Michaela May Movies

The title of this German comedy-drama translates literally as "First Marriage, Then Fun." The Father's Day team of director Sherry Hormann and scripter Kit Hopkins reunited to capture the lives of three women, friends since their school days -- lawyer Elisabeth (Katja Flint), living with the much older Charles (Martin Benrath); Maria (Ornella Muti), now trying to dump her third husband; and mother Molly (Eva Mattes), whose husband Erich (Owe Ochsenknecht) is involved in an affair with actress Sandi (Gruschenka Stevens). When Erich takes off to Cannes with Sandi, Molly gets back by sending his business partners a prank note claiming Erich has died. When Charles goes away, Elisabeth becomes attracted to a younger man, rock musician Vince (Heino Ferch). Shown at the 1998 Berlin Film Festival. ~ Bhob Stewart, All Movie Guide

The doctors and patients in a psychiatric clinic are the subject of this hard-hitting docudrama by director Wilma Kottusch. As Dr. Angela Aschmann (Lisa Kreuzer) is introduced to her new job in the clinic, she slowly learns more about the condition of the patients, how they are treated, and what problems may plague some doctors who have already burnt out a long, long time ago. From helpless patients to overworked personnel, from nurses to a macabre undertaker, the people mixed together at the clinic are carefully delineated. The camera crew and actors actually went to a real psychiatric hospital, not just to film background scenes, but to have the actors engage the patients and staff, improvising dialogue along the way. ~ Eleanor Mannikka, All Movie Guide

In mid-1978, the cult fantasy guru and comic book illustrator Bill Richert -- after months directing Jeff Bridges and Belinda Bauer in the scattergun carnival of a political satire, Winter Kills -- faced a real head-scratcher. With Winter yet to be completed, Richert's backer, Avco-Embassy, lopped off all funding and suspended production indefinitely. Projectless, Richert spun around, picked up an unproduced feature script by drive-in director Larry Cohen (Q, It's Alive!), and somehow found the cash to churn out a second piece of eccentricity with Bridges and Bauer in the leads, this one for Columbia Pictures -- hoping he could use the latter's earnings to polish off Winter. Thus began a very shaky history over the next 30 years for a little film originally called The American Success Company. This ghost of a picture bombed at the box office in 1979, was later reedited twice by Richert under distinct titles (first as American Success in 1981 and then as Success in 1983), and received limited theatrical distribution. It has since fallen through the cracks of movie history, never receiving official distribution on home video but popping up in bootleg versions under the titles Good as Gold and The Ringer. The movie tells the story of Harry Flowers (Bridges), a Milquetoast employee of a Munich-based credit card company, AmSucCo (did AmEx raise any eyebrows at that?), married to the daughter (Bauer) of his slightly tyrannical boss (Ned Beatty). Flowers allows himself to be shoved around and coddled by everyone, until he suddenly decides to slip into an assumed identity -- that of a gruff, bull-by-the-horns modern-day prince, determined to "rescue himself" from wimpdom by learning sexual aggression from a prostitute (Bianca Jagger) and ultimately wresting millions from the hand that feeds him. ~ Nathan Southern, All Movie Guide

Set in Kentucky during the slavery days of the Old South, this adaptation of the novel by Harriet Beecher Stowe tells of the workings of the underground railroad, a secretive system formed by whites and blacks which allowed slaves to escape into the northern states. This drama, directed in Yugoslavia by Hungarian Geza Radvanyi, tends to stray from the original story and contains many contradictions to historical fact. ~ Kristie Hassen, All Movie Guide