Luigi Pavese Movies

Vittorio Gassman showcases his comic talents in this farce by director Dino Risi about the growing success of a con artist. Gerardo (Gassman) starts out as a vaudeville performer and noting that acting abilities can be used for less legit purposes, he creatively assumes different guises in order to con people out of anything from a pair of shoes to ultimately mucho lira. In one of his escapades he passes himself off as Greta Garbo, donning an appropriate disguise, and has all manner of paparazzi ready to take the bait. He did not learn all his inventive and often spontaneous tricks alone, his cellmate Chinotto (Peppino de Filippo) was a great mentor. But even his cellmate could not coach him on how to remain single after his girlfriend Annalise (Anna Maria Ferrero) sets her heart on matrimony. ~ Eleanor Mannikka, All Movie Guide

Character actor Mischa Auer tended to choose vehicles unworthy of his talents when he left Hollywood for Europe during the postwar era. Biancaneve e I Setti Lavri is a heavy-handed variation on the "Snow White" legend, with a gang of thieves replacing the seven dwarves. Auer glowers and grimaces through his performance as the gang leader, while the Snow White character -- actually a naïve young man -- is played by Neapolitan comedian Peppino De Felippo, to whom subtlety is a lost art. The plot finds De Felippo plotting to rob the home of his wealthy fiancee. Naturally, everything goes sour -- including the script. Still, Biancaneve e i Sette Lavri posted a decent profit when first released in Italy. ~ Hal Erickson, All Movie Guide

Sperduti nel Buio was released in the U.S. as Lost in the Dark. The film traces the ups and downs of three Neapolitan street musicians. Vittorio de Sica plays Nunzio, a blind violinist, while Enrico Glori portrays Paolo, a deaf clarinetist. Both are enamored of singer Paolina (Fiorella Berti), the illegitimate daughter of a wealthy nobleman (Sandro Ruffini). Neither Nunzio nor Paolo are aware of the girl's lineage; when Nunzio finds out, he tries all too late to arrange a reunion between father and daughter. Meanwhile, Paolina finds happiness in the arms of a humble sailor. Though it probably wasn't intentional, Sperduti nel Buio has much in common with the 1938 English comedy-drama Sidewalks of London. ~ Hal Erickson, All Movie Guide

Toto, the brilliant Italian comic actor, frequently appeared in parodies of previous movie hits. Toto le Moko is a lampoon of Jean Gabin's Pepe le Moko, and as such plays best if one is familiar with the Gabin picture. Toto plays the cousin of notorious Pepe le Moko, leader of all illegal activities in the Casbah. When Pepe disappears, Toto is obliged to take his place. Through a combination of a magic potion and sheer dumb luck, Our Hero manages to keep himself alive, and also finds time to dally with several desirable lovelies. But when Pepe returns, there's you-know-what to pay. ~ Hal Erickson, All Movie Guide

Before turning to horror pictures, Italian filmmaker Riccardo Freda directed some of the finest costume epics of the postwar era. Filmed in 1946 as Aquila Nera, Freda's Return of the Black Eagle made it to American screens in 1949. Based on a story by Alexander Pushkin, the film concerns the exploits of a Russian soldier who wreaks vengeance against an evil landowner by assuming the guise of a masked bandit. Rossano Brazzi stars as Vladimir Dubrowski, aka the Black Eagle, while Irasema Dilian is his beloved Masha, daughter of his bitter enemy Kirila (Gino Cervi, cast in an uncharacteristically unsympathetic role). The swashbuckling and derring-do is leavened by a few welcome moments of humor, especially when Brazzi disguises himself as a wimpy French tutor. Return of the Black Eagle could have benefited from Technicolor, though the black-and-white photography of Rodolfo Lombardi is fine in its own way. ~ Hal Erickson, All Movie Guide