Joanna Sanchez Movies

Three lifelong cheaters wise up in this gross-out college comedy, which marks the second feature role for Rushmore star Jason Schwartzman. It's the last semester of senior year for roomies Dave (Devon Sawa), Sam (Jason Segel), and Jeff (Michael C. Maronna), a trio of twenty-somethings whose enthusiasm for higher learning is matched only by their enthusiasm for root canals performed without the aid of anesthesia. As such, their entire collegiate existence has been an elaborate series of cons and scams designed to plagiarize essays, skip midterms, and covertly manipulate bell curves. When deranged geek Ethan (Schwartzman) -- who harbors a psychotic fixation for a flaxen-haired co-ed named Angela (James King) -- gets wind of their scheming, he blackmails Dave and the gang into contriving a date between him and his crush. But as Dave cozies up to Angela, he realizes that no amount of scheming can hide the fact that he's the one that's truly in love. Slackers went by a number of working titles while in production at the ill-fated upstart Destination Films; when Destination went belly-up, the film sat on the shelf for over a year before being picked up for release by Sony's Screen Gems division. ~ Michael Hastings, Rovi

Benton (Eriq La Salle) gives British surgeon Corday (Alex Kingston) a crash course in American ER procedures and later helps Carla (Lisa Nicole Carson) choose a name for their baby. Carter (Noah Wyle) and Del Amico (Maria Bello) are assigned to train two new med students, with Carter drawing the "short straw." Greene (Anthony Edwards) is handed a subpoena in the wrongful-death suit filed by the Law family. And Weaver's (Laura Innes) authority -- and imperiousness -- increases while Morganstern (William H. Macy) recovers from his heart attack. ~ Hal Erickson, Rovi

Premiering January 11, 1995, the WB sitcom The Wayans Bros. actually stars only two members of that large and apparently ever-expanding family of African-American entertainers. Fresh from their In Living Color success, siblings Shawn Wayans and Marlon Wayans (who also co-created this series) star as Shawn and Marlon Williams, polar-opposite brothers sharing the same New York brownstone. Shawn was the "serious" brother, who during the first season held down a solid job with an overnight delivery service and was diligently saving up enough money to marry Lisa Saunders (Lela Rochon), daughter of a prominent doctor. In contrast, Marlon lived to have fun, only occasionally showing up for his job as kitchen help at Pops' Place, a restaurant owned by the brothers' dad, John "Pops" Williams (John Witherspoon), a former boxer and R&B singer. Also working at Pops' during season one were counter girl Lupe (Joanna Sanchez) and cook Benny (Benny Quan). Losing his job and his girlfriend at the outset of season two, Shawn set up a newsstand in the lobby of the Niedermayer Building, which also housed his dad's restaurant. The building's main security guard had been diminutive Lou Malino (Jill Tasker) during the first season; she was replaced by Anna Maria Horsford as the corpulent Dee Baxter. Also added to the cast in season two was Paula Jai Parker as Monique Lattimore, a wealthy young lady who took a job in a nearby card shop when she lost her fortune -- and who during her single season on the series provided a verbal combatant for Shawn and an "unattainable dream" for the moonstruck Marlon. In season three, Ja'net DuBois joined the cast as the Williams boys' feisty Grandmother Ellington, who briefly moved in with the brothers. Weaving in and out the proceedings were a pair of shady street characters, White Mike (Mitch Mullany) and T.C. (Phill Lewis). In season four, Marlon launched an acting career and Shawn lost his newsstand to a fire. Come the next season, the brothers' "roles" had reversed: Marlon was now the responsible breadwinner, holding down steady employment as a regular on the TV sitcom "Everybody Loves Everybody," while Shawn was the wheeler-dealer, serving as Shawn's agent -- and skimming 50 percent off the top of each paycheck! The Wayans Bros. proved to be one of the fledgling WB's most popular early offerings, and went on to even greater success in off-net reruns after its September 9, 1999, cancellation. ~ Hal Erickson, Rovi

Jack Nicholson becomes a werewolf in this bizarre comedy-horror film directed by Mike Nichols. Nicholson plays Will Randall, a book editor with a testosterone deficit who has just been sacked at his publishing firm by a new boss, Raymond Alden (Christopher Plummer). A colleague, Stewart Swinton (James Spader), whom Randall thought was his friend, betrays him. Randall's personality changes after he hits a wolf with his car and gets bitten by the creature. He immediately feels more powerful, has heightened hearing and vision, and sets about to right the wrongs in his life. He visits Alden at the publisher's mansion to protest his dismissal, and he is asked to leave -- but Alden's daughter Laura (Michelle Pfeiffer) asks him to stay for lunch. Laura loves to defy her father. Will tells her about the wolf bite, and she becomes attracted to him. But because werewolves usually kill the ones they love, Laura is in danger. Will reasserts his place in the publishing world, supported by his loyal secretary Mary (Eileen Atkins), and his relationship with Laura deepens. ~ Michael Betzold, Rovi

A couple returns home from Mexico where they had accidentally killed a cop on a highway and fled the scene. Before long, however, they are confronted by an intimidating but charismatic man who mysteriously pops up -- and who knows all about the incident in Mexico. ~ Kristie Hassen, Rovi

It was impossible back in September of 1991 to objectively critique the TV movie Us. The film had been intended as the pilot for a new series, to be produced, directed and written by its star Michael Landon. Landon had died of a lingering illness only six months earlier, thus the film was heralded by the publicity people as "His final gift to us all." One publication, which had devoted no fewer than three cover stories in a row to Landon in his final weeks, labelled as "compassionate" this story of a man released from prison after 18 years for a crime he didn't commit, who now needed to touch base with his long-estranged family. Removed from the understandable emotionalism surrounding its premiere, it must be noted that Us was fair to middling at best. Its premise of having Landon and his family stage a reunion while on a cross-country trip was a viable one, but in execution Us was far below Michael Landon's usual standard. ~ Hal Erickson, Rovi