Richard Edson Movies

This preposterous thriller stars Tom Berenger (Platoon) as Ernie Dewalt, a drug-addicted ex-cop with a catheter, and that isn't the worst of it. Ernie teaches creative writing at a small college where prominent professor Alex Laughton (Stephen Lang) has been blown apart with a shotgun while groping the frequently nude Jeri Kari Wuhrer in a car on Lover's Lane. Laughton's widow, Elizabeth (Valeria Golino) drags the reluctant Ernie out of retirement to clear her name, as she is the prime suspect. When he's not mainlining drugs or trading japes with investigating detective Robert Davi, Ernie is haunted by visions of Jeri, taunting him about his incompetence. It's not really Jeri, of course, and may even be the spirit of his former alcoholism, but the plot is so muddled that it's hard to tell. Ernie has a vision of himself snapping nude photos of Jeri and Laughton having sex in a field; Elizabeth is loudly whispered about in the local supermarket; and the ridiculous resolution will please no one. Bad film buffs should get a kick out of Ernie weeping to Elizabeth about his catheter, but other viewers should avoid this jaw-dropping stupidity at all costs. ~ Robert Firsching, All Movie Guide

This made-for-cable remake of the cult favorite 1957 film of the same name is updated with an even more feminist slant and has a more thoughtful (and clever) script. Nancy Archer (Darryl Hannah) is a rich but troubled young woman married to a cheating lowlife who only stays with her for her money. She is driving home by herself one night when an alien spaceship lands on the road. She is irradiated by the ship and over the next few days starts to grow taller and taller, until she reaches a height of 50 feet. She uses her newfound height (and power) to take revenge on those who have wronged her -- especially husband Harry (Daniel Baldwin) and the trashy, gold-digging bimbo (Christi Conaway) he has taken up with. ~ Brian Gusse, All Movie Guide

The city streets explode into violence when "The Man" kills Black Dynamite's (Michael Jai White) brother in this seamless recreation of the blaxploitation classics of the 1970s. He was the best agent that the CIA ever had, but these days Black Dynamite only answers to one boss -- himself. When "The Man" ices Black Dynamite's brother, starts pumping heroin into the local orphanage, and floods the ghetto with a secret weapon disguised as common malt liquor, the car chases, gunfights, and shirtless brawls that follow prove wild enough to make even Dolemite green with envy. ~ Jason Buchanan, All Movie Guide

For a teenaged boy, the desert location his father has situated their mobile home in has lost its charms, and Scooter (Joe Toppe) is bored out of his mind. Things liven up when his aunt Edna (Sandi Stutz) shows up out of the blue, bringing along Laura (miela Richer-Hart), his younger sister, whom he has never met. The two kids become friends and almost succumb to an unnatural temptation before the girl returns to her home. ~ Clarke Fountain, All Movie Guide

In this coming-of-age drama, three recent high school graduates from Detroit must make a difficult choice when they are offered a fortune to smuggle hashish from Canada into the US. As they are quickly going nowhere in their grimy suburban town, the three buddies are sorely tempted. Each of them undergoes a major change in their personal lives and they are left with the feeling of having nothing left to lose. Unfortunately, their lark across the border becomes deadly serious when they meet the dealer at an isolated farm and realize that he wants them to smuggle heroin, not hash. ~ Sandra Brennan, All Movie Guide

A petite New Jersey housewife finds self-fulfillment through amnesia in this new wave comedy of errors set in New York's hip '80s downtown scene. Rosanna Arquette stars as Roberta, who turns to the personals for vicarious thrills after her four-year marriage to staid hot tub salesman Gary (Mark Blum) grows stale. Her favorite classified ads trace the romance of Jim (Robert Joy), a struggling musician, and Susan (Madonna), a SoHo vamp who's just narrowly escaped being murdered alongside one of her other boyfriends -- a gangster who recently stole some Egyptian jewelry. Through a series of complicated missteps, Roberta ends up losing her memory and convincing both herself and a broodingly handsome young man named Dez (Aiden Quinn) that she's the elusive, adventurous Susan. Soon, Roberta finds herself being romanced by Dez and pursued separately by her husband, Jim, Susan, and by a murderous mobster who's looking for the stolen jewels. For her second feature outing, which was partially inspired by Jacques Rivette's Celine and Julie Go Boating, director Susan Seidelman filled her cast with hipster extras, downtown personalities, and New York thespians. Notable faces include comedian Steven Wright; future indie mainstay John Turturro; future TV stars Michael Badalucco and Laurie Metcalf; punk singer Richard Hell, who also starred in Seidelman's Smithereens; and performance artist Ann Magnunson, who would star in the director's Making Mr. Right. The big dance-club sequence was filmed at Danceteria, the disco that helped launch Madonna's career. The scene, and the film, helped propel "Into the Groove," one of the singer's all-time club classics, into the charts even though it was actually a b-side to the single "Angel." ~ Brian J. Dillard, All Movie Guide

Director Spike Lee dives head-first into a maelstrom of racial and social ills, using as his springboard the hottest day of the year on one block in Brooklyn, NY. Three businesses dominate the block: a storefront radio station, where a smooth-talkin' deejay (Samuel L. Jackson) spins the platters that matter; a convenience store owned by a Korean couple; and Sal's Famous Pizzeria, the only white-operated business in the neighborhood. Sal (Danny Aiello) serves up slices with his two sons, genial Vito (Richard Edson) and angry, racist Pino (John Turturro). Sal has one black employee, Mookie (Spike Lee), who wants to "get paid" but lacks ambition. His sister Jade (Joie Lee, Spike's sister), who has a greater sense of purpose and a "real" job, wants Mookie to start dealing with his responsibilities, most notably his son with girlfriend Tina (Rosie Perez). Two of Mookie's best friends are Radio Raheem (Bill Nunn), a monolith of a man who rarely speaks, preferring to blast Public Enemy's rap song Fight The Power on his massive boom box; and Buggin' Out (Giancarlo Esposito), nicknamed for his coke-bottle glasses and habit of losing his cool. When Buggin' Out notes that Sal's "Wall of Fame," a photo gallery of famous Italian-Americans, includes no people of color, he eventually demands a neighborhood boycott, on a day when tensions are already running high, that incurs tragic consequences. ~ Mark Deming, All Movie Guide

Writer/director John Sayles' dramatization of the most infamous episode in professional sports -- the fix of the 1919 World Series -- is considered by many to be among his best films and arguably the best baseball movie ever made. This adaptation of Eliot Asinof's definitive study of the scandal shows how athletes of another era were a different breed from the well-paid stars of later years. The Chicago White Sox owner, Charlie Comiskey (Clifton James), is portrayed as a skinflint with little inclination to reward his team for their spectacular season. When a gambling syndicate led by Arnold Rothstein (Michael Lerner) gets wind of the players' discontent, it offers a select group of stars -- including pitcher Eddie Cicotte (Sayles regular David Strathairn), infielder Buck Weaver (John Cusack), and outfielder "Shoeless" Joe Jackson (D. B. Sweeney) -- more money to play badly than they would have earned to try to win the Series against the Cincinnati Reds. Sayles cast the story with actors who look and perform like real jocks, and added a colorful supporting cast that includes Studs Terkel as reporter Hugh Fullerton and Sayles himself as Ring Lardner. ~ Tom Wiener, All Movie Guide

The film begins in 1965, when disc jockey Adrian Cronauer (Robin Williams) is assigned to take over the AFR's Saigon radio broadcasts. In contrast to the dull, by-rote announcers that have preceded him, Cronauer is a bundle of dynamite, heralding each broadcast with a loud "Goooooood morning, Vietnaaaaam," playing whatever records tickle his fancy (even those not officially sanctioned by his hidebound superiors), and indulging in wild flights of improvisational fancy. Cronauer's immediate superior Lt. Hauk (Bruno Kirby), whose own notions of humor are puerile and pathetic, jealously attempts to dethrone Vietnam's favorite rock jock. Fortunately, Cronauer's popularity is such that he enjoys the full protection of the higher-ups. But when Cronauer, after experiencing the horrors of war first-hand, insists upon telling his listeners the truth instead of the official government line, he is instantly replaced by the unfunny Hauk and must struggle to get back on the air. ~ Hal Erickson, All Movie Guide

Filmmaker David Scott Hay answers the New Visions Fellowship challenge to make the most out of a small budget, a single location, and no special effects with this inventive and twisting tale of three amiable misfit diner employees whose quest to gain footing over one and other in eventually thwarted by their own ineptitude. Alice's Diner is celebrating its twenty-fifth anniversary, and though all appears well on the surface, unspoken tensions soon boil to the surface when the owner of the restaurant meets a grim fate at the celebratory shindig. Benno is an ex-con and part-time lover to the owner who served as second-in-command to the watchful Alice. Though juvenile delinquent Scotty initially entered the restaurant with the intentions of cleaning out the cash register, he later walked out as Benno's assistant when the sympathetic owner took pity on him. Lastly, Joe makes the deliveries for the diner while struggling through a bad marriage and awaiting the moment to make his big move. When the party takes a turn for the worse and the diner proves in need of a new owner, these three hapless souls will enter into what would be a cutthroat competition for ownership if only their figurative knives weren't so dull. ~ Jason Buchanan, All Movie Guide

In this sci-fi comedy from executive producer George Lucas, Howard the Duck is an extra-terrestrial fowl who is accidentally beamed to earth by physicist Dr. Jenning (Jeffrey Jones) and his assistant Phil (Tim Robbins). The two go looking for Howard and find him in the home of Beverly Switzer (Lea Thompson), who was rescued by the interstellar duck from some mean-looking thugs. Beverly and Phil are friends, and when the government finds out about Howard, she helps Phil and Dr. Jenning hide him from the authorities until they can zap him back home. In the meantime, several wild chases and spectacular special effects keep the picture rolling along. ~ Eleanor Mannikka, All Movie Guide

In this independent melodrama, Mack's upcoming marriage to Katie is jeopardized when he goes too far with his estranged friend's girlfriend after his bachelor party concludes. ~ Sandra Brennan, All Movie Guide