Roscoe "Fatty" Arbuckle Movies

This is a prime example of the way Keystone mixed real life with comic mayhem. Real racecar drivers Teddy Tetzlaff and Earl Cooper play themselves in this short flick. Ford Sterling plays the father who wants his daughter (Mabel Normand) to marry Cooper. Normand, however, is a Tetzlaff fan. With this wispy idea in hand, director Wilfred Lucas took his cast and crew to an actual race in Santa Monica and had the players act out their roles in the audience. That spontaneity makes this one-reeler amusing, even today. ~ Janiss Garza, All Movie Guide

Although better known as Charlie Chaplin's 17th appearance in a Keystone comedy, The Knockout is really a Roscoe "Fatty" Arbuckle film. The big event in Fatty's town is a prizefight in which champ Cyclone Flynn will meet all comers. Fatty is tricked into accepting the fight by two hobos who are making book on the fight. Through a note ostensibly from Flynn, they offer Fatty a split if he throws the fight, but Fatty, thinking one of the hobos is Flynn, refuses. The real Flynn arrives and dispatches the impostors. The match proceeds with heavy betting going on and Fatty's girlfriend dressed as a boy in order to gain entrance to the arena. Charlie is the referee who is constantly being knocked down by the fighters because he keeps getting in between them. Angered by losing after a short count, Fatty grabs two six-guns from a gambler at ringside and begins firing in all directions. Cyclone takes to his heels and a classic rooftop Keystone chase ensues, with the Keystone Kops in pursuit of Fatty, in pursuit of Cyclone. When the Kops lasso Fatty, he drags six of them along the ground by the rope until he leaps off a pier taking them all with him. With everyone treading water, the Kops surround Fatty as the film ends. ~ Phil Posner, All Movie Guide

Charlie Chaplin's 25th Keystone comedy is a park farce on the same order as many of his earlier shorts. It opens with a famous shot of Charlie sitting on a park bench, reading Police Gazette, the National Enquirer of its time. A couple nearby are unhappy; the boy, Charles Parrot (later known as Charley Chase), has to take care of his gouty, wheelchair-bound uncle, preventing him from going off with his girlfriend, Gene Marsh. He gets an idea -- find someone to push uncle around for the day. He finds Charlie, of course, but not before his girlfriend encounters the Tramp. She accidentally drops her purse in front of him and he retrieves it and tries to flirt. When Charlie agrees to push Uncle around, the Nephew finds his girlfriend and they go off for a stroll. Wheeling Uncle past a saloon, Charlie asks for an advance for a drink but the Uncle refuses. Charlie pushes Uncle to a nearby pier where another invalid in a wheelchair with a tin cup and a "Help A Cripple" sign has fallen asleep. Charlie deftly puts the sign and cup on Uncle, who is also dozing. The first contribution is enough to send Charlie off to the saloon for a drink. Meanwhile the couple arrives at the pier and finds the sleeping Uncle in this embarrassing position. Gene laughingly teases her beau as they again escape. Another charitable soul comes by and drops a coin in the cup which awakens the cripple who takes back his sign and cup and strikes Uncle on his gouty foot with his cane. Charlie arrives quite tipsy and wheels Uncle further along the pier, amusing him with his Police Gazette. The couple has meanwhile had a fight, and the girl arrives on the pier and sits down next to Charlie. He begins flirting again, and when Uncle tries to interfere, Charlie pushes him right to the end of the pier. Nephew arrives and is enraged to see Charlie and Gene together. A scrap begins also involving a couple of Kops, one of whom shoos the boyfriend away before being pushed off the pier. The other Kop pinches Uncle as a troublemaker, leaving Charlie and Gene to walk off together. ~ Phil Posner, All Movie Guide

In Charlie Chaplin's fifth Keystone comedy we get a look inside the famous laugh factory. Charlie is a movie fan and we first see him creating havoc at a theatre where he gets too involved with the action on the screen and the beautiful actress in the film. Ejected from the theatre, he proceeds to Keystone itself where he mooches money from Roscoe Arbuckle as he arrives at work. Charlie sneaks into the studio and disrupts the filming, much to the chagrin of the director. He mistakes a scene where the starlet is being manhandled for reality and comes to her rescue. Firing a prop pistol in all directions, he clears the stages before leaving. Meanwhile, a Keystone scout sees a building on fire in a nearby street and telephones the studio. In a parody of Mack Sennett's propensity to use public events and disasters as backdrops for his films, the cast and crew rush off to do some location filming at the fire. Charlie shows up and again disrupts the filming, causing the director to take after him brandishing a club. The firemen arrive and seeing the struggle between the director and his assistants who are trying to restrain him, turn the hoses on the fighting men. Charlie again tries his luck with the beautiful actress and receives a good shaking in response, followed by a soaking by the fire squad. In a classic Chaplin move, he twists his ear as water squirts from his mouth. When the beautiful actress laughs at his condition, a water-logged Charlie gives up on his movie fanaticism. ~ Phil Posner, All Movie Guide

In Charles Chaplin's seventh film for the Keystone Company, the Little Fellow's favorite pastime is drinking and chasing women. The film opens in a saloon where Charlie is partaking of a free lunch and teasing a down-on-his-luck Roscoe "Fatty" Arbuckle who is trying to bum a drink. We see an early Chaplin "transposition" gag when Charlie tries to light a sausage, thinking it's a cigar. After leaving the bar, Charlie accosts beautiful but married Peggy Pierce (with whom Chaplin was involved romantically at the time) as she and her maid wait for her husband to return to their taxi. After being shooed away by the husband, Charlie returns to the saloon and gets into fights with various patrons. In the men's washroom after Charlie polishes his shoes with a towel, he hands the towel to a man who has soap in his eyes, causing him to blacken his face. Exiting the bar again, he follows the maid's taxi home and gets into a melee with the maid, the maid's employer and her employer's irate husband, who, with the aid of his household servants, ejects Charlie from their home. ~ Phil Posner, All Movie Guide