Anne-Marie MacDonald Movies

Fraser (Paul Gross) witnesses an apparent suicide attempt by a delusional man who is searching for someone who has been dead for five years. Further investigating the situation, Fraser comes to the conclusion that a local private mental institution is a hotbed of crime. Going undercover as a patient (he has no trouble being committed after mentioning the fact that he owns a deaf wolf named Diefenbaker), Fraser tries to find out the secret behind the institution's ominous "Blue Room"--and stumbles upon a sinister wholesale-murder scheme. Due South creator Paul Haggis shows up unbilled as one of Fraser's fellow inmates. ~ Hal Erickson, All Movie Guide

In this comedy from writer-director John Boorman, wealthy real estate mogul Stewart McBain (Dabney Coleman) owns a demolition firm which specializes in blowing up old buildings to make way for upscale new ones. When neighbors protest his plans to raze a dilapidated old building to make way for a new Brooklyn subdivision, television crews film the confrontation, and McBain comes off like a fool. His three spoiled children ridicule him. Tired of their carping, McBain gives them each $750 and drops them off at the old building, known as the Dutch House. Daphne (Uma Thurman), Chloe (Suzy Amis) and Jimmy (David Hewlett) are at first completely lost, because they have no idea how to live in the real world. As McBain and his wife Jean (Joanna Cassidy) monitor their children's progress, the three youngsters learn to get along with the neighborhood people and eventually set up a commune of sorts, into which they invite their friends and various homeless people. ~ Michael Betzold, All Movie Guide

Set in the years before World War I, this film is about Robert, a young man growing up in a wealthy family in Toronto who is burdened by a distant, cool mother and a father dedicated to duty, both highly conservative people. When Robert loses his beloved invalid sister in a car accident he is further tormented by the family's decision to kill her pet rabbits - and quarrels with them so intensely that he enlists in the army and goes off to war. Once "over there," he discovers brothels and romance, and in a climactic scene, decides to free a barn full of horses from certain death - in spite of contrary orders from his superiors. The juxtaposition of Robert's internal conflict and the external horrors of combat may have been intended to illustrate the nature of "war," although that is difficult to surmise since the evidence in the film is not that strong. ~ Eleanor Mannikka, All Movie Guide