William Edmunds Movies

In many ways the most endearing of Universal's B-grade "monster rallies" of the 1940s, House of Frankenstein manages within its 70-minute time span to make room for Frankenstein's monster (Glenn Strange), Dracula (John Carradine) the Wolf Man (Lon Chaney Jr.), and a couple of new recruits, mad scientist Boris Karloff and demented hunchback J. Carroll Naish. Escaping from prison, Karloff vows to continue his diabolical efforts to emulate Dr. Frankenstein's "eternal life" experiments; he also swears vengeance on the three men (Sig Ruman, Frank Reicher and Michael Mark) who were responsible for sending him to prison. With the help of fellow escapee Naish, Karloff murders a travelling-carnival impresario (George Zucco) and assumes his identity. He travels first to the village where Ruman is burgomaster. Since his carnival is a "chamber of horrors", Karloff utilizes one of those horrors--Count Dracula--to settle his account with Ruman. Dracula does so, but dies when the first rays of sunlight stream across his body. En route to the next village, Naish gives shelter to runaway gypsy girl Elena Verdugo, who joins the caravan (though she remains incredibly naive concerning Karloff's intentions!) Coming to the village when the Frankenstein monster and the Wolfman were presumably drowned at the end of Frankenstein Meets the Wolfman (1944), Karloff revives the latter, who when he's not baying at the moon is the comparatively good-looking Lawrence Talbot. Karloff secures Talbot's cooperation by promising to perform some brain surgery that will relieve him of his lycanthropy. Later on, Karloff kidnaps and kills his other enemies Mark and Reicher, intending to use their brains to cure Talbot and to reactivate the Frankenstein monster. Jealous of Verdugo's attentions towards Talbot, Naish rebels against Karloff, and is killed for his troubles. Talbot turns into the Wolfman, whereupon Verdugo kills him before expiring herself. And Karloff, rendered immobile by the requisite attack of angry villagers, is dragged by the lumbering Monster into a pit of quicksand. Thus House of Frankenstein has something in common with Hamlet: No one is left alive at fade-out time. It's to scenarist Robert Siodmak's credit that he was able to fashion a coherent screenplay out of the crazy-quilt of copyrighted horror characters handed to him by Universal Pictures. ~ Hal Erickson, All Movie Guide

A timely film when first released in 1943, Tonight We Raid Calais survives as an entertaining adventure some fifty years later. John Sutton plays a British intelligence officer, sent into occupied France with a small unit to local a German munitions depot. While travelling under cover of darkness, Sutton confronts a French maiden (Annabella) who hates the British and the Germans with equal fervor. She eventually determines which side is the right side and allows Sutton to continue his mission. The officer is captured by the Nazis, but his comrades locate the munitions plant and notify the Allied bombers. The screenplay for Tonight We Raid Calais was written by future blacklistee Waldo Salt, whose liberal stance was politically correct during wartime but considered a "no no" once peace was declared. ~ Hal Erickson, All Movie Guide

After gathering dust for nearly a year, the independently produced The Deerslayer attained a national release through Republic. A bottom-budget adaptation of the James Fenimore Cooper classic, the film stars Bruce Kellogg as Deerslayer, an intrepid Indian scout-hunter in the 18th century Hudson Valley. He spends most of the film escaping from hostile Indians and helping white settlers protect themselves against the savage hordes. Most of the film is amateurishly shot, with the actors fighting a losing battle against an uninspired, illogical script (in one scene, an Indian brave receives a wound in a portion of the body that was out of the range of gunfire!) In later years, Deerslayer would gain reissue value by virtue of supporting actors Larry Parks and Yvonne De Carlo, who'd gone on to achieve full-fledged stardom. ~ Hal Erickson, All Movie Guide

The popular operetta by Sigmund Romberg and Oscar Hammerstein II enjoyed its second screen adaptation with this film, which added four new songs and updated the story to World War II. Paul Hudson (Dennis Morgan), an American veteran of the Spanish Civil War, makes his living playing piano in a Morocco nightclub; in his spare time, he romances Margot (Irene Manning), the club's featured singer. Caid Yousseff (Victor Francen) is a Moroccan in cahoots with the Nazis who is trying to win the support of a local gang called the Riffs, even though they're under the control of the French. The Riffs are led by El Khobar, a masked do-gooder who wants to persuade Col. Fontaine (Bruce Cabot) that the Riffs deserve their independence; if it is granted, he promises that they will gladly fight against the Nazis. What Fontaine doesn't know is that El Khobar and Paul Hudson are actually the same person. The Desert Song received an Oscar for Art Direction and was much praised for its beautiful color cinematography. ~ Mark Deming, All Movie Guide

Based on the novel by Ernest Hemingway, For Whom the Bell Tolls is a romantic drama set against the turbulent tapestry of the Spanish Civil War. Gary Cooper plays Robert Jordan, an idealistic American fighting with a Spanish guerilla band. He is assigned to blow up a crucial bridge in order to halt the enemy's progress. He falls in love with Maria (Ingrid Bergman), a young peasant girl who's joined the fight after being ill-used by enemy troops. Pablo (Akim Tamiroff), the eternally drunken leader of the guerillas, resents Jordan's attentions toward Maria, and he refuses to help Jordan in his sabotage work. Pablo's wife Pilar (Oscar-winner Katina Paxinou) takes over command of the guerillas and helps Jordan by arranging horses for the band's departure after their job is done. The man supplying the horses (Joseph Calleia) is killed, and Jordan is left to finish his task minus a means to escape. For Whom the Bell Tolls was a long, faithful adaptation of the Hemingway novel, with excellent performances, torrid love scenes, and first-rate Technicolor photography. Available for many years only in the 130-minute reissue version, it was restored to nearly its full original length of 168 minutes. ~ Hal Erickson, All Movie Guide

The Norwegian resistance to the Nazi occupation of their country inspired several wartime films from Hollywood, including this Warner Bros. production, filmed in and around Monterey, California. In October 1942, a German observation airplane discovers a seaside village named Trollness where the Norwegian flag is flying over the town square. A ground patrol discovers an empty town littered with corpses, including a number of Nazi officials. The story of the massacre is told in flashback. Errol Flynn plays Gunnar Brogge, a fisherman engaged to Karen Stensgard (Ann Sheridan), whose father, Martin (alter Huston), is the village physician. Gunnar and Karen are working to undermine the Nazis. The town is divided, with the minister leading a contingent which believes that violence, even against the sadistic Germans, is morally wrong. Karen is concerned about the imminent arrival of her brother, who is known to be friendly to the German occupiers; she fears he may learn of plans by the British to deliver a supply of guns to the resistance. The Nazi commandant, Captain Konig (Helmut Dantine), keeps up the pressure to learn of any opposition to his administration, eventually deciding to execute a selected number of the villagers to force someone to reveal the extent of the resistance's schemes. ~ Tom Wiener, All Movie Guide

An innocent man is put on trial, but is he really as innocent as he claims? Diplomat David Talbot (William Powell) and his bride Lucienne (Hedy Lamarr) are enjoying a honeymoon in Paris when David is confronted by extortionists who demand money in exchange for not turning him in to the police. David has no idea what the men are talking about and ignores their threats, but the men prove good to their word, and David finds himself on trial for a series of thefts. At the trial, David's name is cleared when Henri Sarrow (Basil Rathbone) testifies that he knew the man who committed the crimes, a friend of his who recently died. However, after the trial, David meets Sarrow, who informs David that he lied under oath; according to Sarrow, David did indeed commit the robberies while suffering from amnesia after a severe blow to the head, and if he wants to keep the facts quiet, he'll do whatever Sarrow says. ~ Mark Deming, All Movie Guide

One of the most beloved American films, this captivating wartime adventure of romance and intrigue from director Michael Curtiz defies standard categorization. Simply put, it is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick's café has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick's great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick's true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she's renewed her love for Rick, she wants to stay behind in Casablanca. "You must do the thinking for both of us," she says to Rick. He does, and his plan brings the story to its satisfyingly logical, if not entirely happy, conclusion. ~ Robert Firsching, All Movie Guide

Monty Woolley plays an irascible Englishman who insists that he dislikes children. While on a vacation in France, the Nazis invade the country. Reluctantly, Woolley agrees to transport several French children into England. As the flight to freedom becomes more treacherous, Woolley grows fonder of his young charges and vows that they'll be kept safe. The group is detained by German officer Otto Preminger, who finally allows Woolley and the children safe passage--provided they take Preminger's niece to England as well. Pied Piper was based on a novel by British author Nevil Shute. ~ Hal Erickson, All Movie Guide

Director Curtis Bernhardt hadn't wanted to make Juke Girl, but he was under contract to Warner Bros. and had to tow the line lest he find himself drawing Unemployment. One of Bernhardt's gripes against the film is that it starred Ronald Reagan, whom he considered an "unimportant" screen personality. In all fairness, Reagan is pretty good in his role as itinerant fruit-picker Steve Talbot, who gets involved in the middle of a labor dispute between the farmers and the packers. Talbot casts his lot with the farmers, while his longtime pal Danny Frazier (Richard Whorf) goes with the packers. Juke-joint hostess Lola Meers (Anne Sheridan) falls for Steve and supports his cause, only to be fired for her troubles at the behest of powerful packing-plant operator Henry Madden (Gene Lockhart). She and Steve try to escape Madden's influence, but when their farmer friend Nick Garcos (George Tobias) is murdered, the couple is framed for the crime. There follows "orgies of fights" (director Bernhardt's description) and a lynching attempt before Steve's old buddy Danny comes to the rescue. Anne Sheridan is at her most gorgeous in Juke Girl, making it difficult for the viewer to remain concentrated on the story. ~ Hal Erickson, All Movie Guide

MGM tried to recapture the magic of the Wallace Beery/Marie Dressler films of the 1930s with Barnacle Bill. Beery is teamed with Marjorie Main, a Dressler "type" who had a roughneck style all her own. In the film, grumbly old fisherman Beery spends most of his screen time avoiding Main, who intends to trap him into matrimony. The rest of the time, Beery must contend with a daughter he never knew he had and with landlubbers who want to rob him of his seagoing livelihood. Barnacle Bill was one of six MGM films costarring Wallace Beery and Marjorie Main, an experience neither star enjoyed very much. ~ Hal Erickson, All Movie Guide

In this boxing drama, champion fighter Johnny Rocket decides to leave the ring to please his new bride. Unfortunately, his greedy manager, unwilling to get off the gravy train engineers things so that the fighter cannot find work and must return to the squared circle to make a living. His ploy works, and the fighter resumes his career. He also begins falling in love with a sexy female sports writer. This causes his marriage to disintegrate. The avaricious manager decides to make a lot of money fast and so sets his fighter up to take a dive and betting against him. The doped up fighter loses the fight. He also loses the sportswriter. Fortunately his true love is around to pick him up and help him start anew. ~ Sandra Brennan, All Movie Guide

The Shop Around the Corner is adapted from the Hungarian play by Nikolaus (Miklos) Laszlo. Budapest gift-shop clerk Alfred Kralik (James Stewart) and newly hired shopgirl Klara Novak (Margaret Sullavan) hate each other almost at first sight. Kralik would prefer the company of the woman with whom he is corresponding by mail but has never met. Novak likewise carries a torch for her male pen pal, whom she also has never laid eyes on. It doesn't take a PhD degree to figure out that Kralik and Novak have been writing letters to each other. The film's many subplots are carried by Frank Morgan as the kindhearted shopkeeper and by Joseph Schildkraut as a backstabbing employee whose comeuppance is sure to result in spontaneous applause from the audience. Directed with comic delicacy by Ernst Lubitsch, this was later remade in 1949 as In the Good Old Summertime, and in 1998 as You've Got Mail. It was also musicalized as the 1963 Broadway production She Loves Me. ~ Hal Erickson, All Movie Guide