Jim McKrell Movies
Cheated out of her fortune by a crooked business manager, former fashion model Maddie Hayes (Cybill Shepherd) has but one asset to her name: the Blue Moon Detective Agency, an incredible unprofitable concern run by cocky P.I. David Addison (Bruce Willis). Maddie is all for liquidating the agency as quickly as possible, but David manages to flummox her into keeping it up and running. Though it is hate at first sight for the mismatched couple, Maddie and David almost immediately begin collaborating on a crimesolving career, beginning with the case of a dying client and a broken watch. Originally telecast as a single 97-minute "TV movie", this pilot episode of Moonlighting has since been divided into two hour-long segments for syndication. ~ Hal Erickson, All Movie Guide
First telecast in early 1985, the 2-hour pilot film for the lighthearted TV detective series Moonlighting opens with fashion model Maddie Hayes (Cybill Shepard) discovering that her business manager has skipped with her fortune. The only asset she has left is the ramshackle Blue Moon Detective Agency, manned by acerbic David Addison (Bruce Willis). Maddie takes an immediate dislike to David, while he considers her a sexual conquest-to-be. The twosome continues to bicker their way through their first case, pausing for amenities only when it appears that both of them are about to be bumped off. Once safely back in the office, their verbal guerilla warfare resumes, leading the viewer to expect marvelous things from the subsequent Moonlighting TV series. Little of the series' fabled self-consciousness (talking directly to the audience, making references to the quality of the scriptwriting, etc.) surfaces in the Moonlighting pilot, but the film works well despite this "drawback." The series itself ran (or, as it turned out, limped) until May of 1989. ~ Hal Erickson, All Movie Guide
- Starring:
- Cybill Shepherd, Bruce Willis, (more)
"Don't expose him to bright light. Don't ever get him wet. And don't ever, ever feed him after midnight." This sage advice is ignored midway through Gremlins, with devastating results. This comic Joe Dante effort is set in a Norman Rockwell-esque small town at Christmastime. Seeking a unique gift for his son an erstwhile inventor (Hoyt Axton) purchases a cute, fuzzy little "Mogwai" from a Chinatown shopkeeper's (Keye Luke) grandson (John Louie), who dispenses the above-mentioned warning before closing the deal. Meanwhile, young bank clerk Billy Peltzer (Zach Galligan) must suffer such antagonists as rich-bitch Mrs. Deagle (Polly Holliday) and priggish Gerald (Judge Reinhold) while pursuing his romance with Kate (Phoebe Cates). These and a variety of other plot strands are tied together when the lovable mogwai (named Gizmo) is exposed to bright light and gotten wet. In short order, the town is invaded by nasty, predatory Gremlins, who lay waste to everything in sight as Billy and Kate try to contain the destruction. Like most of Joe Dante's works, Gremlins is chock-full of significant cameo appearances: in this instance, such pop-culture icons as Dick Miller, Jackie Joseph, Chuck Jones, Scott Brady, Harry Carey Jr., Steven Spielberg (the film's executive producer) and even Robby the Robot all show up briefly on screen. ~ Hal Erickson, All Movie Guide
- Starring:
- Zach Galligan, Hoyt Axton, (more)
The A-Team sets about to rescue the passengers of a hijacked 747 with Hannibal (George Peppard)and Face (Dirk Benedict) posing as airline executives so they can trade themselves for the hostages. As it turns out, retrieving the plane is the easy part: The trouble arises when, while escaping from the villains, B.A. (Mr. T) goes into cataleptic shock at the prospect of flying, Hannibal is helplessly trapped in the airport tower, and a temporarily blinded Murdock (Dwight Schultz) is at the 747's controls! Without tipping the ending, it can be noted that a climactic action sequence was lifted from the theatrical feature Airplane (and we haven't even mentioned the possibility that "Howling Mad" Murdock may finally be declared sane--much to his dismay). ~ Hal Erickson, All Movie Guide
Tom Smothers and Carol Kane co-star with Paul Reubens and Judge Reinhold in this uneven comedy spoof of slasher films. Sergeant Cooper (Smothers) is a Canadian Mountie who investigates the death of cheerleaders attending a summer camp at Indiana's It Had To Be University. Cameo appearances by Eve Arden, Kaye Ballard, Eileen Brennan, Tab Hunter, and Donald O'Connor fail to add anything to the thin, sophomoric plot. This film should not be confused with the similarly titled 1988 Australian feature directed by Hadyn Keenan. ~ Dan Pavlides, All Movie Guide
- Starring:
- Tom Smothers, Carol Kane, (more)
The cabbies are astonished when Jim (Christopher Lloyd), a burned-out relic of the 1960s whose appearance and lifestyle can be charitably described as "unkempt" abruptly turns over a new leaf. Virtually overnight, Jim has brought perfection, order, and expensive creature comforts into his life--and he's even begun to take baths and change his clothes. The reason? Well, it seems that Jim had earlier picked up a couple of passengers who were discussing the "secret of success." Future Miami Vice producer Michael Mann also appears in a supporting role. ~ All Movie Guide
Toni Kalem, best known to contemporary audiences for her role as Angie Bompensiero on The Sopranos, stars in this ABC Afterschool Special as the teenaged victim of a crippling accident. Helping the girl overcome her handicap -- and her resentment over her situation -- are a concerned teacher (Dee Wallace) and a rebellious wheelchair-bound high schooler (Scott Baio). The story reaches an exhilarating climax as the two teens lobby to establish special bathroom facilities in their school -- and to participate in an annual six-mile race, which traditionally does not welcome or accommodate handicapped people. ~ All Movie Guide
- Starring:
- Toni Kalem, Dee Wallace, (more)
This groundbreaking, darkly-comic horror film from director Joe Dante changed the look and feel of werewolf movies in ways light-years distant from Universal's horror classic The Wolf Man. The story begins with television reporter/anchor Karen White (Dee Wallace) taking part in a dangerous police operation intended to trap psychopath Eddie Quist (Robert Picardo). When confronted by Eddie face-to-face, she witnesses something horrifying enough to trigger selective amnesia. Plagued by a series of violent nightmares, Karen decides to admit herself to a posh recovery resort known only as "The Colony," run by her eccentric New Age therapist Dr. Wagner (Patrick MacNee), and brings along her husband Bill (Christopher Stone) for support. The night after they arrive, Karen and Bill are unnerved by eerie howling in the woods. Back in the city, Karen's coworkers Chris (Dennis Dugan) and Terry (Belinda Balaski) have been investigating Eddie's background after discovering that his body has disappeared from the morgue. Sifting through Eddie's possessions, they find a strange collection of artwork depicting wolf-like creatures, and decide to consult with Walter Paisley (Dick Miller, of course), the owner of an occult bookshop, on werewolf lore. Though he claims not to believe in the stuff he's selling, Paisley nevertheless convinces Chris to purchase a handful of silver bullets... just in case. Back at the colony, Dr. Wagner has organized a hunting party after hearing Karen's account of the nocturnal howling, but the men find nothing but a rabbit, which Bill is told to bring to the cabin of the sultry Marsha (Elisabeth Brooks) to prepare for dinner. After resisting Marsha's less-than-subtle sexual overtures, Bill is attacked by a wolf while returning to his cabin. The following moonlit night, the sleepless Bill wanders outside to find Marsha waiting and the two make love by the campfire, their bodies undergoing a frightening transformation. Just as Karen is beginning to suspect that her husband is hiding a secret far more threatening than marital infidelity, Chris and Terry have come to realize -- too late, in Terry's case -- that Eddie Quist is not only still alive, but not quite human... and he knows he's being followed. Chris arrives at the colony too late to save Terry, but manages to find Karen just as the colony's residents -- all of whom are werewolves, including Dr. Wagner -- are assembling to decide her fate. Dante fills his film with heartfelt homages to The Wolf Man and other classic horror movies, as well as a few clever visual puns and in-jokes from his tenure with Roger Corman, but never strays from the path to genuine horror, particularly when Rob Bottin's chilling monsters are onscreen. ~ Cavett Binion, All Movie Guide
- Starring:
- Dee Wallace, Patrick Macnee, (more)
According to the NBC publicity packet, the made-for-TV Revenge of the Stepford Wives was "based on characters created by Ira Levin" -- specifically, those characters created by Levin for his fantasy-suspense novel The Stepford Wives, which was transformed into a theatrical film in 1975. On this occasion, plucky TV journalist Kay Foster (Sharon Gless) is stranded in the "idyllic" New England community of Stepford, populated exclusively by chauvinistic males and their eerily submissive and subservient wives. With the help of Megan Brady (Julie Kavner), a new arrival to the community who hasn't yet been "conditioned," Kay tries to learn the terrible secret behind the robotic Stepford wives -- and to foment a rebellion against the wicked menfolk. Revenge of the Stepford Wives first aired on October 12, 1980. ~ Hal Erickson, All Movie Guide
Originally known as Christmas Miracle in Caulfield, USA, this made-for-TV film concerns the true story of striking coal workers who are imprisoned in a collapsed mine on Christmas Eve, 1951. ~ John Bush, All Movie Guide
Woody Allen's romantic comedy of the Me Decade follows the up and down relationship of two mismatched New York neurotics. Jewish comedy writer Alvy Singer (Allen) ponders the modern quest for love and his past romance with tightly-wound WASP singer Annie Hall (Diane Keaton, née Diane Hall). The twice-divorced Alvy knows that it's not easy to find a mate when the options include pretentious New York intellectuals and lifestyle-obsessed Rolling Stone writers, but la-di-dah-ing Annie seems different. Along the rocky road of their coupling, Allen/Alvy weigh in on such topics as endless therapy, movies vs. TV, the absurdity of dating rituals, anti-Semitism, drugs, and, in one of the best set pieces, repressed Midwestern WASP insanity vs. crazy Brooklyn Jewish boisterousness. Annie wants to move to Los Angeles to find that fame that finally does in the relationship -- but not before Alvy gets in a few digs at vacuous, mantra-fixated California. Originally entitled Anhedonia (the inability to enjoy oneself), Annie Hall blended the slapstick and fantasy from such earlier Allen films as Sleeper (1973) and Bananas (1971) with the more autobiographical musings of his stand-up and written comedy, using an array of such movie techniques as talking heads, splitscreens, and subtitles. Within these gleeful formal experiments and sight gags, Allen and co-writer Marshall Brickman skewered 1970s solipsism, reversing the happy marriage of opposites found in classic screwball comedies. Hailed as Allen's most mature and personal film, Annie Hall beat out Star Wars for Best Picture and also won Oscars for Allen as director and writer and for Keaton as Best Actress; audiences enthusiastically responded to Allen's take on contemporary love and turned Keaton's rumpled menswear into a fashion trend. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Woody Allen, Diane Keaton, (more)
Burt Reynolds and Kris Kristofferson star as two pro-football pals who both fall for the team-owner's very rich daughter. Kind of goofy, kind of funny, and somewhat endearing--those are the qualities that surface in this light-hearted comedy built upon an extremely predictable scenario. ~ All Movie Guide
- Starring:
- Burt Reynolds, Kris Kristofferson, (more)
Andrew Duggan guest stars as Frank Connor, a small-town crusading journalist determined to the topple the criminal empire of racketeer Duke Bergan (Scott Marlowe). After an attempt is made on Conner's life, the FBI offers protection to the man while Inspector Erskine (Efrem Zimbalist Jr.) searches for the proof necessary to put the bad guys behind bars. It all boils down to a single solitary clue: A uniquely shaped contact lens. ~ Hal Erickson, All Movie Guide
The Season Six opener of The F.B.I finds federal agents Erskine (Efrem Zimbalist Jr.) and Colby (William Reynolds) canvassing an era ranging from Pennsylvania to Oregon in search of two elusive bank robbers. Perry Victor (Martin Sheen) is the suave schemer of the pair, while Shep Buford (Tim McIntire) is the bucolic triggerman. Their ultimate goal is to steal the payroll for an Oregon tunnel project--but neither man had figured on the duplicity of Shep's girlfriend Cindy (Joan Van Ark). ~ Hal Erickson, All Movie Guide
The murder of a stockbroker tips Inspector Erskine (Efrem Zimbalist Jr.) to Organized Crime's latest racket: obtaining valuable stock certificates which are then used as collateral for large Mob loans. At the center of this scheme is the beautiful but treacherous Meredith Schader (Michele Carey), who targets vulnerable male stockbrokers, pretends to fall in love with them, then blackmails them into doing the Mob's bidding. Meredith's latest victim is wealthy but lonely Val Palmer (Barry Nelson), who is blissfully unaware that he is being set up for the worst fall of his life. ~ Hal Erickson, All Movie Guide


















