Patrick M. Wright Movies

In this blend of fantasy and romantic comedy, a man isn't sure if he's stuck between past and present or if his imagination is simply working overtime. Edward (Jon Voight) is a prince in Medieval Europe, where his greatest rival is his brother Roni (Armand Assante). Roni wants to declare war on neighboring kingdoms, while Edward believes in keeping the peace, and both are in love with a beautiful gypsy named Dahlin (Eileen Davidson); only the frequent intervention of their father, the King (Wilford Brimley), keeps the two from killing each other. Or at least that's how it seems until Edward wakes up. It seems that his name is really James, he's the host of a talk show in Los Angeles, and he keeps having a recurring dream in which he and his co-workers are characters in a tale of knights in shining armor. Eric, his boss, looks just like the King, and Roni is a dead ringer for Sean, a high-powered businessman who is organizing a hostile takeover of James' company. However, things really start to get interesting for James when he meets Valerie, who is directing a television commercial at James' studio. She bears a striking resemblance to Dahlin the gypsy girl, and James can't help but tell her that she's the girl of his dreams. But are they really dreams, or memories of a past life? Eternity was Jon Voight's first film in three years; he also co-wrote the screenplay with director Steven Paul and Dorothy Koster Paul. ~ Mark Deming, All Movie Guide

This uneven attempt at horror parody, direced by Norman Thaddeus Vane, gets off to a fairly promising start with a fun performance from Ferdinand Mayne (the imposing lead vampire in Roman Polanski's Fearless Vampire Killers) as the impossibly flamboyant horror superstar Conrad Radzoff -- whose idea of a memorable promotional stunt for his latest film involves the murder of its director. Though this proves a hard act to follow, Radzoff manages to do so by kicking the bucket himself. Then enter the annoying young members of a horror-film society who decide to steal Radzoff's corpse to use as a macabre centerpiece at their next hootenanny. Big mistake. Mrs. Radzoff is none too pleased and consults a spirit medium to reanimate her husband's body and avenge the desecration of his crypt. Sadly, what began as a clever comic nod to horror films of yore (and their die-hard fans in particular) collapses completely into routine slasher formula as Radzoff floats his coffin around the house in pursuit of his enemies, dispatching them in outrageously gory ways. Distributors released a title on video, shortly after the run of this film, entitled 'Frightmare II.' It was in fact a 1974 Pete Walker film all but unrelated to this one and erroneously advertised as the sequel to Vane's film. ~ Cavett Binion, All Movie Guide

The cheerleading team at Aloha High are popular with their fellow students (except for a couple of stuck-up rich girls), but they're a major cause of the school's lecherous reputation for underage sex and drug abuse. The fun-loving gals spike the lunchroom spaghetti sauce with a concoction of pot, pills, and powders, hold wild orgies in the boys' locker room, and never bother to attend their classes. The school board considers a merger with Aloha's biggest rivals, the vocational school Lincoln High, but the cheerleaders refuse to mix with the low-class juvenile delinquents that go there. A new principal, ex-Marine Hall Walker (Norman Thomas Marshall), might whip the school into shape, but it'll mean forcing the cheerleaders out of the squad and back into the classroom. Though the girls prove their importance to Aloha spirit at the crucial moment of a big basketball game, it turns out that more sinister forces are at work when the school is blown up and the principal is kidnapped. It's up to the cheerleaders to save the day and unravel a conspiracy to steal Aloha High's land for a shopping mall. Carl Ballantine, David Hasselhoff, and genre vet Rainbeaux Smith appear in this energetic sex comedy. ~ Fred Beldin, All Movie Guide