Mario Meniconi Movies

Bernardo Bertolucci's 255-minute 1900 was a gargantuan undertaking, requiring the resources of three European countries and a trio of American movie studios. Set in the Italian town of Parma, the film's continuity backtracks from Liberation Day in 1945 to the occasion of composer/patriot Giuseppe Verdi's death in 1901. We follow the lives of two men born on that day in 1901, who grow up to be Alfredo Berlinghieti (Robert De Niro) and Olmo Dalco (Gérard Depardieu). Wealthy Alfredo sinks into dissipation, while poverty-stricken Olmo becomes a firebrand labor leader and communist. After WWI, Alfredo is allowed to peacefully retain his land holdings by playing nice with the burgeoning fascists; Olmo, on the other hand, engages in a long-standing battle against the minions of Mussolini. The two protagonists are reunited when Alfredo returns to Parma to preside over Olmo's trial for "political crimes." Co-star Burt Lancaster is cast as Alfredo's wealthy grandfather, who hates to see the old values buried beneath the social travails of the 20th century. Many American prints of 1900 were shortened to 243 minutes, rendering the story hard to follow at times. ~ Hal Erickson, Rovi

In this drama, a Neapolitan lad travels to Milan to attend his father's funeral. His father was a gigolo, and the young man decides to continue the family profession and begins looking for rich women to prey upon. He is successful, but then he finds himself caught in a bidding war between a wealthy steel heiress and an rich old homosexual. Though the homosexual wins, the gigolo decides to make it with the heiress. Time passes and he ends up falling for a beautiful woman. Unfortunately, he discovers that she is his half sister. He then remembers a bit of advice from one of his father's friends who said "It's better for a young man to attach himself to a rich homosexual." The young gigolo heeds that advice. ~ Sandra Brennan, Rovi

Nannina (Silvana Pampanini) is planning to marry Mario (Antonio Cifariello), but the nuptials hit a snag when he's put in prison for hitting a policeman. She goes to work as a cashier in a bar owned by Oreste (Paolo Stoppa), an older man who falls in love with her. She wants to open a restaurant with him, but he severs contact with her once he realizes that she still loves Mario. Nevertheless, when Mario finally returns, Nannina is there as the proprietress of the restaurant. And she tells him that she sleeps safely at the convent until she's married! ~ Nicole Gagne, Rovi