945 RKO feature Man Alive) where the villain is holding Tracy's girlfriend Tess Truehart (Anne Jeffreys) and adopted son Junior (Mickey Kuhn) captive. When asked about Dick Tracy Detective in 1990, Anne Jeffreys flatly denied she'd ever played Tess Trueheart until she caught up with the film on videotape. She'd completely forgotten the whole experience. ~ Hal Erickson, Rovi

This WW II drama is the first to deal with the fateful atomic bomb attack on Japan. Originally, the film centered on the acquisition of a new kind of gun, but as it was in production during the time the Bomb was dropped, the producers were quick to change the story to suit the times. It tells the story of a straight-arrow American pilot who was raised in Japan and is asked to return there to get a captured scientist to garner valuable information about the A-bomb. The pilot, Major Ross, realizes that he will not survive the mission, but as he has just lost his lover, he cares little for life. Before he goes, his face is surgically altered so he looks Japanese and he then infiltrates the camp where the scientist is being held. There he finds his girl friend, an army nurse, who has also been captured. Unfortunately, she has fallen in love with a fellow inmate. The determined Major Ross remains focused and completes his mission, but not before encountering considerable danger at the hands of enemy officers. The end of the film features actual newsreel footage of nuclear bombings from Pathe. ~ Sandra Brennan, Rovi

In this drama, set at a WW II munitions plant, the lives of five workers are chronicled. Their stories are told via flashback. Though they all ride together to work everyday, and they think they know each other very well, the stories they tell show them otherwise. The group of workers is made up of: a fighter for the French underground who came to America to help her countrymen back home; a race-car driver who, while racing, sustained serious injuries that rendered him unfit for military service; a disillusioned "Miss America"; a prison warden who was ordered to execute his own brother; and a hobo who decided to do something to help his country. ~ Sandra Brennan, Rovi

Olivia De Havilland hadn't wanted to star in RKO's Government Girl, but was forced to do so by her home studio Warner Bros. Perhaps in retaliation, De Havilland delivers a strident, overbaked performance, which serves only to make this so-so wartime comedy something of an endurance test for modern viewers. The actress plays "Smokey", the Washington DC-based secretary of Detroit automobile expert Browne (Sonny Tufts, who's actually pretty good in this one!) Aware that Browne is a babe in the woods so far as Washington lobbying, politicking and backstabbing are concerned, Smokey takes the poor boy by the hand and shows him the ropes. Despite the derivative nature of Adela Rogers St. John's screenplay-the film seems like a hybrid of Mr. Smith Goes to Washington and The More the Merrier--Government Girl was an enormous hit, posting a profit of $700,000. The film represents the film directorial debut of producer-screenwriter Dudley Nichols. ~ Hal Erickson, Rovi

The case against a big-time racketeer may be dismissed because of a hung jury. Ironside (Raymond Burr) suspects that one of the jury members has been bribed to be the sole "holdout." With only 24 hours at his disposal, the Chief must find out which of the 12 jurors has been bought off--a difficult assignment in that the jury has been sequestered and is beyond his reach. This episode boasts a particularly strong supporting cast, including veteran Hollywood leading lady Marsha Hunt as a no-nonsense judge. ~ Hal Erickson, Rovi

In this B- romance, an innocent young man endeavors to find his fortune in the Big Apple and ends up finding a dog instead. Fortunately, the furry fellow belongs to a successful businessman's daughter who convinces her daddy into giving the newcomer a job. When the earnest young man discovers errors in company files, he tells the boss, gets a promotion and a fiancee-- the boss's daughter, of course. ~ Sandra Brennan, Rovi

In this adventure the young lively daughter of wealthy Virginia parents bridles under the stern tutelage of her new English nanny who insists she forego her tomboy ways and act like a perfectly lady. This nanny runs the household with an iron hand and the little girl is terribly unhappy until she finds a lost German shepherd. While following the wanderer, the girl tumbles into a well. The dog gets help. The girl names him "Wolf" and is delighted to have a new best friend. Naturally, the nanny is terribly upset because the dog is terribly disruptive. One day, the nanny finds out that Wolf is an AWOL Army dog and sees that he is returned. Brokenhearted, the girl runs away to Washington, DC to have a private audience with the secretary of war. Tearfully she tells how her parents neglect her and how lonely she is without wolf. The secretary is moved but explains that Wolf has a more patriotic role to play. The girl understands and returns home filled with pride for Wolf. Things get better at home when her relieved parents fire the hated nanny and start spending more time with her. As an added bonus, the secretary sends the girl a brand new puppy that looks just like wolf. ~ Sandra Brennan, Rovi

Plot number 6259A -- mistaken identity -- is trotted out for the Republic sagebrusher Powder River Rustlers. Allan "Rocky" Lane stars as a wandering cavalier who stumbles across a scheme to defraud an entire village. A stranger has arrived in town, claiming to be a railroad agent who has been assigned to collect $50,000 to finance a new train line. Lane knows that the stranger is a fraud, but he bides his time, hoping to capture the stranger's boss and to rescue the real agent. That Powder River Rustlers will contain a plenitude of action is tipped off by the fact that several smaller roles are filled by well-known Hollywood stunt doubles. ~ Hal Erickson, Rovi