Helen Jerome Eddy Movies

Hey, gang! Let's put on a swell show and call it Strike Up the Band! Yes, it's the irrepressible Mickey Rooney, teamed up again with Judy Garland to show the grownups how to do things right. This time, Rooney wants to organize a high-school band. He hopes to enter a competition being held in Chicago by the great orchestra leader Paul Whiteman; all he needs is two hundred dollars for train fare. To raise the money, Rooney, Garland and company stage a student "mellerdrammer" that in real life would have cost the equivalent of a third-world-nation annual budget. They get the dough, but soft-hearted Rooney turns over the money to the mother of student musician Larry Nunn, who is in desperate need of emergency surgery. It looks hopeless until, luck of luck, Paul Whiteman arrives in Rooney's town. The original George and Ira Gershwin Broadway musical Strike Up the Band was a satire of warfare, with America declaring war on Switzerland in order to corner the chocolate industry. You'll see none of that subversive stuff in this MGM musical; instead, we are treated to such highlights as a George Pal animated sequence involving dancing fruit. It ain't profound, but Strike Up the Band is sure entertaining. ~ Hal Erickson, All Movie Guide

In this drama, a New York physician takes a much-needed vacation down South. Unfortunately, he encounters a nurse working in the backwoods and ends up helping her to combat an epidemic that rages through the mountain communities. The doctor she works for prefers traditional herbs to modern medicine. At first the locals resent the big city doctor's intervention, but when he stops the scourge, they change their opinions. ~ Sandra Brennan, All Movie Guide

This tragedy has pathos to spare as it presents the story of a crippled orphan who finds support in a kindly storekeeper who loves her. To help her the older man must constantly deal with the well-intentioned welfare representative who constantly interfere. To pay for an operation for the stricken girl, the man sells his store. He loses everything when the state takes her back. The man successfully rallies to get her back only to die of a stress-related disease he caught while fighting for her. ~ Sandra Brennan, All Movie Guide

In this detective story, a super sleuth is hired by an insurance company to find a stolen emerald belonging to a rich man's daughter. He soon discovers that the theft was a hoax precipitated by the girl's boyfriend, an aspiring novelist doing research for his forthcoming novel. Real trouble ensues when the gem really is taken. Again the detective begins investigating. He soon discovers that the crook is an official at the insurance company. ~ Sandra Brennan, All Movie Guide

This second film version of the Edna Ferber/Jerome Kern/Oscar Hammerstein II musical Show Boat is considered by many film buffs to be the best of the three. Covering nearly four decades (was there ever an Edna Ferber novel that didn't?), the film stars Irene Dunne as Magnolia Hawks, a role she'd previously played on stage, though not in the Broadway version. The daughter of showboat impresario Captain Andy (Charles Winninger, who was in the Broadway original), Magnolia is swept off her feet by dashing gambler Gaylord Ravenal (Allan Jones). Yearning to appear on the showboat stage, Magnolia gets her chance when Captain Andy's leading lady, the tragic Julie (Helen Morgan, likewise a holdover from Broadway), is ordered not to perform by a small-town sheriff because she is Mulatto. Julie's husband Steve (Donald Cook) loyally walks out with his wife, thereby leaving the leading-man position open--but not for long, since Gaylord Ravenal agrees to take over for Steve, the better to stay close to Magnolia. Despite the disapproval of Magnolia's mother Parthy Hawks (Helen Westley), Magnolia and Ravenal are married. Later on, the couple has a baby girl named Kim. At first, the young family is blissfully happy, but as Ravenal's gambling debts begin to mount, things turn sour. Unable to support Magnolia and Kim, Ravenal walks out on them both. Desperately, Magnolia tries to get a job as a singer in Chicago. She auditions at a night spot where, fortuitously, Julie is the featured attraction. Hoping to give Magnolia a break, Julie gets drunk, forcing the manager to hire Magnolia as a replacement. During her New Years' Eve debut, Magnolia "chokes up" in front of the raucous audience--and then, who should emerge from the crowd but lovable Captain Andy, who gives Magnolia the encouragement she needs. Magnolia goes on to become a famous musical comedy star, as does her grown-up daughter Kim (played as an adult by Sunnie O'Dea). On the eve of Magnolia's retirement from the theater, she is reunited with her now-contrite husband Gaylord Ravenal. While the second half of Show Boat departs radically from both the novel (in which Ravenal never returns ) and the Broadway show, the film manages to capture the spirit of its literary and theatrical ancestors. Of the original score, "Cotton Blossom," "Ol' Man River," "Where's the Mate for Me?" "Make Believe," "Can't Help Lovin' Dat Man," You are Love" and "Bill" are retained, while most of the other songs are heard as background accompaniment. Jerome Kern and Oscar Hammerstein II penned three new tunes for the film version: "Ah Still Suits Me," "Gallavantin' Around" and "I Have the Room Above." As in all stage and screen versions of Show Boat, the Charles K. Harris standard "After the Ball" is heard in the New Year sequence. In addition to the aforementioned Dunne, Jones, Winninger, Westley, Morgan, and O'Dea, the Show Boat cast includes the magnificent Paul Robeson as Joe (his rendition of "Ol' Man River" can still induce goosebumps), Hattie McDaniel as Queenie and Sammy White and Queenie Smith as the engagingly second-rate vaudeville team of Frank and Ellie Schultz. Though James Whale of Frankenstein fame seems an odd choice for director, he brings a vibrant theatricality to the proceedings that is lacking in other versions. Show Boat literally saved the financially strapped Universal Pictures from receivership--but not soon enough to prevent the ousters of Carl Laemmle Sr. and Jr. in favor of a new administration. ~ Hal Erickson, All Movie Guide

Mae West butts heads with Victor McLaglen in Raoul Walsh's Klondike Annie, but the real victor was the Legion of Decency, whose censorship strictures transformed a saucy and spicy gumbo into something closer to chicken noodle soup. West plays Rose Carlton, the kept woman of Chan Lo (Harold Huber), who takes her from walking the streets to pacing the floors of her high rent apartment. Rose ends up killing Chan and beats it from San Francisco to the frozen north. She boards a ship where burly sea captain Bull Brackett (McLaglen) takes a shine to her; when he finds out she killed Chan, he blackmails her into coming up and seeing him sometime. Boarding the ship in Seattle is missionary Annie Alden (Helen Jerome Eddy), who dies on the way to Alaska. Rose assumes Annie's identity and, upon arrival in Alaska proceeds to preach the Good Book, saving sinners by unorthodox methods. Mountie Jack Forrest (Philip Reed) arrives in town searching for Chan's murderer and he falls in love with Rose, unaware that the woman he loves is the killer he seeks. ~ Paul Brenner, All Movie Guide

The fourth screen version of Hubert Henry Davies' 1914 play Outcast, this comedy-drama stars Bette Davis as Miriam Brady, a shop girl offered 100 dollars to keep drunken socialite Geoffrey Sherwood (Ian Hunter) out of trouble. The next morning, alas, Miriam discovers that she has become Mrs. Sherwood while under the influence. The couple move to an unfashionable neighborhood where Geoffrey starts his own business, but domestic bliss is soon rudely interrupted by Valentine French (Katherine Alexander), Geoffrey's former fiancée, who wants him back. According to some reports, Genevieve Tobin, originally cast as Valentine, left The Girl From Tenth Avenue in the last minute prior to production arguing that she was unsuited for the role. ~ Hans J. Wollstein, All Movie Guide

In this drama, an impoverished dreamer saves a group of people during a terrible storm by leading them to shelter in a ghost town containing but one ancient resident. The stranded travelers are surprised by the high-style in which the codger lives. Soon they learn that the man and the drifter's grandfather co-owned a gold-mine. Unfortunately, the old resident cannot find it. The young dreamer finds it for him, and then marries an heiress who was among the travelers. ~ Sandra Brennan, All Movie Guide

Rendezvous at Midnight shifts from "low" to "drive" when corrupt city commissioner Myles Crawford (Arthur Vinton) is murdered. His assistant, Bob Edmonds (Ralph Bellamy), originally assigned to investigate the commissioner's administration, now tries to solve his murder. The prime suspect is Sandra Rogers (Valerie Hobson), the last person to see Crawford alive. Despite the most damning evidence, Edmonds refuses to believe that Sandra is guilty, and he sets about to prove it -- even if it means compromising his own honesty. This mild whodunit has curiously been included in TV's "Shock Theater" package, right along with Frankenstein, Dracula, and The Wolf Man. ~ Hal Erickson, All Movie Guide

Set within the steamy Louisiana bayous, this melodrama chronicles the reconciliation between an embittered bereaved mother and the daughter she always blamed for her husband's demise. The woman lost her spouse just before her daughter was born. Though she was very pregnant, she and her husband decided to go for a walk through the swamp one day. Unfortunately, he got trapped in quicksand. Encumbered by the baby within, the woman could do nothing but watch him slowly die. Upon her daughter's birth, the angry mother refused to care for the infant and later refused to allow her schooling. Finally, the caring neighbors intervene and take charge of the child. Eventually, the mother sees the light and begins loving the child when she discovers that her beloved spouse had been having an affair. ~ Sandra Brennan, All Movie Guide

A few unique touches aside -- notably the opening costume-party scene, in which the revellers are dressed as insects -- Rip Tide is a standard-issue Norma Shearer soap opera. Shearer plays Mary, a footloose and fancy-free American heiress who weds British nobleman Lord Rexford (Herbert Marshall). Five years later, Rexford embarks upon a business trip to New York, while Mary, urged on by her fun-loving aunt, vacations on the Riviera. Here she is reacquainted with her ex-boyfriend Tommie (Robert Montgomery), whose drunken misbehavior causes scandal to befall them both. Refusing to hear Mary's side of the story, Rexford begins divorce proceedings, but a happy ending finally manifests itself after reels and reels of endless high-toned dialogue. Legendary stage star Mrs. Patrick Campbell makes her Hollywood film debut in Rip Tide as Shearer's all-knowing Aunt Hetty, while Walter Brennan and Bruce Bennett show up in microscopic bit roles. ~ Hal Erickson, All Movie Guide

This Depression-era romantic drama, which offers a surprisingly potent and unsentimental view of the economic hardships of the time, stars Spencer Tracy as Bill, a rough-hewn laborer struggling to get by and sleeping in a Hooverville shack. Bill meets Trina (Loretta Young), a sad and desperate young woman with no prospects and nowhere to go; her plight touches his heart of stone, and he allows her to stay with him. Bill picks up work where and when he can, while Trina tries to turn their hovel into a home. Bill soon makes the acquaintance of Fay LaRue (Glenda Farrell), a brassy showgirl whose career is on the way up and wouldn't mind if Bill tagged along. But Bill learns that leaving Trina behind won't be as simple as he thought. Trina is pregnant with his child, so he ends up planning a dangerous robbery in hopes of raising enough money to provide a proper home for Trina and the baby. Dealing with tough material in an adult manner, A Man's Castle was considered quite daring in its day. A year after its release, Hollywood adopted the Production Code that prohibited the depiction of unwed cohabitation and premarital pregnancy (among many other things), which would have made this a very different film. ~ Mark Deming, All Movie Guide