Robert Swann Movies

Based on Alan Bennett's acclaimed play The Madness of George III, The Madness of King George takes a dark-humored look at the mental decline of King George III of England. The film's story begins nearly three decades into George's reign, in 1788, as the unstable king (Nigel Hawthorne, reprising his stage role) begins to show signs of increasing dementia, from violent fits of foul language to bouts of forgetfulness. This weakness seems like the perfect chance to overthrow the unpopular George, whom many blamed for the loss of the American colonies, in favor of the Prince of Wales (Rupert Everett), but the king's prime minister William Pitt (Julian Wadham) and his wife Queen Charlotte (Helen Mirren) are determined to protect the throne. Doctors are brought in, but the archaic treatments of the time prove of little value. In desperation, they turn to Dr. Willis (Ian Holm), a harsh, unconventional specialist whose unusual methods recall modern psychiatry. Willis struggles to break through to the mad king, treating him with an anger and haughtiness George has never before experienced. Stressing the absurdity of the entire situation, Bennett's witty screenplay emphasizes dry humor over tragedy, even utilizing references to King Lear for comic effect. Hawthorne's fiery yet vulnerable performance received much critical praise, including Best Actor at the British Academy Awards and a nomination for the same at the Oscars. ~ Judd Blaise, All Movie Guide

Ten years before Jane Austen's novel Sense and Sensibility was transformed into a lavish theatrical feature by director Ang Lee, the property was adapted as a rather less lavish but no less entertaining British TV miniseries. Irene Richard and Tracy Childs starred as Elinor and Marianne Dashwood, two attractive sisters from a prominent British family. When the Dashwoods go broke after the death of their father, the flighty Marianne and the more reserved (and, need we add, more intelligent) Elinor go on an exhaustive search for proper, and properly wealthy, husbands. Sense and Sensibility was served up in three 60-minute portions by the BBC. ~ Hal Erickson, All Movie Guide

Peter Cushing delivers one of his finest hand-wringing performances as Emmanuel Hildern, a Victorian man of science who relates a mad tale of horror to his half-brother and professional rival James (Christopher Lee). His tale begins with the discovery of the weird skeletal remains of a large unknown humanoid in Papua, new Guinea, which he carts back to England for study. Even more unusual than the skeleton's ghastly appearance is its ability to grow new flesh when moistened with water. Further research reveals that the creature may actually be instilled with the very essence of malevolence (basically freeze-dried, instant evil), indicating that it would be best kept out of the rain. Despite an incongruous subplot involving the doctor's insane daughter, whom he believes can be cured by injections of serum derived from the creature's reanimated tissue, this is an effectively creepy period piece with heady Gothic atmosphere (and a neat twist ending) that ranks among director Freddie Francis's finest work. ~ Cavett Binion, All Movie Guide

Rebellious students at an English private school plan a violent revolt against their repressive environment in director Lindsay Anderson's highly acclaimed but extremely controversial drama. Centering on a small group of non-conformists led by Mick Travis (Malcolm McDowell), the film paints a distinctly negative picture of the British school system and, by extension, English society. Seeing the powers-that-be as humorless, bureaucratic, and needlessly restrictive, Mick and his cohorts indulge in small acts of rebellion, including sneaking into town to romance a local waitress. Their actions are discovered and punished with harsh beatings, leading the students to plot revenge. This effort culminates in the film's most famous sequence, a surrealistic depiction of a bloody uprising by the students against the adult world. Daring and unpredictable in content and form, If... mixes color and black-and-white cinematography as easily as it mingles satire with dark fantasy. The film's ambiguous attitude toward violence caused controversy at the time, as many commentators saw the film as a potential incitement to violence. It became a great success among younger, counter-culture audiences who appreciated the audacious shock tactics and embraced the satirical, anti-establishment message. Often compared to Jean Vigo's French classic Zéro de conduite, which also featured surrealistic boarding-school rebellion, If... has become a high point in the cinema of youth rebellion. Anderson and McDowell later collaborated on O Lucky Man! (1973), Look Back in Anger (1980), and Britannia Hospital (1982). ~ Judd Blaise, All Movie Guide