Richard Edson Movies

Although Jim Jarmusch made his directorial debut with Permanent Vacation (1982), Stranger than Paradise (1984) marked his breakthrough as a major American filmmaker. One of the most deadpan comedies ever committed to film, Stranger than Paradise suggests a Buster Keaton film written by Samuel Beckett and Jack Kerouac and directed by Andy Warhol. Willie (John Lurie) is a small-time gambler whose distant cousin Eva (Eszter Balint) is moving to America from Eastern Europe and informs him that she'll need to stay with him for ten days. Willie isn't happy to have Eva around, but after Willie introduces her to the joys of American cigarettes and TV dinners ("You got your meat, you got your potatoes, you got your vegetables, you got your dessert and you don't have to wash the dishes -- this is how we eat in America!"), Eva steals a frozen meal and a pack of smokes from the corner store, and Willie is both surprised and impressed. His buddy Eddie (Richard Edson) happens by, and they hang out with Eva just long enough to develop a fondness for her before she moves on to Ohio, where she'll live with her Aunt Lottie (Cecillia Stark). Months later, Willie and Eddie score $600 in a poker game and decide to visit Eva in Ohio. However, it's the dead of winter, and they have nothing to do except look at the frozen surface of the lake. The three eventually head down to the tacky paradise of Miami, where Willie and Eddie try their luck with the ponies and Eva decides what to do next. Stranger than Paradise is a film that defines the notion, "It's not what you say, but how you say it." Shot in long, static takes, its style is minimalism itself, but the post-beatnik cool of John Lurie, Richard Edson and Eszter Balint somehow betrays the fact that they care about each other, and a loopy charm and subtle but potent humor seeps through the film's stark black-and-white images. Stranger than Paradise began as a short subject which was made possible by German director Wim Wenders, who gave Jarmusch a supply of film stock left over from one of his projects, and it went on to become one of the most influential movies of the 1980s, casting a wide shadow over the new generation of independent American filmmakers to come. ~ Mark Deming, All Movie Guide

Teenaged Ferris Bueller (Matthew Broderick) is a legend in his own time thanks to his uncanny skill at cutting classes and getting away with it. Intending to make one last grand duck-out before graduation, Ferris calls in sick, "borrows" a Ferrari, and embarks on a one-day bacchanal through the streets of Chicago. Dogging Ferris' trail at every turn is high-school principal Rooney (Jeffrey Jones), determined to catch Bueller in the act of class-cutting. Writer/director John Hughes once again tries to wed satire, slapstick, and social commentary, as Ferris Bueller's Day Off starts like a house afire and goes on to make "serious" points about status-seeking and casual parental cruelties. It brightens up considerably in the last few moments, when Ferris' tattletale sister (Jennifer Grey) decides to align herself with her merry prankster sibling. A huge moneymaker, Ferris Bueller's Day Off eventually spawned a TV sitcom. ~ Hal Erickson, All Movie Guide

Oliver Stone's breakthrough as a director, Platoon is a brutally realistic look at a young soldier's tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late '60s. He's shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks "in country," Taylor begins to see the naïveté of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood's first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films. ~ Mark Deming, All Movie Guide

Alex Cox directed this hallucinatory bio-pic starring Ed Harris as 19th-century American adventurer William Walker, who abandoned a series of careers in law, politics, journalism, and medicine to become a soldier of fortune and eventually a Nicaraguan dictator. When his deaf wife (Marlee Matlin) dies of cholera (but not before she utilizes sign language to tell Walker "To Hell with Manifest Destiny"), Walker is backed by multi-millionaire banker Cornelius Vanderbilt (Peter Boyle) to lead a band of mercenaries to Nicaragua in 1855 to make the country safe for Vanderbilt's steamships. When Walker subdues the Nicaraguan opposition, he sets himself up as president and rules the country with unfeeling repression. Finally the Nicaraguans rise up against him, figuring out that "the mad gringo is ripping us off." ~ Paul Brenner, All Movie Guide

Rappers Run-DMC star in this low-budget exploitation crime drama. After the trio signs with a production company for a concert tour, their roadie Runny Ray (Raymond White) is killed after he witnesses a drug-related murder. The trio investigate their friend's death and delight in the violent vanquishing of a group of white racists. Concert footage of Run-DMC, Slick Rick, Junkyard Band, The Beastie Boys and other groups is also included. ~ Dan Pavlides, All Movie Guide

Joe Pytka's comedy stars Richard Dreyfuss as Trotter, a cab driver who gets a hot tip on a horse race and soon finds himself on the gambling hot streak of his life. ~ Jason Ankeny, All Movie Guide

Cynical Philadelphia lawyer-turned-p.i. Jamey Sheridan aims his investigatory skills at an international smuggling ring. Sheridan wants to know who's supplying the weapons that are leaving the country, and who's supplying the drugs that are rolling in. The deeper he digs, the dirtier it gets; Sheridan unearths unholy alliances among idealistic freedom fighters, Central American drug lords, and corrupt American officials. Shannon's Deal was written by John Sayles, directed by Lewis (Jewel of the Nile) Teague, and scored by musical wizard Wynton Marsalis. Those concerned about Jamey Sheridan's wellbeing in this film should be advised that there was no way he'd turn up dead: Shannon's Deal was the pilot for an unsold TV series. ~ Hal Erickson, All Movie Guide

Produced for theatrical released by PBS' American Playhouse, Bloodhounds of Broadway is not exactly a remake of the 1952 film of the same name, though both pictures use the same Damon Runyon stories as inspiration. The scene is Broadway: the time is New Year's Eve, 1928. Madonna plays small town girl-turned-hoofer Hortense Hathaway, who loves gambler Feet Samuels (Randy Quaid) more than somewhat. Since it is known far and wide that Feet has not a penny to his name, he must find some way to pay off his debts in a hurry. So he offers to sell his huge feet to a demented-an operation which will, alas, cost Feet the use of his life. Upon waking up to the fact that Hortense loves him, Feet decides that he prefers breathing to pushing up daisies. Meanwhile, a society doll named Harriet MacKyle (Julie Hagerty) turns on the spigots when her pet parrot is laid low by a clumsy gunman. And while all this is transpiring, high-roller Regret (Matt Dillon) has to beat a murder rap. Even while Regret is sweating it out, "The Brain" (Rutger Hauer), who is bleeding profusely after confronting the business end of a shiv, searches high and low for someone willing to donate blood to save his life. If you can, keep an eye out for author William Burroughs as a butler. Bloodhounds of Broadway was the first non-documentary effort of filmmaker Howard Brookner-and the last, since he died before the film was released. To gloss over the film's plot holes, the distributors added a Winchell-like narrator to the proceedings, courtesy of actor Joseph Sommer. ~ Hal Erickson, All Movie Guide

Spike Lee defines "jungle fever" as sexual attraction between members of two races. In his film Jungle Fever, he examines the repercussions of an interracial affair upon two very distinct communities. Wesley Snipes is Flipper, a happily married and successful architect, and Annabella Sciorra is Angie, an office temp. When she starts working in Flipper's Manhattan office, one day they look at each other and are soon having sex over a blueprint-strewn desk. Their liaison causes an explosion on both homefronts. Flipper's family consists of his father Doctor Purify (Ossie Davis), a former preacher; his mother Lucinda (Ruby Dee); his violent, crackhead brother Gator (Samuel L. Jackson); and his wife Drew (Lonette McKee), whom he loves, despite his sexual attraction to Angie. Angie's family is a typical Italian-American household from Bensonhurst. She's engaged to Paulie Carbonne (John Turturro), who works in a deli owned by his father Lou (Anthony Quinn). When the two families find out about Flipper and Angie's affair, their shock leads to recriminations and racial animosity. ~ Paul Brenner, All Movie Guide

Murder in High Places is a made-for-TV whodunit set at a Colorado ski resort ("High Places." Get It?). Adam Baldwin, an ex-football pro turned cop, is the investigating officer in a homicide case. He is aided and abetted by Ted Levine, an alcoholic ex-newsman (what price Hunter Thompson?) who is the new mayor of the Colorado resort town where the murder occurred. The preponderance of colorful supporting characters is a sure tip-off that Murder in High Places was meant to the pilot for a series. Whether or not the series could have afforded Adam Baldwin is a moot point, since no one, least of all the audience, was interested in the project. ~ Hal Erickson, All Movie Guide

Lenny (Tom Sizemore) is the kind of man who simply cannot get through the day without messing up, or suffering some amazing piece of bad luck. As a consequence, he has lost every one of the jobs his uncle has set him up with. That's how he loses his job as a gas station attendant: he leaves the place to ferry Eloise, a particularly good-looking girl, to a job interview. She looks like a good thing for him though, and they move in together, despite a lack of funds. Soon, he even loses his job at a porno flick, when that gets raided by the police. Oddly, he is almost insanely jealous of Eloise's former boyfriends. After the pair of them become homeless, he cooks up a scheme to recoup some money that proves he is completely clueless, once and for all. ~ Clarke Fountain, All Movie Guide

The huge success of the video games featuring animated Italian plumbers the Mario Brothers led to this $42 million live action movie. The two brothers (Bob Hoskins and John Leguizamo) live in Manhattan and are chasing Princess Daisy (Samantha Mathis), who wears a necklace made from a meteor fragment. Its powers can free a race of reptilian creatures from the city's sewers. The villainous ruler of the creatures, who are descendants of dinosaurs, is King Koopa (Dennis Hopper). Koopa has kidnapped Daisy and taken her to the underworld of Dinohattan, which is rat-infested and strewn with garbage. The Mario Brothers must overcome many obstacles, just as they do in video games, to free the princess. The film spares no expense with its use of animatronic monsters and high-tech special effects. ~ Michael Betzold, All Movie Guide