George Offerman Movies

In their search for a diamond thief, Friday (Jack Webb) and Smith (Ben Alexander) visit a bar frequented by the suspect. Their search is temporarily sidelined when bar employee Alice Kolbar is beaten to death by her jealous husband. It turns out that Alice may have been romantically involved with the alleged jewel thief...but the only real evidence the detectives have to go on is a custom-made hat with the initials "T.R." This episode is based on the Dragnet radio broadcast of February 15, 1955. ~ Hal Erickson, All Movie Guide

Three wives, played by Jeanne Crain, Ann Sothern and Linda Darnell, are about to embark on a boat trip when each receives a letter, written by a mutual friend named Addie, informing her that Addie is about to run off with one of their husbands. In flashback, each wife wonders if it is her marriage that is in jeopardy. Deborah (Crain) recounts her fish-out-of-water relationship with her up-and-coming hubby (Jeffrey Lynn); businesswoman Rita (Sothern) asks herself if she's been too rough on her professorial spouse (Kirk Douglas); and Lora May (Darnell), a girl from (literally) the wrong side of the tracks, questions the security of her marriage to a brash business executive (Paul Douglas). The voice of Addie, who is never seen, is provided by Celeste Holm. Thelma Ritter shows up in a hilarious unbilled bit as a slatternly domestic, while an equally uncredited Carl "Alfalfa" Switzer makes a quick entrance and exit as a bellhop. Written with perception and not a little witty condescension by director Joseph L. Mankiewicz, A Letter to Three Wives won two Oscars ,both for Mankiewicz. Based on a novel by John Klempner, the property was remade for television in 1985, with Ann Sothern back again in a supporting part. ~ Hal Erickson, All Movie Guide

In this musical comedy, a group of clean-cut teens desire to turn an abandoned warehouse into a youth center. Unfortunately they and their two leaders are opposed by the mayor who wants to use the building for his own gain. The kids then put on a show and soon the mayor is convinced to give them the building. Musical numbers include: "Young Man with a Beat" (performed by the Gene Krupa Orchestra), "Sincerely Yours" (sung by Stewart), "Isn't This a Night for Love?" (sung by Stewart), "Household Blues" (sung by Davis), and "Young Man" (sung by Davis, Stewart). ~ Sandra Brennan, All Movie Guide

Told in flashback, Out of the Depths strives to explain why its four male protagonists are bobbing around the Pacific in a lifeboat. The story proper begins as Captain Faversham (Jim Bannon) and his crew embark upon a secret mission which takes them into Japanese waters. The plan is to prevent a kamikaze attack against the American invading forces. Compelling in itself, the plotline isn't improved by arbitrary doses of misfire pathos and comedy relief. One of the sailors is played by Ken Curtis, later to gain TV fame as Festus on Gunsmoke. ~ Hal Erickson, All Movie Guide

The Sullivans attempts to find the positives in one of the most tragic chapters of World War II. Edward Ryan, John Campbell, James B. Cardwell, John Alvin and George Offerman Jr. play the Sullivan brothers, sons of an Iowa railroad worker (Thomas Mitchell) and his wife (Selena Royle). The film traces the boys from childhood, maintaining a relatively lighthearted tone until the Sullivans sign up en masse for the navy at the outbreak of the war. Refusing to be separated, the boys are all assigned to the cruiser Juneau--and all are killed when the vessel goes down at Guadalcanal. This appalling incident (which made something of a celebrity of the brothers' grieving father when he went on a nationwide patriotic lecture tour) resulted in the Navy's decision to never again allowed all the enlisted members of one family to serve on the same ship. Even from the vantage point of fifty years, the scene in which the family receives the wire from the war department is impossible to watch with a dry eye. ~ Hal Erickson, All Movie Guide

On December 6, 1941, a squadron of nine B-17 bombers takes off for Hickam Field, HI. The crew of the Mary Ann, including two new men, assistant radio man Private Chester (Ray Montgomery) and gunner Sergeant Joe Winocki (John Garfield), assembles for the flight, and in the first 20 minutes, the movie reveals certain things about the crew: the shadowy past of one, the mother of another, and the wife of a third; two of them are good friends with the sister of McMartin (Arthur Kennedy), the bombardier, who lives in Honolulu; the son of the senior member of the crew, Sgt. White (Harry Carey Sr.), is a pilot stationed at Clark Field in the Philippines. Then more characters make entrances: the aircraft commander Quincannon (John Ridgely); Weinberg (George Tobias), a Jewish mechanic from New York; and a man from a farm in the upper Midwest -- they all represent a broad cross-section of America as it saw itself, and the "regular guys" in the Army Air Force as it existed in 1941. The flight proceeds without incident. Winocki, an embittered, washed-out flight school candidate who accidentally killed another pilot, is about to leave the service when the weather report from Hickam Field is interrupted, and the radio man begins picking up transmissions in Japanese. The Mary Ann and the rest of the squadron fly right into the middle of the Japanese attack on Pearl Harbor unarmed and out of gas, and nearly crack up landing on an emergency field; no sooner do they make repairs than the crew comes under attack, and the plane takes off and makes for Hickam Field, which they find a flaming shambles. They fly on to the Philippines, stopping at Wake Island just long enough to meet a few members of the doomed Marine garrison, taking their company mascot, a dog, with them. At Clark Field, the Mary Ann and her crew finally go into action against the enemy, flying in alone against a Japanese invasion force; Quincannon is mortally wounded in the brief action, which leaves the plane damaged seemingly beyond repair. The remaining crew won't give up the plane, however, even when ordered to abandon and destroy her; they get the bomber off just ahead of the advancing Japanese, and survive to help bring retribution to the invading fleet and the Japanese empire. ~ Bruce Eder, All Movie Guide

Fourteen scriptwriters spent five years toiling over a movie adaptation of war correspondent Vincent Sheehan's Personal History before producer Walter Wanger brought the property to the screen as Foreign Correspondent. What emerged was approximately 2 parts Sheehan and 8 parts director Alfred Hitchcock--and what's wrong with that? Joel McCrea stars as an American journalist sent by his newspaper to cover the volatile war scene in Europe in the years 1938 to 1940. He has barely arrived in Holland before he witnesses the assassination of Dutch diplomat Albert Basserman: at least, that's what he thinks he sees. McCrea makes the acquaintance of peace-activist Herbert Marshall, his like-minded daughter Laraine Day, and cheeky British secret agent George Sanders. A wild chase through the streets of Amsterdam, with McCrea dodging bullets, leads to the classic "alternating windmills" scene, which tips Our Hero to the existence of a formidable subversive organization. McCrea returns to England, where he nearly falls victim to the machinations of jovial hired-killer Edmund Gwenn. The leader of the spy ring is revealed during the climactic plane-crash sequence--which, like the aforementioned windmill scene, is a cinematic tour de force for director Hitchcock and cinematographer Rudolph Mate. Producer Wanger kept abreast of breaking news events all through the filming of Foreign Correspondent, enabling him to keep the picture as "hot" as possible: the final scene, with McCrea broadcasting to a "sleeping" America from London while Nazi bombs drop all around him, was filmed only a short time after the actual London blitz. The script was co-written by Robert Benchley, who has a wonderful supporting role as an eternally tippling newsman. Foreign Correspondent was Alfred Hitchcock's second American film, and remained one of his (and his fans') personal favorites. ~ Hal Erickson, All Movie Guide

Boys' Reformatory was the third of Frankie Darro's tough-guy vehicles for Monogram Pictures. Darro is cast as orphaned teenager Tommy, who to avoid breaking his foster-mother's heart takes the rap for a crime committed by his foster-brother Eddie (Frank Coghlan Jr.). Sent to a dismal reform school, Tommy finds a friend in the form of school doctor Owens (Grant Withers), a tireless crusader for improved reformatory conditions. With Owens' help, Tommy is able to take a "vacation" from the institution and round up the crooks responsible for leading Eddie astray. ~ Hal Erickson, All Movie Guide

In this often funny crime melodrama, a librarian moves to a small town and finds herself the butt of local gossip. While the town young men strut their stuff before her, the old biddies make her the topic of many bridge parties. The initially harmless gossip takes a nasty twist when a murder occurs and the girl finds herself shouldering the blame. ~ Sandra Brennan, All Movie Guide

This entry in the Dead End Kids series of adventures makes critical comments about the failings of reform schools. The story begins as the boys are sent to the Gatesville Reformatory, a cruel institution where the discipline is often violent. They boys do their best, but it is difficult to cope. Things get a little better when the deputy commissioner of corrections makes a surprise visit to the institution. He is appalled and immediately fires the sadistic warden. He then begins instituting gentler ways of treating the inmates. The grateful youths save the new warden's life after he is machine gunned during a political double-cross. As a reward, the boys are paroled. ~ Sandra Brennan, All Movie Guide

Fritz Lang's first American film is a vigorous and perceptive indictment of mob law, starring Spencer Tracy and Sylvia Sidney. Katherine (Sidney) leaves her boyfriend, Joe Wilson (Tracy), behind in their Midwestern hometown when she takes a job in another city. Joe is a decent, hard-working soul, who wants to save up to buy a gas station and looks forward to the future when he and Katherine can get married. A year later, Joe is traveling to meet Katherine so that they can be married. Driving through a small town, Joe is stopped by a deputy sheriff waving a shotgun. Apparently there has been a kidnapping, and the fact that Joe has peanuts in his pocket circumstantially incriminates him in the crime. Joe is arrested and jailed. As Joe sits in his jail cell, the local townspeople begin to talk and whisper and spread rumors. Finally, a lynch mob forms and heads toward the jail. The mob tries to storm the jail and frustrated over their inability to penetrate the prison walls, they set the jail on fire. Joe barely manages to escape ("I could smell myself burning"), but the mob thinks that Joe has been burned to death. Behind the scenes, and with the help of his brothers, Joe tries to rig the verdict in the impending trial of the 22 vigilantes. ~ Paul Brenner, All Movie Guide

Rex Stout's overweight, under-exercised detective Nero Wolfe was first brought to the screen in 1936 in the portly person of Edward Arnold. As brusque and short-tempered as ever, Wolfe tackles the case of a college professor who met his doom while playing golf, a tragedy followed by the seemingly unrelated death of a young mechanic. Dispatched to do Wolfe's leg work is his acerbic aide Archie Goodwin (Lionel Stander), who manages to discover that both deaths were tied in with a new weapon which silently shoots poisoned needles. Rex Stout wasn't too pleased with the expurgated screen treatment of his fictional sleuth, whose fondness for imported beers was changed by the censors to a predilection for hot chocolate! Well directed by Broadway vet Herbert Biberman, Meet Nero Wolfe was followed in 1937 by The League of Frightened Men, with Walter Connolly as Wolfe. ~ Hal Erickson, All Movie Guide