Randy Moore Movies

A suburban Las Vegas teenager realizes that his new neighbor is a charismatic vampire in this remake of the 1985 horror comedy hit. After years of climbing to reach the top of the social ladder, high school senior Charley Brewster (Anton Yelchin) finally rules the roost. Just as Charley ditches his best pal, "Evil" Ed (Christopher Mintz-Plasse), and starts dating the most popular girl in their class, however, a handsome new face appears in the neighborhood. It belongs to Charley's new neighbor Jerry (Colin Farrell), an outwardly amiable guy with a quick smile and a sharp wit. But when Ed vanishes without a trace andCharley sees a side of Jerry that everyone else seems to miss, the nouveau popular teen becomes convinced that the nice-guy act is a cover for something truly sinister. Unable to convince his mother (Toni Collette) that Jerry is a genuine bloodsucker, Charley turns to Las Vegas magician Peter Vincent (David Tennant) to help exterminate the demon before he drinks the entire neighborhood dry. ~ Jason Buchanan, Rovi

A good Samaritan becomes the victim of voodoo spells in this horror story produced by Scream screenwriter Kevin Williamson. When an aged Creole woman is caught in a car wreck in a remote section of Louisiana, Ray (Rick Cramer), the owner of a nearby filling station, speeds to the scene of the accident to help. However, Ray doesn't know that the woman is a voodoo practitioner whose vehicle holds a case full of magic talismans. The magical spirits lead Ray to an unexpected death, and then they take over his body, turning him into a bloodthirsty monster. As the reanimated Ray makes his way into town, a group of teenagers including Eden (Agnes Bruckner) and Tammy (Bijou Phillips) find themselves running for their lives from the supernatural creature, while Deputy Turner (Method Man) looks for a way to keep the strange menace under control. Venom went into release in the fall of 2005 -- only a few weeks after Hurricane Katrina devastated much of the state of Louisiana, making the film seem unfortunately topical. ~ Mark Deming, Rovi

In this romantic comedy, Chris O'Donnell plays Jimmie, the grandson of an eccentric millionaire. At the reading of his grandfather's will, Jimmie learns that he stands to inherit $100 million on his 30th birthday. There's only one stipulation: Jimmie has to be married to get the money. And he is going to turn 30 in 24 hours. Jimmie and his sweetheart (Renee Zellweger) have already been talking about marriage, but she thinks it's wrong to marry for the money. The Bachelor co-stars James Cromwell, Brooke Shields, and singer Mariah Carey in her acting debut. This story was filmed before in Buster Keaton's silent classic, Seven Chances. ~ Mark Deming, Rovi

There are angels among us, and they like lots of sugar in their coffee, in writer-director Nora Ephron's comic fantasy Michael. Vartan Malt (Bob Hoskins) is the editor of a tabloid called the National Mirror that specializes in unlikely stories about celebrities and frankly unbelievable tales about ordinary folks. When Malt gets word that a woman is supposedly harboring an angel in a small town in Iowa, he figures that this might be right up the Mirror's alley, so he sends out three people to get the story -- Frank Quinlan (William Hurt), a reporter whose career has hit the skids; Huey Discoll (Robert Pastorelli), a photographer on the verge of losing his job (even though he owns the Mirror's mascot, Sparky The Wonder Dog); and Dorothy Winters (Andie MacDowell), a self-styled "angel expert." They arrive at the rooming house of Patsy Millband (Jean Stapleton), who informs them that she does indeed have an angel for a tenant, and introduces them to Michael (John Travolta). Michael has wings like an angel, but the resemblance ends there; Michael loves cigarettes, has an uncontrollable sweet tooth (and a pot belly to match), tends to use a large number of non-angelic phrases, is not much on personal hygiene, and likes to hang out with the ladies. Michael informs his visitors that in Heaven, an angel is allowed a certain number of "vacations" on Earth, and he's in the midst of one now; trouble is, this is the last one he's entitled to, and he wants to make the most of it. Frank and Huey then stumble on a great story idea -- if Michael wants to have some fun, why not take him to Chicago, where he can really kick up his heels? Michael was written in part by Jim Quinlan, himself a one-time reporter, though with a much more respectable tabloid than the Mirror -- he wrote for the Chicago Sun-Times. ~ Mark Deming, Rovi

Hyperactive mayhem results when a mild-manned banker discovers an ancient mask that transforms him into a zany prankster with superhuman powers in this special-effects-intensive comedy. The wildly improvisational Jim Carrey plays Stanley Ipkiss, a decent-hearted but socially awkward guy who one night finds a strange mask. Carrey's trademark energy reveals itself after Stanley puts on the mask and the banker transforms into The Mask, a green-skinned, zoot-suited fireball. The rubber-faced Mask possesses the courage to do the wild, fun things that Stanley fears, including romancing Tina Carlyle (Cameron Diaz). In addition to Carrey's physical talents, the film makes effective use of digital visual effects that bestow the Mask with superhuman speed, insane flexibility, and popping eyes out of a Tex Avery cartoon. The larger narrative, involving the efforts of Tina's gangster boyfriend to destroy Stanley and use the mask's powers for evil, prove less interesting than the anarchic comic set pieces, including a particularly memorable dance number to "Cuban Pete." The film delivered enough laughs to become a surprise hit and, along with the same year's Dumb and Dumber, establish Carrey's status as a comedy superstar. ~ Judd Blaise, Rovi

This eighth adaptation of the timeless Mark Twain novel casts Elijah Wood as Huckleberry Finn, the half-literate son of a drunk who runs away from home and follows the Mississippi River with an escaped slave named Jim (Courtney S. Vance). Along the way, the duo encounter adventures with colorful characters like The King (Jason Robards) and the Duke (Robbie Coltrane), two con men who impersonate British visitors in order to swindle two sisters out of their fortune, and Susan Wilks (Laura Bundy), the spunky 12-year-old girl who gives Huck his first kiss. Jim also re-educates Huck away from the racist views that he has grown up with. Not the most in-depth version of Twain's tale, The Adventures Of Huck Finn is a solid retelling of the classic story. ~ Don Kaye, Rovi

Just after the evil Emperor Spengo (Jon Lovitz) imprisons King Raff (Eric Idle), he spots a California housewife (Teri Garr) through his telescope. He decides to beam her up along with her husband (Jeffrey Jones), but isn't prepared to deal with the results when both become interplanetary freedom fighters. ~ John Bush, Rovi

The idea of fusing teen sex-comedy and horror genres into a boffo box-office bonanza seems like classic braindead Hollywood-think... but somehow, beyond all reason, the makers of this film manage to pull it off. Much of the credit goes to director Fran Rubel Kuzui (Tokyo Pop) who chooses wisely to let the jokes and action rip by so quickly that viewers won't have time to realize there's practically nothing going on. Also excellent is Kristy Swanson as the bubble-headed cheerleader who learns from a Van Helsing-ish stranger (Donald Sutherland) that she's, like, the reincarnation of this pure female warrior and stuff, destined to rid the world -- or at least the Valley -- of vampires. No sooner is the Buffster being schooled in the ways of vampire butt-kicking (much to the consternation of meek pretty-boy beau Luke Perry) than the lead vampire (Rutger Hauer) and his leering cronies show up -- and leading up the pack is none other than Pee-Wee Herman himself, Paul Reubens. Fans of this film's popular TV offspring will appreciate the fang-sharp humor but may be surprised to find little evidence of the spooky atmosphere that permeates the series -- though there are some inspired moments, particularly the ridiculous death-by-ruler scene. ~ Cavett Binion, Rovi

Wes Craven's Shocker takes media manipulation to a new level in this story of an evil force emitted from television sets that has the power to kill. The film centers on high school athlete Jonathan Parker (Peter Berg). His estranged father is homicide detective Don Parker (Michael Murphy), who has been working on capturing an elusive serial killer plaguing the town. One night, during a particularly vivid nightmare, Jonathan dreams that while Parker is away on an assignment, his family is murdered by the serial killer. In the dream, Jonathan can identify the killer -- local television repairman Horace Pinker (Mitch Pileggi). Amazingly, it turns out that Jonathan's nightmare was reality. Using Jonathan's dream as evidence, Pinker is brought to trail, found guilty, and sentenced to death in the electric chair. Before his execution, Pinker makes a pact with the devil so when he is electrocuted, the electricity from the chair will give his spirit powers of evil. At first, Pinker's murderous spirit travels in and out of people's bodies, prompting the host to commit murder. But when it seems more effective to communicate with people by television signals, the spirit is willing and soon people suddenly become possessed by Pinker's spirit through TV screens and engage in murderous atrocities. All this is done by Pinker to exact retribution upon Jonathan, who was responsible for sending him to his death. ~ Paul Brenner, Rovi

After the phenomenal box-office and critical success of David Cronenberg's 1986 remake of The Fly, a series of big-budget remakes of '50s horror favorites rode in on its coattails in the late 1980s -- though none managed to rise above mere camp clones of their elders, albeit garnished with modern makeup effects in an attempt to draw modern teen horror-junkies. One remake that managed to live up to its cheesy inspiration was Chuck Russell's version of The Blob, in which the title goo crashes to earth and promptly begins digesting the residents of a small California town while growing to gargantuan proportions. The clean-cut teen hero originally portrayed by Steve McQueen (his first starring role) is replaced here with a rebellious outsider (Kevin Dillon) whose preppie rival (Donovan Leitch) for the affections of the cute heroine (Shawnee Smith) is quickly eliminated by the all-consuming space-gelatin. No sooner has the plasma menace set up house in the town sewers when a shadowy government Blob Squad shows up under the direction of the grandfatherly Dr. Meddows (Joe Seneca), to clean up the mess... or not. This high-spirited remake replaces the '50s "Daddy-O" conventions of the original with '80s cynicism -- not even likeable characters are spared from the slaughter -- and anti-government sentiment. It also pushes the gore envelope in ways unavailable to its low-budget parent -- e.g. the scene in which one victim is sucked through a sink drain was only hinted at in the 1958 film, but here viewers are treated to the entire bone-crunching ordeal. Though the quality of blob effects seems inversely proportional to the creature's size (some of the climactic "wall-of-blob" footage is painfully cheap-looking), the end result is more blob for the monster-movie fan's dollar. ~ Cavett Binion, Rovi

In this romantic comedy fantasy, an angel (Emmanuelle Beart) with a heavenly body falls into the swimming pool of Jim Sanders (Michael E. Knight). Hung over from his bachelor party, his encounter with the angel has Jim questioning his upcoming marriage to Patty (Phoebe Cates), the daughter of a wealthy cosmetics mogul (David Dukes). After he helps the injured celestial being, Jim must protect her from his lecherous friends and his curious fiance. Beart's beauty and performance is the highlight of the film even though she does not speak. ~ Dan Pavlides, Rovi

Following up her critically acclaimed documentary The Decline of Western Civilization, Penelope Spheeris made this gritty drama her first feature-film outing. Bill Coyne stars as Evan Johnson, an angst-ridden kid living in L.A., who bands together with a group of other young societal rejects and immerses himself in the mid-'80s punk rock scene. Most of the cast was comprised of actual teenagers off the streets of Los Angeles. Among them is Red Hot Chili Peppers bassist Flea. Suburbia is also known as The Wild Side and Rebel Streets, and should not be confused with the 1996 Richard Linklater film of the same name. ~ Matthew Tobey, Rovi