Helen Jerome Eddy Movies

This Depression-era romantic drama, which offers a surprisingly potent and unsentimental view of the economic hardships of the time, stars Spencer Tracy as Bill, a rough-hewn laborer struggling to get by and sleeping in a Hooverville shack. Bill meets Trina (Loretta Young), a sad and desperate young woman with no prospects and nowhere to go; her plight touches his heart of stone, and he allows her to stay with him. Bill picks up work where and when he can, while Trina tries to turn their hovel into a home. Bill soon makes the acquaintance of Fay LaRue (Glenda Farrell), a brassy showgirl whose career is on the way up and wouldn't mind if Bill tagged along. But Bill learns that leaving Trina behind won't be as simple as he thought. Trina is pregnant with his child, so he ends up planning a dangerous robbery in hopes of raising enough money to provide a proper home for Trina and the baby. Dealing with tough material in an adult manner, A Man's Castle was considered quite daring in its day. A year after its release, Hollywood adopted the Production Code that prohibited the depiction of unwed cohabitation and premarital pregnancy (among many other things), which would have made this a very different film. ~ Mark Deming, All Movie Guide

In this musical drama from directors Alexander Hall and George Somnes, Claudette Colbert stars as Sally Trent, a children's radio show host by day and a nightclub singer by night. After giving her only child (a daughter) up for adoption amid hard times, Sally uses the listeners of her show as surrogate children while she searches for the girl in hopes of being reunited. Unfortunately, the girl's father also has plans of tracking him down. Penned by songwriters Ralph Rainger and Leo Robin, some of the songs in the film include "Don't Be a Cry Baby," "Give Me Liberty or Give Me Love," "It's a Long Dark Night," "The Torch Singer". ~ Matthew Tobey, All Movie Guide

"So much for Carlotta" muses the head of German Espionage (Lewis Stone), shortly after secret agent Karen Morley is put to death. Morley's successor is exotic dancer Mata Hari (Greta Garbo), an enigmatic woman of Javanese-Dutch ancestry who seldom thinks twice about luring some poor swain to his doom. Assigned to intercept allied war messages, Mata Hari romances garrolous-general Lionel Barrymore. She falls in love for the first and only time in her life when she meets dazzlingly handsome lieutenant Ramon Novarro. Barrymore finds out about the affair and threatens to expose both Mata and Novarro as spies, whereupon Ms. Hari shoots Barrymore dead. She arranges for Novarro to leave the country lest he be implicated in the murder. He is subsequently blinded in an airplane crash, setting the stage for Garbo's now-famous "Let me be your eyes" scene. Mata Hari is tried and sentenced to death, but is permitted a few final precious moments with Novarro, allowing him to go on believing that he is in a military hospital rather than a prison cell, and that his beloved is dying of a mysterious ailment rather than facing a firing squad. The debate still rages among film buffs as to whether Greta Garbo does her own dancing in Mata Hari, or whether that's her double in the long shots. There is no question, however, that the condemned prisoner in the first reel who refuses to betray Mata to his captors is none other than Mischa Auer. ~ Hal Erickson, All Movie Guide

A rare "prestige" item from low-budget Allied Pictures, Parisian Romance boasts a screenplay by F. Hugh Herbert, of The Moon is Blue fame. Lew Cody stars as a libidinous French baron whose love-'em-and-leave-'em philosophy is seriously challenged when he falls for the beautiful Claudette (Marion Shilling). Realizing that Claudette would be happier with someone else, the Baron has the wisdom to do the wrong thing at the right time. Our hero's sang froid is never more pronounced than when he stoically accepts two socks on the chin from his rival Victor (Gilbert Roland). Joyce Compton, a specialist in "dumb Southern belle" roles, is incongruously cast as Parisian coquette Marcelle. ~ Hal Erickson, All Movie Guide

Joan Blondell, borrowed for the occasion from Warner Bros., earned top-billing in this delightful Hollywood parable, but the real star is of course Stuart Erwin as the irrepressible grocery clerk Merton Gill. Paramount screenwriters Saul Mintz, Walter De Leon and Arthur Kober based their witty scenario on Henry Leon Wilson's 1922 novel Merton of the Movies, the 1923 Broadway play by George S. Kaufman and Marc Connelly, and the 1924 Famous Players silent version starring Glenn Hunter. By 1932, the story was indeed well-known: Aspiring to become a famous screen cowboy, small-town delivery boy Merton Gill arrives in Hollywood, bright-eyed and bushy-tailed and complete with a diploma from the National Correspondence Academy of Acting. Crashing the gates of Majestic Pictures (read: Paramount), Merton manages to fumble his one line bit in the latest Buck Benson (Dink Templeton) western and is fired on the spot. Unwilling to leave the studio, the hapless thespian survives on leftover scraps from the extra's lunch boxes until discovered by comedy starlet "Flip" Montague (Blondell), who takes pity on him and arranges a meeting with Jeff Baird (Sam Hardy), head of the slapstick comedy unit. Bestowed a new name, Whoop Ryder, Merton is starred in what he assumes to be a serious western melodrama but what in reality is yet another burlesque featuring cross-eyed low comic Ben Turpin. Although a big hit with preview audiences, a humiliated Merton is ready to return to the grocery business when "Flip" persuades him to stay by telling him that he is "darn near perfect." ~ Hans J. Wollstein, All Movie Guide

Lew Ayres and Mae Clarke, the reigning king and queen of the Universal lot in 1932, were teamed under the guidance of the studio's star director James Whale in Impatient Maiden. Anticipating his "Dr. Kildare" duties by nearly six years, Ayres is cast as inexperienced young surgeon Myron Brown. In love with Ruth Robbins (Mae Clarke), Dr. Brown is separated from his sweetheart thanks to clashing values (she wants to marry him; he doesn't think he can afford to, but still wants to fool around). They are brought together again under unusual circumstances when Ruth is stricken with acute appendicitis and Brown is obliged to operate, permitting Whale to indulge in his usual ghoulish fascination with surgical procedure. A few moments of comedy relief are offered by Una Merkel, as a dingbat Southern belle, and ratchet-voiced Andy Devine as a male nurse. ~ Hal Erickson, All Movie Guide

In this historical drama, set in 1775, the hardships faced by a courageous band of settlers traveling from Virginia to Kentucky are chronicled. To get there they must fight the angry natives, open up the forests, and forage for food. ~ Sandra Brennan, All Movie Guide

Sooky was the sequel to Paramount's smash-hit sentimental comedy Skippy; both films were based on characters created by comic strip artist Percy Crosby. Jackie Cooper is back as Skippy, with Robert Coogan (younger brother of Jackie Coogan) in the title role. Once again, Skippy is the mischievous kid from a comfortable family environment, while Sooky is the soot-faced urchin from the wrong side of the tracks. Sooky deftly blends comedy and tragedy, ranging from the comic complications ensuing when Skippy tries to help his city-employee father win an election (Willard Robertson), to the heartrending scenes involving the death of Sooky's mother (Helen Jerome Eddy). There is a reasonably happy ending, wherein Sooky is adopted by Skippy's dad. After Sooky, Jackie Cooper moved from Paramount to MGM, where he remained until he grew too old to be cute. ~ Hal Erickson, All Movie Guide

War Nurse was based on the anonymous memoirs of an American nurse who served with the French Army during WWI. Since the nurse's recollections included several sexual episodes, the book gained a degree of notoriety, and it was assumed that the material was too "hot" to be adapted to film. But MGM scriveners Becky Gardiner and Joe Farnham managed to retain the spirit of the original novel while still remaining safely within the boundaries of Hollywood censorship. Broadway actress June Walker starred as the title character, here named Babs, whose many romances are crystallized into a single passionate affair with downed aviator Wally (Robert Montgomery) and a less-serious entanglement with a married officer named Robin (Robert Ames). Perhaps to atone for the "sins" of the original novelist, Anita Page appears as Babs' friend Joy, who comes to a sad end after being betrayed by Robin, who likewise dies an unpleasant death. War Nurse failed to make back its $600,000 budget, whereupon June Walker, who wasn't too keen on movies anyway, returned to the stage. ~ Hal Erickson, All Movie Guide

The first all-talking "Our Gang" comedy, Small Talk was also one of the few series entries to run three reels rather than the customary two. A sentimental effort, the film details the trials of tribulations of two orphans -- played by Mary Ann Jackson and Bobby "Wheezer" Hutchins -- when one of them is adopted by a wealthy matron (Helen Jerome Eddy). Though Wheezer is showered with toys, fancy clothes and other luxuries, he remains lonesome for his sister Mary Ann. The two kids are reunited when Mary Ann, together with the rest of her orphan pals, pay an unanounced visit to Wheezer's new digs. After laying waste to the mansion and accidentally summoning the cops, the youngsters are rescued from a return trip to the orphanage when a group of rich ladies agrees to adopt all of them immediately. Though exhibiting the customary clumsiness of early sound films, Small Talk also contains several surprisingly sophisticated "talkie" gags, including an opening bit involving various makeshift musical instruments. Originally released on May 18, 1929, the film was not included in the "Little Rascals" package released to television in the early 1950s because no decent picture and sound material then existed. Small Talk was restored for the home-movie market by Blackhawk Films in 1974, and released on video and DVD in the 1990s. ~ Hal Erickson, All Movie Guide

Better known for her work in talkie "weepers," Helen Twelvetrees made a few preliminary appearances in such late silent films as Fox's Blue Skies. The audience was expected to believe that the twentysomething Twelvetrees and Frank Albertson are teenagers living together platonically in an orphan asylum. A wealthy old man comes calling to adopt Albertson -- who, feeling sorry for Twelvetrees, trades places with the girl. Thus it is that the heroine is carted off to a luxurious mansion, while Albertson remains behind. One year later, the old man discovers Albertson's deception, whereupon he invites the boy to live with him as well. By this time, Twelvetrees and Albertson are of marriageable age, thus the film ends with a wedding in the offing. ~ Hal Erickson, All Movie Guide

Ralph Ince both directs and stars in the silent crime melodrama Chicago After Midnight. Ince plays a gang leader who is betrayed by his rival, James Mason. After 15 years in the slammer, Ince returns to murder Mason. He pins the crime on Robert Seiter, the sweetheart of cabaret dancer Jola Mendez. Then he has to undo all this when he discovers that Jola is actually his long-lost daughter. Chicago After Midnight is one of several products from Hollywood's first gangster cycle, which spawned such classics as Underworld and Walking Back. ~ Hal Erickson, All Movie Guide