Carina Lau Movies

Master Hong Kong filmmaker Wong Kar-Wai directed this lyrical, dream-like martial arts epic. A famously troubled shoot, the film took two years and 40 million dollars to produce (a shocking sum for a national cinema populated with low-budget quickies) and features a virtual who's who of the Hong Kong film world. Conceived as a prequel to the popular martial arts novel The Eagle-Shooting Hero by Jin Yong, the movie is less a straightforward action thriller than a visually striking meditation on memory and love. It nominally centers on Ouyang Feng (Leslie Cheung), who ekes out a lonely existence as an itinerant hired sword. Getting on in years and tormented by memories of a lost love, he also works an agent for other mercenary assassins from his remote desert abode. Ouyang's old friend and fellow swordsman, Huang Yaoshi (Tony Leung Kar-Fai, who starred in the The Lover) drowns his lovelorn misery in a magical wine that makes him forget. Later, a mysterious young man named Murong Yang (Brigitte Lin) hires Ouyang to kill his sister's unfaithful suitor, Huang Yaoshi. The following day, that spurned sister, Murong Yin (Lin again), hires Ouyang to protect her dearly beloved. Meanwhile, Hong Qi (pop star Jacky Cheung) finds some redemption for a life of killing by accepting a poor girl's offer to avenge her brother's death -- a task that Ouyang brusquely shunned. In another subplot, a master swordsman (Tony Leung Chiu-Wai) is slowly going blind. He agrees to defend a village from horse thieves so that he can afford to go home and see his wife before his eyesight fails completely. This film is one of the most celebrated examples of 1990s Hong Kong cinema: it won multiple awards in its native Hong Kong, along with a Golden Osella for Best Cinematography at the 1994 Venice Film Festival.

In the years following Ashes of Time's initial theatrical release, the original negatives were lost and multiple versions of the film began to crop up all across the globe. As a result, director Wong Kar-wai longed to compile these various versions into a restored, remastered, and definitive final cut. With Ashes of Time Redux, the director restructures the film according to seasons, effectively clarifying the central narratives, and digitally colorizes the film to render cinematographer Christopher Doyle's masterful imagery all the more lavish and intoxicatingly gorgeous. ~ Jason Buchanan, All Movie Guide

Taking a cue from the HBO series Sex and the City, the Asian comedy Sex and the Beauties concerns a group of eight young women who meet every so often to talk about sex and love. ~ Perry Seibert, All Movie Guide

Famed poet Gu Cheng travels from his native China to the beautiful shores of New Zealand, searching for beauty and innocence. What he finds, however, is a twisted tumult of human emotion when he is loved by two different women. What began as a search for renewed life ends in murder and jealousy in this film based on a true story. ~ Cammila Albertson, All Movie Guide

The prequel to Andrew Lau and Alan Mak's smash hit Infernal Affairs opens in 1991, with Inspector Wong (Anthony Wong) explaining the frustrations of police work to gangster Sam (Eric Tsang). He also expresses his desire to see the seemingly reasonable Sam take over he reins of the local triad from the current boss. When that boss is murdered, with no apparent heir, it seems that Hong Kong is going to explode in an all-out gang war. But the boss' bespectacled, soft-spoken, and well-mannered son, Hau (Francis Ng), unexpectedly takes charge, calmly and cleverly defusing the situation. Meanwhile, Yan (Shawn Yu, reprising his role as the younger version of Tony Leung's character in the first Infernal Affairs) is thrown out of the police academy for breaking the rules, and it's discovered that he's Hau's half-brother. Wong recruits him to work undercover in Hau's organization. Ming (Edison Chen playing the younger Andy Lau) is a corrupt cop secretly working for Sam. His progress up the ranks of the police force is swift, but his relationship with Sam is threatened when he finds himself falling in love with Sam's girlfriend, Mary (Carina Lau). For his part, as the handover of Hong Kong to China approaches, Hau plots to become involved in "legitimate" politics, and to avenge himself against those he believes responsible for his father's death. Chapman To reprises his role as the goofy Keung. Infernal Affairs II was selected by the Film Society of Lincoln Center for inclusion in the 2004 New York Film Festival. ~ Josh Ralske, All Movie Guide

Ng Min-Keng spins this kung-fu revenge fantasy featuring Brigitte Lin Ching-Hsia. As a child, Snow witnessed her family getting murdered at the hands of dark-hearted martial arts masters looking for a priceless, magical lyre. The highly sought-after instrument plays music that has the power to kill, and over her upbringing, Snow (Lin) learned to harness its might, making her a formidable kung-fu master in her own right. Once she reaches adulthood, she sets her sites on the villains responsible. In their first bloody encounter with Snow, featuring scores of flying swordsman being evaporated lyre's music, the baddies learn of the whereabouts of the legendary stringed instrument. As a violent struggle between the bad guys ensues, Snow's quest for vengeance is hindered some when she learns of her long-lost brother Lui Lun (Yuen Biao). ~ Jonathan Crow, All Movie Guide

As one of the most respected and dedicated officers on the force, Ling (Carina Lau) has dedicated her career to ridding the city streets of the criminal element, no matter what the cost. When Ling catches wind of an illegal arms smuggling ring by way of a fellow officer who had been working on a jewelry theft case, she enlists the help of her cousin Lo (Teresa Mo) in bringing down the mafia weapons smugglers in a hard way. ~ Jason Buchanan, All Movie Guide

In the 1930s, in China, there was a woman film-actress who was tagged as "the Chinese Garbo." She was a wildly popular performer who made her first film at age 16 and died by her own hand at age 25. Ironically, she was famous for playing tragic heroines, and her own life mirrored the kinds of situations she portrayed onscreen. In this biopic, Ruan Ling-yu (Maggie Cheung) is riding high in her career when the press decides to take her down a notch or two, bitterly criticizing her for an affair with a married man. This situation is unbearable for her, and she kills herself, but not before uttering the words "Gossip is a terrible thing." In addition to the central drama, scenes from actual films starring the actress are included, and the actors in this biopic occasionally step out of character to address the camera, recounting some significant fact about the individuals whose lives they are playing, and the nature of those times in China. ~ Clarke Fountain, All Movie Guide

Hong Kong filmmaker (Sammo Hung) directs and stars in this film about a pair of bumbling, but likeable pedicab operators. When the two find girlfriends, one of the women turns out to be a prostitute, and the heroes run afoul of a local gangster. The film blends slapstick comedy, romance, and martial arts genres. ~ Jonathan E. Laxamana, All Movie Guide